British tars giving the carmignols a dressing on memorable 1st of June 1794
Description:
Title from item., Sheet trimmed within plate mark at bottom., Publisher's advertisement following imprint: who has just fitted up his exhibition on an entire novel stile [sic] admittance one shilling., Temporary local subject terms: Reference to sansculottes -- Dogs: bulldog -- Emblems: tricolor cockades., and Watermark.
Publisher:
Pub. June 25, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799
Subject (Topic):
First of June, Battle of the, 1794, Sansculottes, Fighting, Sailors, and British
"A squalid domestic interior: the Prince of Wales (right) and Mrs. Fitzherbert (left) sit facing each other on each side of an open fireplace. A calf's head suspended from a string roasts before the fire. She mends a pair of breeches which he has taken off; on the breeches and on his left leg the word 'Honi' is conspicuous. He is out at elbows though fashionably dressed. Next to Mrs. Fitzherbert and on the extreme left is an infant in a wicker cradle, on rockers; the Prince negligently holds a string attached to the cradle. On the wall is a ballad: 'A Begging We will go &c.' The Prince of Wales' feathers also decorate the wall. On the extreme right is a small table, scantily laid for one. Weltje kneels beside it, unpacking a basket of potatoes. He looks round at George Hanger who stands behind the table in profile to the left holding a mug."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Domestic scene -- Furniture: chair -- Literary quotation: Colley Cibber's Love's last shift, or The fool in fashion -- Military uniform: Colonel in light infantry -- Roasting a calf's head -- Infant in wicker cradle -- Prince's debts -- Basket of potatoes.
Publisher:
Pub'd Feby. 26, 1787, by S.W. Fores at the Caricature Warehouse, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne,, Hanger, George,, and Weltje, Louis,
Political satire on the British military action in Spain during the Peninsular War: Lieutenant-General Arthur Wellesley expresses surprise to an overweight soldier, sweating after fleeing from the French, that is was able to re-join the rest of the army
Description:
Title etched below image., Probably etched by William Heath. See British Museum satire 11361 for similarity of style., Lettered with imprint and series statement in additon to speech balloons., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark: [illegible].
Publisher:
Pubd. Septr., 1810 by Thos. Tegg 111 Cheapside
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Peninsular War, 1807-1814, Obesity, Soldiers, and British
Heading to a broadside printed in two columns. Prince Frederick, Duke of York and Albany, is dressed in an officer's uniform and seated at a writing desk next to a window. He turns to gaze at a portrait of his mistress, Mary Anne Clark, on the wall behind him, which hangs next to another painting of Cupid with his bow and arrow. Printed below the illustration are a love poem and a quoted extract from a love letter, taken from the work 'The Authentic and Impartial Life of Mrs. Mary Anne Clarke' that was published after the Duke severed ties with her in 1809
Description:
Title printed in letterpress below image., Date of publication inferred from the inclusion of extracts from The authentic and impartial life of Mrs. Mary Anne Clarke, published in 1809., Letterpress text beneath title begins: Pretty! Pretty! Mistress Clarke, None than I can love thee better; ... ., Not in the Catalogue of prints and drawings in the British Museum., and Watermark.
Publisher:
Published by M.C. Springsguth
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Writing materials, Mistresses, Love letters, and Portraits
"The Duchess of St. Albans, immensely fat, florid, and bejewelled, and a stout elderly naval officer wearing loose wide trousers, and apparently doing hornpipe steps, his hands on his hips, dance side by side with rollicking abandon. The others of the set: one man and two ladies on the left and one lady and two men on the right dance rigidly erect, and watch the central pair with hauteur; the men are dandies, the women slim and fashionable. The duchess has a swirling paradise-plume in her towering loops of hair, above tossing ringlets."--British Museum online catalogue
Alternative Title:
Run neighbours, run, St. Albans is quadrilling it
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., British Museum curator's note: The naval officer is (unconvincingly) identified by E. Hawkins as Sir George Warrender (1782-1849), a Huskissonite M.P. who was never in the navy; he was a Lord of the Admiralty 1812-22; he appears, in back view, in a "Sketch of a Ball at Almack's, 1815" (Gronow, 'Reminiscences', 1892, ii, frontispiece). Perhaps Lord Amelius Beauclerk (1771-1806), her husband's uncle. Cf. 'Croker Papers', 1884, ii. 200., and Watermark: 1827.
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Geographic):
England
Subject (Name):
St. Albans, Harriot Mellon, Duchess of, 1777?-1837, Beauclerk, Amelius, 1771-1846, and Warrender, George, 1782-1849
Subject (Topic):
Clothing & dress, Dandies, British, Obesity, Balls (Parties), and Dance
"British troops are about to march through a large fortified gate leading from open country (left) to the town of Buenos Ayres, where confused street-fighting is in progress. Can are fired from the battlements of the gate at the soldiers, some of whom lie dead or wounded. In the foreground an officer (mounted), in conversation with others, asks: "where is the General"; others say: "go look for the General"; "Find the General"; "why the General is lost". A Highland officer, taking snuff (right), slyly; "I dare say he is varra safe." From the country (left) three mounted men gallop, all saying, "I come for Orders". In the background Whitelocke's head and shoulders are seen peeping over a hillock on the extreme left. He says: "He that fights and runs away, May live to fight another day, But he thats in the Battle slain, Will never live to fight again". In the distance, behind him, are tiny (British) soldiers in close formation. In the city men are firing and hurling stones from the roofs of flat-roofed houses on British soldiers in the plaza. On the wall (right) is a placard: 'Lost, or Mis-led a General officer Who ever can [give] Information ... ampl[y] rewarded.'"--British Museum online catalogue
Alternative Title:
Symptoms of courage
Description:
Title etched below image., "G. Whiteliver" is a pseudonym. Questionable attribution to Isaac Cruikshank from the British Museum online catalogue, registration no.: 1868,0808.7629., Variously attributed to either Isaac or George Cruikshank; see British Museum catalogue., Title is a direct reference to an Isaac Cruikshank print, published by S.W. Fores in 1790, entitled "Symptoms of courage, or, The tables turned." Cf. No. 7667 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to plate mark at top edge., and Penciled note in an unidentified hand: relates to Genl. Whitelock's conduct at Buenos Ayres, S. America.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Argentina and Buenos Aires.
