"Sheridan (l.) sits in an arm-chair at his writing-table, pen in hand. He slouches forward, peering at a large playbill in his left hand. 'Tom Hickathrift \ and the \ Giants \ a new Growlo Drama \ with \ Wittington \ and his \ Cat \ a Pur-letta \ in which a real \ Cat and Mice \ will be Introduced \ - Due Notice will be given \ of Mr Carlo's next \ Performance.' He says: "Now I have got my head down Water I am determined to go on Swimmingly." The Newfoundland dog 'Carlo' (his massive padlocked collar so inscribed) who played in 'The Caravan', faces Sheridan holding in his mouth a basket labelled 'Raw Materials for New Subjects'; these are rolled MSS. inscribed: 'Dog-Matical Essays', 'Bark-shire Poems', 'Bones to Pick'. Fox (r.), immensely fat stands beside Carlo, in profile to the left., r. hand on the dog's head, l. in his coat-pocket. He says: "You are a very good Dog Namesake - a very good Dog indeed - I wish you would Spin me a little Money thes hard times - it would be very acceptable." Behind Sheridan are book-shelves; from a shelf inscribed 'Glass Slippers as good as New' two slippers dangle. The titles of the (bulky) books are: 'Jack the Giant Killer', 'Goody Two Shoes', 'little Red Riding Hood', 'Tom Thumb', 'Seven Champions [of Christendom]'; actually these tales were best known in penny chap-books"--British Museum online catalogue
Alternative Title:
Preparations for next season
Description:
Title from item., Sheet trimmed to plate mark on two sides., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., and Mounted to 29 x 40 cm.
Publisher:
Pubd. Feby. 6th, 1804 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
In the center an auctioneer, hammer in hand, stands behind a podium having sold a pack of hounds with the human faces; Sheridan holds the hounds leashes. One dog sleeps on the floor as another urinates on its bone. On the left, a grey horse neighs as it is lead to the auctioneer. A clerk taking notes at a small desk to the left of the podium looks up at the auctioneer
Description:
Possibly by Williams, based on style., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., In pencil along bottom edge: Grey. P of W. Sheridan., and Mounted to 29 x 40 cm.
Publisher:
Pubd. March 17th 1812 by Wm. Holland No 11 Cockspur Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Grey, Charles Grey, Earl, 1764-1845, and Sheridan, Richard Brinsley, 1751-1816
A large clumsy dog (left) oddly like a bear, its collar inscribed 'Towler', sits under an oak surrounded by puppies; all bark savagely at a group of animals representing France and subject countries. Napoleon is an ape, who pushes forward an ass laden with 'Swiss Cheese'; he holds a staff on which are shackles and a cap of Liberty, and turns his head to snarl. The British dog barks "Keep off Boney"; all the puppies bark "Keep off". By the aged oak, up which ivy climbs, is a scroll inscribed 'Union' [cf. BMSat 10103, &c.]. The 'Gallic Mongrel', its collar inscribed 'Snarl', retaliates: "I bark at you I bite these". 'These' are animals to whose leg or collar is attached a heavy weight inscribed 'Liberty'. They are 'Signor', an Italian greyhound, and 'Mynheer', a ringed pig or boar. A similar weight is attached to the (Swiss) ass
Description:
Title from caption below image., Printmaker from British Museum catalogue., Printseller's statement following imprint: Folios of caricatures lent out for the evening., and For further information, consult library staff.
