Three couples outside a country tavern along a river back. One pair dance while another sit together on a bench, and the third stand at the open gate, the man blow a pipe and striking a tambor (drum). The sign hanging outside the inn shows a crescent moon
Description:
Title devised by cataloger., Companion print: [Pedlars talking]., and Mounted.
Publisher:
Engrav'd and pubd. according to act Augt. 5, 1780, by T. Gaugain, N. 4 Little Compton Street. Soho
Subject (Topic):
Couples, Dancers, Musical instruments, and Signs (Notices)
A view of wartime merriment: A procession of sailors and their women, escorted by fiddlers, passes a background of shops towards a gateway across the end of the street (left). The purveyor of the jollification, a sailor who has inherited money, sits astride a cask of 'real Jamaica' supported on poles carried by sailors, who wave hat and tankard towards the crowded first-floor windows. Men and women dance along the street. There are many incidents. A Jew, talking to another Jew outside a shop placarded 'Moses Slop-Shop', has his hat twitched off by the cane of a sailor who leans from above the doorway. The sailors carry an Ensign flag and a flag inscribed 'Leander', and are making for the Point. See British Museum catalogue
Alternative Title:
Coxswain's carousal
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15212 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 218.
In two rows of three, from top left: a young man, his right knee resting against a rock, pulls back his short cape to reveal a small bouquet of flowers; a young couple embrace and toasting with wine glasses; a young couple seated and in conversation; a young woman in a headdress with feathers and touches to her face a folded fan; a couple dance; an older, short woman stands in profile to the right, her head slightly turned towards the viewer
Description:
Title devised by cataloger., Publication date from an unverified card catalog record., Sheet trimmed within plate mark., and Watermark: royal cipher with initials GR inside a cirle.
Men of fashion waltz with elegant courtesans in a magnificent pilastered room. A large orchestra is on a platform (right). Harriette Wilson (right) takes Stockdale's arm. Many names are given in the text of the published state. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15201 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Ms. note in pencil on front: Page 48, Vol. 2. Watermark 1824., and Watermarked: J. Whatman Turkey Mill 1824.
Publisher:
Sherwood, Jones & Co.
Subject (Name):
Wilson, Harriette, 1786-1846.
Subject (Topic):
Ballroom dancing, Balls (Parties), Courtesans, Couples, and Orchestras
The interior of a loft stacked with sacks, an angry countryman ferociously prods one with a pitchfork, while a handsome young woman stands in alarm behind him in the doorway. From the sack projects the terrified head and hands of the woman's lover; his queue indicates a military officer. A white owl flies under the rafters
Description:
Title and date supplied by cataloger., Attributed to Rowlandson., Compare to a print (in reverse) published 16 May 1807 by R. Ackermann: I smell a rat, or, A rogue in grain. See no. 10814 in v. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and For further information, consult library staff.
Subject (Topic):
Hiding places, Adultery, Couples, Hiding, Bags, Pitchforks, and Surprise
Detail of the right side of the first design for William Hogarth's A rake's progress; an older man sits at a table holding the hands of the two young people whose marriage he has just arranged. Only the forearms of the betrothed couple are shown
Description:
Title devised by curator. and On page 209 in volume 3.
Detail of the right side of the first design for William Hogarth's A rake's progress; an older man sits at a table holding the hands of the two young people whose marriage he has just arranged. Only the forearms of the betrothed couple are shown
A scene in St. James's Park: A fashionably dressed couple stroll past a women who sits in on a bench, her head resting on her hand and a dejected look on her face
Description:
Title, numbering, and artist's signature inscribed on verso in black ink in the artist's hand: The neglected fair, no. 267, I. Cruikshank Senr. delt., Drawing signed with artist's initials within image in lower right corner., Date supplied by cataloger., and For further information, consult library staff.
Subject (Geographic):
Saint James's Park (London, England), England, and London.
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples
Frontispiece to Charles Gildon's The new metamorphosis (London : Sam. Briscoe, 1724) shows Apuleius on the left and Lucian on the right each with an ass with the modern adaptor in the middle. Below the figures of Apuleius and Lucien are two satyrs; between them is a scene in front of church with couples embracing and kissing; a man and a woman stand on either side of a boy chastising him (?).On the base is etched "Credo pudicitiam Saturno rege moratam in terris", an allusion to the satire on women
Alternative Title:
Credo pudicitiam Saturno rege moratam in terris
Description:
Title, state, and imprint from Paulson., "Vol. 1. p.1"--Lower left corner, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The Golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., and On page 21 in volume 1. Plate trimmed to: 14.1 x 7.7 cm.
Publisher:
Sam. Briscoe
Subject (Name):
Apuleius.
Subject (Topic):
Illustrations, Satyrs (Greek mythology), Authors, Children, and Couples