Subject (Name):
Whitelocke, John,
Subject (Topic):
History, Campaigns & battles, Soldiers, British, Military officers, Scottish, Ethnic stereotypes, Gates, and Signs (Notices)
Leaf 97. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man leaning against a bank under a tree holds out in his right hand a square frame in which are displayed dead butterflies and moths. In his left hand is a butterfly net. His hat is a large butterfly; writhing caterpillars represent his curled hair. A butterfly rests on his left coat cuff. His coat is adorned with symmetrical snails to represent trimming."--British Museum online catalogue and "This is evidently Moses Harris, entomologist and engraver, secretary to the Aurelian Society, who published 'The Aurelian, or Natural History of English Insects, Snails, Moths, and Butterflies, together with the Plants on which they feed', 1766 ... The frontispiece, which is burlesqued in this print, is a self-portrait of the author with a large butterfly-net leaning against a bank with a box of butterflies in his hand."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., Plate numbered "v. 6" in upper left corner and "10" in upper right corner., First of three plates on leaf 97., and 1 print : etching on laid paper ; plate mark 17.6 x 12.8 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. accord. to act by MDarly, (39) Strand
Subject (Geographic):
England
Subject (Name):
Harris, Moses, 1730-approximately 1788
Subject (Topic):
Entomologists, Butterflies, Butterfly nets, Clothing & dress, Dandies, and British
Leaf 97. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A young man leaning against a bank under a tree holds out in his right hand a square frame in which are displayed dead butterflies and moths. In his left hand is a butterfly net. His hat is a large butterfly; writhing caterpillars represent his curled hair. A butterfly rests on his left coat cuff. His coat is adorned with symmetrical snails to represent trimming."--British Museum online catalogue and "This is evidently Moses Harris, entomologist and engraver, secretary to the Aurelian Society, who published 'The Aurelian, or Natural History of English Insects, Snails, Moths, and Butterflies, together with the Plants on which they feed', 1766 ... The frontispiece, which is burlesqued in this print, is a self-portrait of the author with a large butterfly-net leaning against a bank with a box of butterflies in his hand."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. VI: Characters, macaronies, & caricatures. [London] : Pub. by MDarly, 39 Strand, Novr. 1, 1773., and Plate numbered "v. 6" in upper left corner and "10" in upper right corner.
Publisher:
Pub. accord. to act by MDarly, (39) Strand
Subject (Geographic):
England
Subject (Name):
Harris, Moses, 1730-approximately 1788
Subject (Topic):
Entomologists, Butterflies, Butterfly nets, Clothing & dress, Dandies, and British
Leaf 29. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men stand on the pavement outside a door-way under the pediment of which are the royal arms. Beneath them and over the doorway is inscribed, "Lovejoy, Kings arms Tavern", cf. British Museum Satires No. 4995. This appears to be a representation of the entrance to Covent Garden Theatre. The taller of the two men (left) has snatched off the other's wig, and holds it up in his right hand. In his left hand is his sword, broken off below the hilt; his hat is on the ground. Behind and to the right stands a short stout man with bare shaved head; his hat is in his right hand. The taller man is dressed in the prevailing macaroni fashion and has a certain resemblance to Colman, then part-proprietor and manager of Covent Garden Theatre, see British Museum Satires No. 5064. The wig of the other is of the type worn by 'cits', see British Museum Satires No. 5463."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "2" in upper right corner., Temporary local subject terms: Buildings -- 'Cits' -- Wigs: type worn by 'cits' -- Weapons: broken sword -- Fences: iron fence -- Arms: royal arms., First of two plates on leaf 29., and 1 print : etching with engraving on laid paper ; plate mark 24.7 x 17.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. by MDarly, Strand, Feby. 24th, 1772, accorg. to act
Subject (Geographic):
England
Subject (Name):
Colman, George, 1732-1794 and Covent Garden Theatre,
Leaf 29. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men stand on the pavement outside a door-way under the pediment of which are the royal arms. Beneath them and over the doorway is inscribed, "Lovejoy, Kings arms Tavern", cf. British Museum Satires No. 4995. This appears to be a representation of the entrance to Covent Garden Theatre. The taller of the two men (left) has snatched off the other's wig, and holds it up in his right hand. In his left hand is his sword, broken off below the hilt; his hat is on the ground. Behind and to the right stands a short stout man with bare shaved head; his hat is in his right hand. The taller man is dressed in the prevailing macaroni fashion and has a certain resemblance to Colman, then part-proprietor and manager of Covent Garden Theatre, see British Museum Satires No. 5064. The wig of the other is of the type worn by 'cits', see British Museum Satires No. 5463."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "2" in upper right corner., Temporary local subject terms: Buildings -- 'Cits' -- Wigs: type worn by 'cits' -- Weapons: broken sword -- Fences: iron fence -- Arms: royal arms., and Watermark: Strasburg lily.
Publisher:
Pub. by MDarly, Strand, Feby. 24th, 1772, accorg. to act
Subject (Geographic):
England
Subject (Name):
Colman, George, 1732-1794 and Covent Garden Theatre,