"The gambler, in shirt and breeches, sits beside his bed registering rage and despair. Beside him (right) is a round table on which are a cocked pistol, a purse, dice and dice-box, an open pocket-book inscribed 'Money Lost 10.000'. A lighted candle is broken. His comely wife looks at him in startled horror from the curtained bed."--British Museum online catalogue.
Description:
Companion print to: The huntsman rising., For the original issue from 1809, see: Grego, J. Rowlandson the caricaturist, v. 2, page 135., Reissue; the year "1809" in imprint statement has been altered to "1811." See British Museum catalogue., and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"John Bull, a hideously carbuncled 'cit', looks down grinning at a semicircle of men on a much smaller scale who surround his half-length figure. They are (left to right) Napoleon, wearing a huge bicorne, who looks up to say 'Ships. Colonies and Commerce'. A man in military uniform, quite unlike Alexander, his back to Napoleon, says: "Russian Vengeance attend John Bull. A fat Dutch burgher puffs smoke towards John, saying, III eternally smoke him". A scowling man in civilian dress with tousled hair says: "Let him tremble at the name of America". Prussia, a handsome military officer in place of the damaged soldier who after Tilsit represented Frederick William III in English caricature, says: "Beware of Prussia". A similar officer (Francis I) says: "Austria will never Pardon him". A Spaniard wearing a cocked hat says: "Spanish Fury overtake him". A scowling face says: "Let him beware of Denmark". John says: "Dont make such a riot you little noisy Brats, all your bustle to me is no more than a storm in a Chamber pot"."--British Museum online catalogue.
Description:
Also issued separately., Date of publication from British Museum catalogue and Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Plate numbered "131" in upper right corner., Probably a later state; first half of imprint appears to have been burnished from plate., Temporary local subject terms: Prussia -- America., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
Hopes of the family, or, Miss Marrowfat at home for the holidays, Hopes of the fammily, or, Miss Marrowfat at home for the holidays, and Miss Marrowfat at home for the holidays
Description:
Also issued separately., Date of publication from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Plate numbered "293" in upper right corner., Probably a reissue; date appears to have been burnished from end of imprint statement., Temporary local subject terms: Fire place -- Blacks -- Musical mandolin -- Butcher., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Hopes of the family, or, Miss Marrowfat at home for the holidays, Hopes of the fammily, or, Miss Marrowfat at home for the holidays, and Miss Marrowfat at home for the holidays
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Year at end of imprint statement has been completely obscured with etched lines; year of publication from Grego.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Companion print to: The gamester going to bed., For the original issue from 1809, see: Grego, J. Rowlandson the caricaturist, v. 2, page 135., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably a reissue from 1811 of a print originally published 31 July 1809. See Grego., Publisher from Grego., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"A satire on the approaching election for the Chancellorship of Oxford University. Grenville, dressed as a cardinal, heads a small procession towards the Devil, who wears a robe on which is a large cross, and holds the bland mask with which he has been hiding his face. Grenville, bowing low, and deferentially holding his large hat, holds out a paper: Catholic Petition for the vacant Chancellorship with a Plan for Erecting a New Popish Sanhedrim on the ruins of old Alma-Mater, The Devil says: Well done my Children! This is all the Convocation I would have; in his left hand is a pitchfork. The Marquis of Buckingham, dressed as a Jesuit, stands behind him, one hand on his shoulder, the other holding his barbed tail. Beside him is Canning (unrecognizable) wearing a Jesuit's biretta. Beside the Devil is a greyhound with the head of Grey, its collar inscribed Popish Gray Hound. Immediately behind Grenville walks the Pope, wearing his tiara, and holding his cross; he holds up Grenville's robe on which is a large cross. Napoleon crouches behind the Pope, holding on to his robes and hiding under his mantle. He wears a crown, with uniform and spurred boots; his hand is on the hilt of his sword. Behind walk together Temple, enormously fat and dressed as a monk, and his brother, Lord George Grenville, similarly dressed. The former carries the Host, the latter a lighted candle. In the background rows of bishops and clergymen face the procession. Bishops in the front row, humbly sweeping the ground with their mitres, bow low, each clasping a Mass Book, while those behind cheer with raised mortar-board, hand, or Mass Book. On five of the books are the names of bishoprics: York [Vernon], St Asaph [Cleaver], London [Randolph], Oxford [Moss], Norwich [Bathurst]. Above the design (and the bishops): Golgotha, i.e: the place of Skulls."--British Museum online catalogue.
