Lord North, with an expression of anxious anticipation, applies white paint to Charles Fox's left cheek while Fox, his face inscrutable, descends the last step to the floor of the House of Commons taking North's left hand. A dog looks up at North. The inscription below the design reads, "--Qui color ater erat nunc est contrarius atro, Translated for the Country Gentlemen, "I have found him a warm Friend a fair though formidable Adversary."
Alternative Title:
Qui color ater erat nunc est contrarius atro
Description:
Title from British Museum catalogue; alternative title etched below image., Printmaker identified as James Sayers in the British Museum catalogue., 1 print : etching with drypoint and stipple on wove paper ; plate mark 27.5 x 19.7 cm, on sheet 29.9 x 22.1 cm., and Mounted on leaf 14 of James Sayers's Folio album of 144 caricatures.
Publisher:
Published 17th March 1783 by Edwd. Hedges, Cornhill
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Dogs, Clothing & dress, and Politics and government
Lord North, with an expression of anxious anticipation, applies white paint to Charles Fox's left cheek while Fox, his face inscrutable, descends the last step to the floor of the House of Commons taking North's left hand. A dog looks up at North. The inscription below the design reads, "--Qui color ater erat nunc est contrarius atro, Translated for the Country Gentlemen, "I have found him a warm Friend a fair though formidable Adversary."
Alternative Title:
Qui color ater erat nunc est contrarius atro
Description:
Title from British Museum catalogue; alternative title etched below image. and Printmaker identified as James Sayers in the British Museum catalogue.
Publisher:
Published 17th March 1783 by Edwd. Hedges, Cornhill
Subject (Geographic):
England and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Dogs, Clothing & dress, and Politics and government
Title devised by cataloger., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject headings: Horse and cart -- Party., and Mounted to 26 x 36 cm.
"Francis, wearing his hat, stands in a theatrical attitude, his head turned in profile to the right, glaring fiercely (as in British Museum Satires No. 7268). His fists are clenched, the left arm across his breast. Beside him is etched: '"I hate Alonzo" Zanga'". Francis, inveterate enemy of Hastings, cf. British Museum Satires No. 7268, is represented as Zanga in Dr. Young's 'The Revenge' (1721)."--British Museum online catalogue
Alternative Title:
"I hate Alonzo" Zanga
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 17 with three other prints.
Publisher:
Publd. by Jas. Bretherton
Subject (Name):
Philip, Francis, Sir, 1740-1818 and Young, Edward, 1683-1765.
"Francis, wearing his hat, stands in a theatrical attitude, his head turned in profile to the right, glaring fiercely (as in British Museum Satires No. 7268). His fists are clenched, the left arm across his breast. Beside him is etched: '"I hate Alonzo" Zanga'". Francis, inveterate enemy of Hastings, cf. British Museum Satires No. 7268, is represented as Zanga in Dr. Young's 'The Revenge' (1721)."--British Museum online catalogue
Alternative Title:
"I hate Alonzo" Zanga
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.6 x 11.2 cm, on sheet 19.3 x 13.4 cm., Mounted with three other prints on leaf 10 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Mr. Francis.
Publisher:
Publd. by Jas. Bretherton
Subject (Name):
Philip, Francis, Sir, 1740-1818 and Young, Edward, 1683-1765.
"Francis, wearing his hat, stands in a theatrical attitude, his head turned in profile to the right, glaring fiercely (as in British Museum Satires No. 7268). His fists are clenched, the left arm across his breast. Beside him is etched: '"I hate Alonzo" Zanga'". Francis, inveterate enemy of Hastings, cf. British Museum Satires No. 7268, is represented as Zanga in Dr. Young's 'The Revenge' (1721)."--British Museum online catalogue
Alternative Title:
"I hate Alonzo" Zanga
Description:
Title from British Museum catalogue. and Signed with the monogram of James Sayers.
Publisher:
Publd. by Jas. Bretherton
Subject (Name):
Philip, Francis, Sir, 1740-1818 and Young, Edward, 1683-1765.
"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., and Mounted on page 18 with one other print.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., 1 print : etching and drypoint on wove paper ; plate mark 17.7 x 11.3 cm, on sheet 19.3 x 13.3 cm., Mounted with one other print on leaf 11 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Rev. Mr. Rosenhagen.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805
"Rosenhagen, fashionably dressed, stands in profile to the left, holding his hat and cane. He gazes with a complacent smile at a bust portrait of Lord Lansdowne. Beside him is etched 'In te Domine speravi'."--British Museum online catalogue
Alternative Title:
In te Domine speravi
Description:
"The Rev. Philip Rosenhagen (1737?-1798) was an intimate at Shelburne House and popular in the Prince of Wales's circle until he became a Pittite, perhaps in consequence of his repeated refusal to perform the marriage of Mrs. Fitzherbert and the Prince. 'D.N.B.'"--Curator's comments, British Museum online catalogue., Title, printmaker, and date from British Museum catalogue., This print was not published according to the British Museum catalogue., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Rosenhagen, Philip, 1737?-1798 and Lansdowne, William Petty, Marquis of, 1737-1805