"A wide space leads to the harbour. On one side (left) is the corner of a large old clothes shop: 'Moses Levy Money Lent', with garments, &c., hanging from it. Opposite is the old-fashioned 'Ship Tavern'. Off shore are ships in full sail, boats are making towards them. In the foreground is a bustle of departure: baggage is being carried, casks are rolled, sailors and their women embrace or fight; a one-legged sailor plays a fiddle, a child plays with dogs. At the door of the 'Ship' an officer takes leave of his family; from the bow-window above spectators lean out, an officer using a telescope."--British Museum online catalogue
Description:
Title from caption below image., Publisher and publication date from British Museum catalogue., Sheet trimmed within plate mark., Variant without complete publication date of no. 12408 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and Watermark: 1800.
"Three sailors ride away from the sea-shore (right) where a man-of-war is at anchor. All are in difficulties. A fourth is on his hands and knees on the extreme left; he looks up to say: "Mind what you are at Messmates for I am upset, and the frigate I came on board of--has been under weigh, without me this half hour." The foremost, clasping his rearing horse round the neck, looks back to say: "Keep more to the Star-board and be D--d, to you--dont you see how you make my vessel, run a head." The next man is tied to his galloping mount with heavy ropes; and he says: "Here I come my Hearty's --Right and tight,--smart sailing, but never mind that--I cant be cast away for my commander, Heavens bless him has lash'd me to the deck, with some tough Old Cables!" The last sailor's horse kicks with tail erect; he exclaims: "D--n me--how she heaves. Why this is worse than a Jolly Boat, in the Bay of Biscay. and what a D--d noise she makes in her poop--Signals for sailing I suppose.""--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., "Price one shilling.", Plate numbered "62" in the upper right corner., and Part of text on print erased and replaced with manuscript.
Publisher:
Pub. March 16, 1811 by Thos. Tegg No. 111 Cheapside
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Slang: tickler -- Slang: firm -- Bank notes.
Publisher:
Pubd. Octr. 28, 1799, by R. Ackermann, No. 101 Strand
Title from item., Printmaker and artist from unverified data from local card catalog record., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. July 25, 1805 by R. Ackermann, No. 101 Strand
"Six elderly volunteers in uniform, with pigtails, sit at dessert. The host (left), holding a decanter and small glass, says: Come Gentlemen Volunteers to the right and left -- Charge if you please to the King [these words are linked to the mouth of the butler, but this seems inconsistent with the dialogue]. His vis-à-vis, rising from his chair, answers: I should be very happy to obey your Orders Colonel, but really your glasses are so small that d------n me if theres enough for a Prime [a specialized meaning of the word not in the O.E.D.] . . At the Colonel's feet are papers: A Penny saved is a 2 Pence got and Current Price of Port Shery--To one Pipe Old Port £120. The butler behind his chair grins delightedly. On the wall is a placard: Maxims--How to get Rich--Pinch Sque[eze], Gripe, Snat[ch]. The room has Gothic mouldings and a window on which are the arms of the City of London, suggesting that the host may be the Lord Mayor (John Ainsley 1807-8). One of the prints in No. 11133."--British Museum online catalogue
Description:
Title from caption below item. and Plate marked "227" in upper right corner.
"The corner of a house seen from a walled garden. Death throws down a ladder which gave access to a window from which a distraught girl looks out; her lover, a young lieutenant, falls from it towards a pond, while an elderly colonel, the father, fires a blunderbuss towards cats on the wall, the charge being intercepted by the falling man. A prancing dog barks."--British Museum catalogue
Alternative Title:
Assailant does not feel a wound; but yet he dies, for he is drown'd
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: The assailant does not feel a wound; but yet he dies, for he is drown'd., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 2, opposite page 241., and Temporary local Medical Library subject terms: Skeleton as Death.
Publisher:
Pub. Jany. 1 - 1816, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Accidents, Courtship, Military officers, British, Gardens, Garden walls, Skeletons, Ladders, Falling, Firearms, Dogs, Cats, and Lakes & ponds
"A pretty young wife sits beside an aged doting and rich husband, reading to him. He delightedly contemplates his glass, which is being filled by Death, who leans over a screen. The girl's left hand is held by a young officer who leans through the window (right)."--British Museum online catalogue
Alternative Title:
Honeymoon and When the old fool has drank his wine and gone to rest, I will be thine
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: When the old fool has drank his wine / and gone to rest, I will be thine., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 106., and Temporary local Medical Library subject terms: Marriage & married life -- Skeleton as Death.
Publisher:
Pub. Augt. 1, 1814, by R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Marriage, Skeletons, Courtship, Adultery, Military officers, British, Eating & drinking, Alcoholic beverages, Windows, Interiors, Stringed instruments, Books, Dogs, Fireplaces, and Screens