Portrait of James Northcote, painter; pupil and biographer of Sir Joshua Reynolds
Description:
Title, state and artist's name from manuscript notes in pencil and impressions at British Museum and National Portrait Gallery, London., Imprint and printmaker from the British Museum online catalogue, registration no.: 1868,0612.1529., Illegible text in bottom left of plate: "Dfin"?, and Text written in pencil at bottom left of sheet: "Only 5 taken off in this state."
"Double portrait after Reynolds (Mannings 1376); the father seated three-quarter length to right, facing the front, with both hands resting on plans laid on a table covered with carpet, which his son, standing beside him, is looking at; shelf behind at left, curtain and pillar at right."--British Museum online catalogue
Description:
Title, artist, and imprint from published state: "Reynolds pinxt.", "Watson fecit", "Sold by Ryland & Bryer at the Kings Arms in Cornhill." See British Museum registration no.: 1833,0716.45., Sheet trimmed within plate mark., and Mounted on sheet 50.0 x 39.2 cm.
Publisher:
Ryland & Bryer
Subject (Name):
Paine, James, 1717?-1789, and Paine, James, 1745-1829,
Title supplied by cataloger., Printmaker and artist from the Catalogue of engraved British portraits., Place of publication from printmaker's known place of activity., and Document with the words "steam engine" is part of image.
"Portrait after Lawrence (Garlick 797); seated almost whole-length to left, looking to front, holding a snuff-box in his left hand at his lap and his right hand resting on papers on a table at left, curtain behind and landscape through window at left"--British Museum online catalogue
Description:
Title, imprint, printmaker, and artist from published, lettered state in the British Museum: "Painted by Sir Thos. Lawrence R.A. Principal Painter in Ordinary to his Majesty. Engraved by C. Turner, Warren Street, Fitzroy Square. London, Published July 4, 1815 by C. Turner, 50, Warren Street, Fitzroy Square." See British Museum registration no.: 1891,0414.420. and Sheet trimmed to plate mark.
"Portrait of Jane Myddelton standing three-quarter length to left holding fruit and corn, eyes to front, wearing voluminous satin gown with shawl, pearls and her hair in ringlets, pillars and landscape behind."--British Museum online catalogue
Description:
Title devised by cataloger. and Plate from: Court beauties of the reign of Charles II. London : John Camden Hotten, [1872].
Portrait of Jane Seymour; bust-length, turned to right; wearing gable head-dress with veil hanging over her left shoulder, a pearl necklace, and a gown with a square neckline
Description:
Title from note below image in Thomas Kirgate's hand., Date of publication based on death date of Horace Walpole, who included an impression of this print in an extra-illustrated copy of A description of the villa of Mr. Horace Walpole., Sheet trimmed within plate mark., Probably engraved after the drawing by Vertue, copied from an original by Holbein, that was kept by Horace Walpole in the Holbein Chamber at Strawberry Hill., and Mounted on page 101 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
publisher not identified
Subject (Name):
Jane Seymour, Queen, consort of Henry VIII, King of England, 1509?-1537, and Strawberry Hill (Twickenham, London, England)
"Nearly whole-length reclining at the foot of a tree in open country, with one arm pointing across her chest."--British Museum online catalogue
Description:
Title and state from Smith, J.C. British mezzotinto portraits., Place of publication transposed from end of publication statement., Mounted on leaf numbered 1 in an album of 49 prints: sheet 60 x 47 cm., and Bound in full red levant by Lloyd Wallis & Lloyd. For further information consult library staff.
Publisher:
Publish'd Septr. 1st 1787 by John Boydell engraver in Cheapside
Title supplied by cataloger., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. 2., Place and date of imprint conjectured from that of book., Numbered '313' in lower right of plate:, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
John Collier, known as Tim Bobbin, the caricaturist; styled himself as "the Lancashire Hogarth"; half-length, seated in a chair, looking left, in cap. After the portrait by Hogarth