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Canning, George,--1770-1827--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Nugent, George Nugent Grenville,--Baron,--1788-1850--Caricatures and cartoons., and Pius--VII,--Pope,--1742-1823--Caricatures and cartoons.
"One of a set of aquatint copies of Rowlandson's watercolours, all signed 'Rowlandson', see British Museum Satires No. 11111 &c. A pawnbroker's shop, with the (?) street door on the left, and on the right a receiving office, a rectangular opening in a wall, dividing the interior from the lobby in which the customers stand. At this stands a gay young courtesan, tattered but comely, looking at a gap-toothed Jew who holds up the ragged shift or chemise which she has brought. A fat bawd grasping a bottle stands behind her, and pushing through the door is a man with a grotesque profile suggesting decay. A barelegged child with a flat-iron and gridiron stands at the counter looking up at the Jew. In the recess behind the Jew goods are piled on shelves, a saucepan, garments, &c. In large letters next the street door is 'Money Lent', with the sign of three balls."--British Museum online catalogue.
Description:
Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 90. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Reeve and Jones, publishers., and Rowlandson, Thomas, 1756-1827, artist.
"Cobbett as a small boy, ragged but sturdy, eggs on a bull-dog which is mauling a cat. He has thrown to the ground tankards strung on a strap, and inscribed 'Jolly Farmer'; behind him lies his hat, filled with apples. A goose followed by goslings escapes to the right. Behind is a ramshackle thatched cottage, a country ale-house of the lowest grade with the sign on a tall post: 'The Olde Jolly Farmer of Farnham--Gaffer Cobbett'. From the doorway, closed by a half-door and serving as a window, old Cobbett looks out. He holds a frothing tankard, and grins approvingly at his son; his likeness to Cobbett shows his identity. An old woman, evidently Mrs. Cobbett, looks over his shoulder, clenching her fists angrily at the fate of the cat. On the door-posts are chequers, sign that ale is sold, and above the door: 'Goode Entertainment for Man and Beaste'. Under the thatch, in the gable, is a casement window with broken panes; on the wall is nailed a dead rat; there is also a bill headed by fighting-cocks: 'Cock Fighte--Farnham--Old Cobbett Feeder', Smoke rises from a broken cask, thrust into the thatch, and serving as a chimney. A wagoner in a smock, holding his whip, sits on a bench by the door, draining a jug. In a line with the ale-house is a latrine of dilapidated planks and of the roughest kind, by which a sow is rooting. Above it on a line hang a ragged shirt and stockings. Trees form a background with the top of a church spire."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: 1st plate. Father kept the sign of the Jolly-Farmer at Farnham. I was his pot boy and thought an ornament to the profession ... Vide, my own memoirs in the Political Register of 1809., First print of eight in a series entitled: The life of William-Cobbett, written by himself., Series number etched above image, in upper left., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cobbett, William,--1763-1835--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Cobbett, dressed as a farmer, but with a favour in his hat and his short hair tied back into a scraggy tail, marches stiffly behind a recruiting Serjeant who marches with drawn sword, preceded by a little drummer-boy beating a large drum, both of whom wear plumed bearskins, smart uniform, and boots. They march with pointed toe; Cobbet follows, out of step, and with clumsily upturned toe; on his back is a rough knapsack. They march towards the sea where boats are being rowed out to a ship in full sail (right). Behind Cobbett (left) are his plough and two oxen. The field is neatly furrowed. Behind is a rocky hill on which stands a gibbet with an empty noose."--British Museum online catalogue.
Description:
Below image is printed a second plate etched with text only: 2d plate. As I shot up into a hobble-dehoy, I took to driving the plow for the benefit of mankind, which was always my prime object ... Vide, my own memoire's in the Political Register for 1809., Second print of eight in a series entitled: The life of William-Cobbett, written by himself., Series number etched above image, in upper left., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cobbett, William,--1763-1835--Caricatures and cartoons., Gillray, James, 1756-1815, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.