Publisher:
Pubd. Septr. 26, 1803 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain and France
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Foreign relations, History, Foreign public opinion, and Dogs
Plate from 'Town Talk', iv. 247. A procession of coaches through 'Cavendish Square', the houses of which form a background, together with a street which recedes in perspective on the left. The foremost coach (right) has a roof shaped like a Chinese pagoda and decorated with bells; on the apex is a seat occupied by an ape, dressed as a man, who rings a handbell and blows a horn. Bells are attached to the springs of the coach. The arms, surmounted by a coronet, are crossed whips, the crest a fool's head. A man seated on the box turns to the driver to say: "No bad scheme of Sr Harry's to get the Amateur [Coates] to perform today! tolerable attendance." The driver wears a conical hat with a vast brim, manifold capes, and a large nosegay, with top-boots. Two servants sit in the rumble; one points to the ape, saying, "What do you think Tom of our new fellow Servant! did Master get him from Bond Street." The other answers: "Oh No! hes not one of the Loungers [see No. 8377, &c.] Master had him from Exeter Change [menagerie] he has been well educated you see." The second equipage is the odd-shaped curricle of 'Romeo' Coates, see No. 11768, &c., drawn by four horses, whose harness, like the curricle, is decorated with cocks. He is dressed as Lothario, see No. 11769, &c., with three huge feathers towering from his hat. He says: "I scorn that odious uniform which would hide the graces of my form and those detestable boots would spoil a most delectable leg!--Bless us! how we draw, out of the theatre as well as in." The following coach is on the extreme left; its roof is a four-sided pinnacle topped with a spike; the driver is dressed like the man on the first coach. He says (of Coates): "I'll back him to spar with Molineaux at St Martins Court for the benefit of Carter." The man beside him answers: "Aye my Lord! or I'll take the chance of the day for my debt, and remove the execution from your carriage and horses." A man on horseback in the background shouts: "your lordship had better take the Opera House, as it will be for a charitable purpose." The road is crowded with spectators many of whom wave their hats. Tiny coaches proceed along the Square from right to left, to join the procession. In the foreground is a row of well-dressed spectators in back view. Shouts rise from the distant crowd: "The Hobbies! The Hobbies"; "Cock a-doodle do"; "The Monologue"; "Bravo Romeo." On the extreme right is the gilt equestrian statue of the Duke of Cumberland, erected in 1770.--British Museum onlne catalogue
Alternative Title:
Hints for a four in hand exhibition
Description:
Title from item., Sheet trimmed within plate mark., Printmaker's name from British Museum catalogue., Temporary local subject terms: Coaches -- Bells -- Horns., and In contemporary hand, in ink at top of print: 257.
Publisher:
Pubd. May 1st 1813 by the Proprietor of Town Talk
Subject (Name):
Coates, Robert, 1772-1848 and Peyton, Henry, Sir, fl. 1813
"In a plainly furnished room a whole family suffers. An elderly 'cit' and a skinny old woman register acute discomfort. Between their chairs is a round table on which is a dish of cherries and currants. A stout maidservant (left) drinks from a bottle she has taken from a store-cupboard. A little boy, a cat, and a dog are afflicted. A door opens into a bedroom (right) where a little girl relieves herself; another tries to kick her from her seat. On the wall are three shelves of books, among them 'Family Bible' and 'Family Phisician'. A magpie is in a wicker cage."--British Museum online catalogue
Alternative Title:
Comforts of a hot summer
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Probably etched after a design by G.M. Woodward. For a drawing by Woodward of a similar scene, see Yale Medical Library call number: Print00232., Year of publication suggested in the British Museum catalogue., Sheet trimmed within plate mark., and Publisher's advertisement following title: Folios of caracatures [sic] lent out for the evening.
Publisher:
Pubd. Jany. 12th, 1881 [sic], by S.W. Fores, 50 Piccadilly
"A plainly dressed man with lank hair falling on his shoulders, bends over a dog, placing his left hand on the head of the trustful animal. With a large brush he applies a smoking liquid to its side saying, "Come here poor Dog! Thee shalt not say I called thee names, or beat thee, for that would be cruel!! but I will anoint thee with Oil, and moisten thy sides with my pure Linnement." The scene is in a yard with a high paling, outside an open door leading to the dispensing-room of the Quaker, evidently an apothecary. Just within the room is a large smoking jar of 'Oil of Vitriol'; on the door-step is a dish of smoking vitriol. Above are the neatly ranged jars, bottles, and drawers of an apothecary, with a pestle and mortar. A woman in an upper window of an adjacent house looks down into the yard; she shouts: "Ah Obadiah, that decietfull whining Cant, to allure the poor Animal, in order to inflict the most Diabolical unheard of Cruelty on him, shall not go unpunished"."--British Museum online catalogue
Alternative Title:
Mercifull example of Quaerism at Brighton and Merciful example of Quakerism at Brighton
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: NB. the side of the poor animal was entirely burned through the next day and his bowels actuall [sic] fell out on the ground., Sheet trimmed within plate mark., and Ms. note in pencil below plate line.
Publisher:
Pubd. Septr. 1806 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Quakers, Dogs, Drugstores, Ethnic stereotypes, and Punishment & torture
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
Title from item., Sheet trimmed within plate mark., Copy of a print executed by Isaac Cruickshank in 1798, with variant title., Part of a series published by S.W. Fores in 1806 and etched primarily by Charles Williams?, and Temporary local subject terms: Old men -- Furniture: garden bench -- Literature: Chesterfield, Philip Dorner Stanhope, Letters -- Quizzing glasses -- Male dress: spencer.