Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 61 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
MacLaine in leg-irons stands in the middle of his prison cell, surrounded by several women, a cleric, and a man who appears to be saying an emotional good-bye to the prisoner prior to his execution. One of the women dabs her eyes with a large handkerchief. On the far left stands the goaler, with a bunch of keys in his hand
Alternative Title:
Ladys last farewell to MacLean and Ladies last farewell to MacLaine
Description:
Title engraved above image., Date from contemporary ms. annotation., Sheet trimmed within plate mark., Eight lines of verse in two columns below image: Farewell my friends let not your hearts be fill'd, my time is near & I'll with calmness yeild [sic] ..., Watermark: countermark IV., and Mounted to 26 x 31 cm.
No. Excise-Office, at in Distt. Colln. 1748 and Receipt for payment of carriage tax
Description:
Title transcribed from item., Body of text: Received of [blank] of [blank] in the County of [blank] the sum of [blank] Pounds for [blank] four-wheel carriage, and [blank] two-wheel carriage, of which [blank] has this day given notice, according to the Statute of the Twentieth Year of His present Majesty. In full for one year., Printed in red ink., Form completed in ink by the Excise Office at Methwould in Lynn, Swaffham District, 30 May 1748. The completed receipt reads: Received of Cyril Wycke Esqr. of Hockhold [Hockwold] in the County of Norfolk the sum of four Pounds for one four-wheel carriage ... Also annotated on the verso., and For further information, consult library staff.
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue and later state., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., On page 207 in volume 3., and Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's Book, 3d, edit., p. 407.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
On the left, a meagre Scotchman shown full-length in rags, scratching between his fingers and scratching himself against a sign-post. In the distance is on a hill is Edinburgh Castle. To the right, under a tavern sign with a picture of an ox and the words "Roast & Boil'd" stands a well-dressed, well-fed Englishman holding a large pot of "London Porter". He leans against a post; behind him is St. Paul's in the distance
Alternative Title:
North and South of Great Britain
Description:
Title etched below image., Printmaker identified as Francesco Bartolozzi, after a painting by Paul Sandby. See British Museum catalogue., Formerly attributed to William Hogarth., Sheet trimmed to plate mark., Not in R. Paulson's Hogarth's graphic works., and On page 207 in volume 3.
Publisher:
Published June the 11th 1781 at the Ancient & Modern Print Warehouse, No. 28 in the Hay Market by A. Torre and I. Thane
Subject (Geographic):
Scotland, England., England, and Scotland.
Subject (Topic):
Relations, Ethnic stereotypes, and Signs (Notices)
Title from banner within image., Stamped initials "M.R." in lower right corner., and On page numbered 49 in an album of 116 prints: [Bartolozzi and his pupils].
Mosley, Charles, approximately 1720-approximately 1770, printmaker
Published / Created:
publish'd according to act of Parliament, March 6th, 1749.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 1
Collection Title:
Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais, or, The roast beef of old England and Roast beef of old England
Description:
Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Hogarth, William, 1697-1764 and Catholic Church
Subject (Topic):
Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions