Title from caption below image., From a series: Views of Rome with prints by Francesco Barbazza with Paolo Barbazza as intermedieary draughtsman. Published by Agapito Franzetti? See British Museum online catalogue, Registration number 1944,1014.209.9., Text above image in upper right: T. 1o., p. 52., Formerly dated in card catalog as ca. 1760?, Sheet trimmed within plate mark., and Window mounted to 26 x 40 cm.
Piranesi, Giovanni Battista, 1720-1778, printmaker
Published / Created:
[between 1760 and 1778]
Call Number:
Drawer 760.00.00.109
Image Count:
1
Resource Type:
still image
Abstract:
"Title-page for the 'Vedute di Roma' comprising a stone inscribed with the title, below a classical vase and fallen columns."--British Museum online catalogue
Alternative Title:
Vedute di Roma
Description:
Title from text within image., Later state? For possible earlier state lacking publication line, see British Museum online catalogue, registration number: 1914,0216.67., Date of publication from description of variant state in the British Museum., Title page to a series of plates by Piranesi depicting views of Rome., and "A paoli due e mezzo."
Publisher:
Presso l'autore a Strada Felice nel Palazzo Tomati vicino alla Trinità de' Monti
From the Collection: Hanbury-Williams, Charles, 1708-1759
Published / Created:
1717–1719
Call Number:
LWL MSS 7
Container / Volume:
box 52, folder 25
Image Count:
84
Description:
Charles Williams was a native of Caerleon, and had a successful career in Smyrna when he fled Wales after killing his cousin in a duel. He returned to London as a financier in the 1690s and befriended John Hanbury. When he died in 1720 he left his estate to Hanbury, who entailed it for his son Charles, who then took the name Hanbury-Williams. For further information, see The Hanburys of Monmouthshire by Richard Hanbury Tenison (1995), chapter 4. and A volume of letters bound in gold-tooled and stamped green vellum, with a printed CH-W number label (and evidence of a Phillipps label, now missing) on the spine. The Hanbury-Williams volume number is 46; the Phillipps number is 10893.
Probably one of two hundred plates issued in bound volumes entitled: Liber Veritatis di Claudio Gellee Lorenese. Rome: Francesco Bourlié, 1815., Title supplied by cataloger., Publication information based on that of the bound volumes., Plate numbered "38" in lower right corner., and Watermark: P.M.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of a vase in the Tribune at Strawberry Hill. At center is a view of the vase which is decorated with a scene of the sacrifice to Priapus, expanded in the drawing horizontally so that the entire scene is visible. In the lower left is a top view of the vase labeled "bocca del' vaso" and in the lower right a bottom view labeled "fondo dell' vaso."
Alternative Title:
Sacrificio di Priapo in vn' vaso di metallo giallo scavato nel' anno 1702 in Roma : fra' il Circo Massimo & le Terme di Antonino Caracalla
Description:
Title devised by curator., Written in ink at top of sheet: Sacrificio di Priapo in vn' vaso di metallo giallo scavato nel' anno 1702 in Roma ..., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 170 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Priapus (Greek deity),
A volume of etchings by three daughters of art collector John Ingram 1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli whose own etchings were in manner of Rembrandt and whose influence can be seen in the sisters' etchings. The style of the various impressions is very similar and were apparently made within a fairly short period if the dated prints are an accurate indication; some of the prints bound in first are dated February 1816 and then March 1816. This dating seems to be confirmed by a contemporary inscription on the front free endpaper: "These are the works of the Miss Ingrams' from their first lesson, 18..." Only five of the prints are unsigned; several prints in multiple impressions or two or more states, using brown and black inks and various stocks of paper, a few bearing a British watermark and date of 1814. Some of the prints have been mounted, but most have been printed directly on contiguous leaves forming the signatures of the volume
Alternative Title:
Etchings, gradations
Description:
Title devised by cataloger., Date of album based on internal evidence of some dated etchings, all '1816'., Also with inscription on front pastedown: Minnie Snowden, with John Johnson's kind regards and good wishes, Jan. 4, 1906., Bound in contemporary half calf, front cover detached and first leaves loose., and Three-quarter leather with marbled boards. Front board and first signature detached. Pages slip-stiched; decision to leave as is. Do not rebind. For further information, consult library staff.
A volume of etchings by three daughters of art collector John Ingram (1767-1841) of Staindrop Hall in County Durham: Elizabeth Christian Ingram (born 1795), Caroline Ingram (1800-1819), and Augusta Isabella Ingram (born 1802). The family lived in Venice and took instruction from Venetian etcher Francesco Novelli. Most of the prints bear the monogram of one of the Ingram sisters and are dated 1816 -1821. The works include images after Rembrandt, Ostade, Pietro Novelli, and other artists, Continental views, views of Hartlepool and Newcastle, and a vignette after Bewick. Also included is an image signed "IG' and dated 1824
Alternative Title:
Etchings
Description:
Title devised by cataloger., Date of album based on internal evidence., With a manuscript gift inscription to front free endpaper, dated 1867., Bound in dark half morocco., and For further information, consult library staff.
Graphite drawing of Diana rising from her bed, surrounded by her attendants
Description:
Title devised by curator., On mount, in pencil in an unknown hand: "From the Chaloner Smith Collection. Autograph at back. C. Maratti, engraved.", Inscribed in lower right corner of image: "Carlo Maratti.", On verso of drawing, written in pencil in an unknown hand: "Carlo Maratti--Horace Walpole's Collection 1822.", In another unknown hand on verso of drawing: "C. Maratti.", Watermark: IVilledary., Formerly housed as part of the SH Contents collection., Possibly one of the drawings described by A.T. Hazen in his Catalogue of Horace Walpole's library, no. 3567-3569., and Not in Manuscript Catalogue of 1763.