Manuscript on paper (sturdy; staggered thumb holes at bottom of leaves) of Antiphons for suffrages. With liturgies and offices for various occasions. Written during the 16th century presumably for Franciscan use and supplemented during the 17th century; the second portion may have been added for use of the Reform Congregation of the Spanish Discalceates of which Peter of Alcantara was the founder
Description:
In Latin., Script: Written by two scribes in a large round gothic bookhand. 1) ff. 1r-43v (16th century); 2) ff. 44r-50r (17th century). Scribe 2 attempts to replicate the work of Scribe 1, but uses 5-line staves rather than 4-line., Decoration for ff. 1r-43v: initials, with foliage designs, in rectangular frame, often with ground uncolored; colors range from vibrant blue, yellow, and orange to olive green and dark purple. Initials for ff. 44r-50r, of similar design, with more subdued shades, and no frames., and Binding: Seventeenth century. Vellum stays, contemporary paper flyleaves and pastedowns. Original sewing on five supports attached to very thick, square wooden boards. Beaded and colored endbands. Red edges. Covered in brown calf (cow?) reinforced at spine with additional leather and straps nailed to the boards. Traces of a strap and pin fastening. Vellum label with notation "Antiphonar. Com. sanctorum" nailed to lower board. The badly warped upper board is reinforced with two strips of wood placed vertically on the upper surface.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Franciscans.
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of a book of hours with an office for the dead
Description:
In Latin., Script: Copied by one hand writing in Gothica Cursiva Formata (Bastarda)., and Decoration: Purplish red rubrics. Yellow highlighting of the majuscules. 1-line versals and 2- or 3-line initials, all in liquid gold on purplish red or blue square background decorated with foliage or flowers in liquid gold. Initials in red, blue, and gold. On f. 1v, there is a rectangular picture, framed in black and gold and treated as an initial 11 lines high, of God the Father with tiara, sitting, one hand on the globe, the other hand blessing rows of Seraphim and Cherubim before him. Elsewhere yellow-colored fleur-de-lys, animals, archers and a giant insects.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Book of Hours printed in Paris, Thielman Kerver for Guillaume Eustace, 20 June 1500. The illuminated leaves, from a Book of Hours for the use of Rouen, between 1475 and 1500, were inserted into the printed Book of Hours before the present-day binding was made (ca. 1600).
Description:
In Latin., Script: Copied by one hand in Northern Gothica Textualis Formata., Decoration: Headings in red. Heightening of majuscules in yellow. Rectangular line-fillers decorated with red, blue and gold; 1-line dentelle initials; 2-line foliate initials; 4-5 line historiated initials (artt. 3 and 14); arch-topped miniatures (described above) above 3-4 lines of text, accompanied by 3- or 4-line foliate initials. The pages containing miniatures or historiated initials have full flower and acanthus borders, which may contain additional scenes or grotesques (see artt. 2, 4, 5, 11, 12). The woodcuts are coloured by hand throughout the book. Text pages containing a 2-line foliate initial have outer-margin or inner- and outer-margin borders (the latter on ff. 42 bis r and 64r)., and Binding: Red morocco similar to that of Beinecke MS 662.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
In Latin with some Dutch headings., Script: Copied by one Northern scribe writing Southern Textualis Formata (Rotunda) with some Humanistic features (Capital A, straight d alternating with Gothic d)., Headings in red. Lavish decoration in Ghent-Bruges style. Rectangular line-fillers in red, blue, green and gold. Trompe-l'oeil initials (1 line, 2 lines, 3 lines (rarely), 5 lines) consist of twisted branches in mat gold projecting shadow on a square background in red, blue or green. Full-page miniatures are painted on the verso of inserted singletons and are framed by four-margin borders which have their counterpart on the facing text page. Text miniatures (height: 7-8 lines) are painted in regular quires and are accompanied by four-margins, mostly floral borders., and Binding: Partly original binding in blind-tooled brown calf by the Bruges binder Ludovicus Bloc (1484-1529). The original binding is inset in brown morocco by F. Bedford (?) On each cover a panel with eight animals in tendrils, surrounded by the inscription in Roman Capitals "Ob laudem Christi librum hunc recte ligavi Ludovicus Bloc", is stamped four times; between the upper and the lower panel imprints is a five-compartment frieze containing animals. On the modern blind-tooled spine gold-tooled modern inscriptions "HORAE / B.V.M. / TORNACENSIS" and "MS./ BRUGES / C. 1520". Gilt and gauffered edges. White parchment endleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment. Copied in the Charterhouse Val de Benediction (Vallis Benedictionis) at Villeneuve-les-Avignon
