Manuscript fragment on parchment of a sequentiary containing, among others, works by Gottschalk and Notker Balbulus as well as anonymous works
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 3-line initials are the beginning of each sequence are written in a mixture of orange square capitals and uncials; 1-line initials at the beginning of verses are in a mixture of orange square capitals and uncials; rubrics written in orange minuscule; first line of each sequence written in brown rustic capitals; punctuated with the punctus; interlinear neumes are present in one sequence.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gottschalk, of Orbais, approximately 803-approximately 867., Catholic Church, and Notker, Balbulus, approximately 840-912
Manuscript fragment on parchment of a sequentiary containing multiple hymns, many by Notker Balbulus
Description:
In Latin., Script: written in Caroline minuscule., and Decoration: 1- and 2-line initials are a mixture of orange uncials and square capitals; rubrics are written in orange rustic capitals; the first 2 to 4 words of each sequence are written in a mixture of brown uncials and square capitals; punctuated with the punctus; neumes in the St. Gall style are in the outer margins.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Notker, Balbulus, approximately 840-912 and Catholic Church
Manuscript on paper (thick with heavy chain lines) of Sermons by Graeculus O.F.M. (early 14th century) and Conradus de Waldhausen Can. Reg. (d. 1369). With additional sermons
Description:
In Latin., Script: Copied by various hands all writing Gothica Cursiva Antiquior Currens. Scribes in quires I-V often make remarkable extensions to majuscules or ascenders on the first line, decorated with foliage or grotesque heads., Headings, heightening of majuscules and plain initials in red applied very irregularly and totally missing on ff. 26v-29v, 30v-118v, 119v-130v and 135v-138v. Some 2- or 3-line initials of coarse execution, with or without guide-letters; most initials are not executed., and Binding: Damaged original limp parchment with flap, made from several pieces of parchment sewn together by means of parchment strips. The sewing runs through the spine and is gathered in decorative patterns over two strips of heavy leather.
Manuscript on parchment, composed of 7 parts bound together
Description:
In Latin., Script: Each part written in different hand., and Binding: Eighteenth century. Damaged: sprinkled brown leather over cardboard. Spine with five raised bands, gold-tooled, with gold-tooled title on a red leather label: "MANUSCRIPT". Red sprinkled edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Thomas, à Becket, Saint, 1118?-1170. and Catholic Church
Manuscript on paper of Sermons in Nahuatl, beginning defectively in the sermon for the second Sunday after Easter, through the 23rd Sunday after Pentecost; material for each Sunday includes a reading from the Epistles with a "Declaracion del testo" and an "Aplicacion del testo," and a reading from the Gospels with the same exegetic material. Some marginal notes in Spanish, 16th century
Description:
In Nahuatl and Spanish., Watermarks: similar to Briquet Croix Latine 5688., Script: Written in small, even humanistic script, with heavy clubbing of ascenders and descenders., Initials, 2-line, are square capitals done by scribe in brown ink. Headings by scribe in a larger version of humanistic script., Many signs of wear: stains in margin, large water stain running into gutter from f. 110 on, some worm holes in upper and lower margins, but no loss of text., and Binding: Nineteenth century. Rigid vellum case. Edges spattered blue/green.
Subject (Geographic):
Connecticut, New Haven., and Central America.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Manuscripts, Medieval, Nahuas, Sermons, and Sermons, Nahuatl
Manuscript fragment on parchment of Pseudo-Augustinian Sermons, possibly from an Alan of Farfa Homiliary
Description:
In Latin., Script: written in Caroline minuscule, which Bischoff has dated to the first third of the ninth century., and Decoration: the homily begins with a 7-line decorated initial "F" outlined in brown and filled with orange, dark orange, ochre, and olive green; 1-line initials in brown uncials; rubric written in red uncials; punctuated with the punctus and punctus versus; a leaf has been drawn in red in the space between the columns on the verso.
Manuscript fragment on parchment of a group of sermons, including: Hildebert of Le Mans, Sermones de tempore; Unidentified sermon on John the Evangelist; and Unidentified sermon on the Circumcision (1 January).
Description:
In Latin., Script: written in an informal gothic script (approaching a littera textualis currens)., and Decoration: spaces have been left at the beginning of homilies for 2-line initials, but they have not been added; 1-line initials are in brown; punctuated with the punctus; a contemporary hand has made some corrections to the text in a darker ink.
Manuscript fragment on parchment of a selection of sermons by Stephen Langton, including: an unidentified sermon on St. Paul; Sermon on the Conversion of St. Paul (25 January); unidentified sermon on the Annunciation (25 March); and Sermon on John the Baptist (24 June).
Description:
In Latin., Script: written in small gothic script (littera textualis)., and Decoration: 2-line and 6-line sermon initials are in red, except for the initial on fol. 1r, which is a 1-line capital in brown ink; 1-line initials are brown; rubrics in red in the same script as the text; punctuated with the punctus, punctus elevatus, and punctus interrogativus; hyphenation in the same ink as the text.
Manuscript on paper, with parchment for outer and inner conjugate leaves of each quire, composed of four "booklets" or units of similar format. Part I: 1) William of St. Thierry, Epistola ad fratres de monte Dei, formerly attributed to Guigo and Bernard of Clairvaux. Part II: 2) Bernard of Clairvaux, Sermo in festo annuntiationis B. V. Mariae. 3) Bernard of Cluny [?], Sermo de villico iniquitatis, formerly attributed to Bernard of Clairvaux. 4) Bernard of Cluny, Preface to art. 3. Part III: 5) Bernard of Clairvaux, De gradibus humilitatis et superbiae. 6) Jean, l'Homme de Dieu, Tractatus de ordine vitae et morum institutione, formerly attributed to Bernard of Clairvaux. Part IV: 7) Bernard of Clairvaux, Sermo I pro Dom. VI post Pentecosten. 8) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 9) Bernard of Clairvaux, Sermo II pro Dom. VI post Pentecosten. 10) Anonymous sermon on the Virgin Mary. 11) Nicholas of Clairvaux, Sermo in natali S. Benedicti de euangelio. 12) Bernard of Clairvaux, Sermo in obitu Domini Humberti
Description:
In Latin., Watermarks: Part I: unidentified P in gutter. Parts II-IV: similar in design to Briquet Lettre Y 9182-84., Script: Part I (ff. 1-34): Written by a single scribe in well formed upright gothic script exhibiting batarde influence in the long descenders. Part II (ff. 35-46): Written in a script similar to that of Part I, but with less batarde shading. Part III (ff. 47-82): Written possibly by the same scribe as Part II. Part IV (ff. 83-99): Written in small cramped gothic script similar to those in I-III., Part I: Carefully executed red and blue divided initial, 8-line, on f. 1r; infilled and surrounded by delicate foliage designs in red and purple ink, on a green ground, with flourishes extending down inner border. Similar initial, f. 1v, without green ground and with blue scroll design for crossbar. Headings, paragraph marks, initial strokes, underlining, and Nota marks in red. Part II: Fine initial, 8-line, on f. 35r, divided red and blue, infilled and surrounded by six foliage designs in red penwork on green ground, with a central flower of six petals touched with yellow. Plain blue initial, 3-line, on f. 39v, with some floral designs in body in natural color of paper; red initials, 2-line, ff. 40r and 45v. Headings, initial strokes, underlining and corrections, in red. Paragraph marks in red or blue. Guide-letters for rubricator. Part III: Divided initial I, red and blue, 10-line, on f. 47r, with red and purple foliage designs on green ground surrounding initial, and with flourishes extending down inner margin. Blue initial, 4-line, on f. 68v, infilled and surrounded by penwork designs in red. Plain initials, 2-line, headings, initial strokes, paragraph marks, corrections, and some marginal notes, in red. Guide-letters and instructions for rubricator. Part IV: Blue initial, 5-line, on f. 83v, with interior floral designs in natural color of parchment; body infilled and surrounded by red penwork designs extending down inner margin. Initials, 5- to 2-line, headings, paragraph marks, in red., and Binding: 16th-17th centuries (?). Original sewing on four tawed, slit straps, the spine rounded and the supports prominent and defined. Plain, wound endbands on vegetable fiber cores, the covering leather saddle-stitched around them. Covered in dark brown calf with round and lozenge-shaped tools in diamonds and triangles formed by intersecting fillets in a central panel in a double outer frame. One fastening, the catch on the upper board and the strap wanting. Turk's head knot placemarks on the fore edge. Rectangular label removed from upper edge of front cover; two modern brown labels, stamped in gold, on spine: "Bernardi Varia" and "M. S." Original front pastedown: lower portion of a parchment bifolium (Germany, 15th century) of the Doctrinale of Alexander of Villa Dei with lines 1056-79 visible on verso and 1520-44 on recto. Ca. 5 mm. between lines of text. Binding restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Bernard, of Clairvaux, Saint, 1090 or 1091-1153., Catholic Church, and Cistercians.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Monasticism and religious orders, Sermons, and Theology
Manuscript fragment on parchment of the Song of Moses from a Psalter
Description:
In Latin., Script: written in gothic script (littera textualis), below top line., and Decoration: 1-line initials alternate red and blue; punctuated with the punctus; hyphenation is in the same ink as the text.