Description:
In Latin., Script: Copied by one hand in small Northern Gothica Textualis Libraria., All important illuminated leaves missing. Headings in red. Yellow heightening of the majuscules. 1-line flourished initials alternately red and blue. Numerous 2-line flourished initials in the same colours. 3-line dentelle initials with partial floral borders in gold (on f. 56r with bar-shaped extensions, on f. 57v no border)., The manuscript is heavily mutilated, some leaves are out of order and many (presumably all illuminated) leaves are cut out., and Binding: Nineteenth century. Light-brown leather over pasteboard; the covers gold-tooled with floral border and centre-piece. Gold-tooled spine with four raised bands. One large modern silver clasp attached to rear cover. Edges gilt and gauffered.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Carthusians. and Catholic Church
Subject (Topic):
Liturgy, Breviaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (poor quality: many ends, some stitched pieces; trimmed) of Suffrages and Prayers. Reputed to have been made for Marguerite de Valois, duchess of Savoy (1523-74), though there is no evidence of this within the manuscript
Description:
In Latin and French., Script: Written in batarde by several persons., Forty-six miniatures of very poor quality, the majority 10- to 8-lines, rectangular and full width of folio, framed in brown ink; four others (ff. 42v, 53r, 73v, and 104v) 5- to 4-lines, square, in gold frames edged in blue. 4- to 3-lines initials, ff. 1r-7v only, silver or gold on magenta or blue irregular grounds, with gold or silver filigree. 2- and 1-lines initials in red. Line-fillers in red and brown floral patterns. Rubrics throughout., and Binding: 16th-17th centuries. Resewn on four very small vegetable fiber cords. The spine of the cover shows that the earlier supports were nearly flat and double and that there were two half-bands near head and tail. Red edges. Covered in yellow/brown calf, blind-tooled with a central panel filled with strap work inside floral borders. A rectangle of leather near the center is painted red and "Margveritte de Savoye" is tooled near the head of the lower board. The cover has been made into a case or hollow-backed binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper and parchment, heavily illuminated (trimmed), of Devotions to the Blessed Virgin Mary. Written in Cologne/Lower Rhine (Ripuarian language area) for Augustinian use
Description:
In German and Latin., Watermarks: similar to Briquet Armoiries 1656., Script: Text written in varying bookhands, most with batarde influence; more formal scripts for some rubrics and portions of text on parchment., Two historiated initials, 12- and 10-line, on parchment bifolios, the letters gold and blue with brown and red penwork, the figures crudely drawn in pen and colored brown, blue and green, against bright red grounds with white highlights; brown and red calligraphic flourishes with red, green, blue and yellow dots extending along upper and side edges of written space. 12-, 10-, and 9-line initials (ff. 13r, 96r, 115r, 179r, 222r, 258r, 322v) gold (or red for ff. 258r, 322v) and blue, filled with brown floral penwork designs with calligraphic flourishes and dots, as above. Floral borders for each 12- through 9-line initial (except ff. 15r and 258r), red, blue, and green flowers with gold dot centers, connected by brown ink stems, arranged in rows or spirals; ff. 13r and 84v with a vase and bird in the margins. Two 9-line initials, ff. 274r and 298r, on parchment bifolios, in a markedly different style, green and blue respectively, with yellow and white highlights, against gold grounds, filled on f. 274r with a large flower, blue and red, on f. 298r with short sections of curling pink and green acanthus. Borders large blue or red flowers with gold dots and centers or short sections of blue and red acanthus on spiraling brown stems with small green teardrop leaves. Numerous 7- through 2-line initials, red and/or blue, with brown penwork and flourishes, as above. I-initials, up to 13-line, red or blue throughout. Some capital W's in text in blue or red. 2-line KL monograms, alternating red and blue. Some portions of the text, including proper names, underlined in red. Notes for rubricator in gutter, perpendicular to text., and Binding: Sixteenth century. Original sewing on four supports attached to wooden boards. Covered in dark brown calf with corner turn-in tongues. Blind-tooled with concentric borders, an X, roses and small flowers in the central panel, roses and rampant lions in the outer borders. Two clasp-and-catch fastenings, the catch on the upper board. Rebacked and the endbands probably added. Straps replaced. Covers lined with fragments of unidentified scientific text, in Latin (15th century).
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Mary, Blessed Virgin, Saint, Augustinians., and Catholic Church
Subject (Topic):
Devotion to., Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval