"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
"A young man, [Friedrich Christian Accum (1769-1838) misidentified by Dorothy George as] Humphrey Davy (1778-1829), stands on a platform in a crowded lecture-room, circular in shape, an arc of the wall being shown. He pours liquid from a kettle into a beaker. His table is covered with similar beakers, a tiny retort, &c. Behind him is a door inscribed 'Surrey Institution'. The absorbed audience consists chiefly of pretty women in evening dress and ugly and elderly men. Men are seated on the platform; one is standing. In the foreground (left) a much caricatured elderly man in old-fashioned dress and bag-wig leans forward on his stick, registering anguished jealousy. In his pocket is a book: 'Accum's Lectures' .... Spectators look down from a balcony immediately above the platform."--British Museum online catalogue
Description:
Title etched below image., Date of publication from Grego. A date of ca. 1810 is given in the British Museum catalogue., and Watermark: J. Whatman 1810.
A night scene under the Piazza of Covent Garden, the center of which is seen through the arch of the arcade. A couple hurry arm-in-arm through a doorway (right) over which is Haddocks (a bagnio). The woman is the Duchess of Devonshire, shown with a bare breast and holding a lantern. She tells the prim young man "Vote for whom you please but kiss before you poll." He answers, "Tis too much neighbor! I could not go through with it." On the left behind the couple is Mrs. Hobart who holds her lantern to see an old Chelsea pensioner and a negro supported on stumps and crutches. She says to them, "D-m the Duchess, she got all the young voters."
Alternative Title:
Dark lantern business, or, Mrs. Hob and Nob on a night canvass with a bosom friend and Mrs. Hob and Nob on a night canvass with a bosom friend
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed partially within plate mark., and Mounted to 29 x 38 cm.
Publisher:
Pub. April 24th, 1784, by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Covent Garden (London, England)
Subject (Topic):
Brothels, Lanterns, Lighting, People with disabilities, Political elections, and Prostitutes
"A French petit-maître stands 'chapeau-bras' (left), in profile to the left, bending forward, his left hand in his breeches pocket, his right hand raised. Behind him are five ladies on their knees, making gestures of supplication. He wears bag-wig, laced suit, and sword. The ladies, who are young and pretty, wear feathered hats or feathers in their hair. He says, "parblue Mesdames vous n'y viendrez pas." Beneath the title is etched: 'With clasped hands and bended knees, They humbly sought the Count to please, And beg'd admission to his house, Not that for him they care'd a louse, But wish'd within his walls to shine, And shew those charms they think divine, His Ex beheld these Belles unmov'd, His A------e their impudence reproved, Cannaille he said shoud ne'er come there & rumped them with a pet en l'air'."--British Museum online catalogue
Alternative Title:
English ladies petition to His Excellency the Mushroom Ambassador and Politesse franc̦aise
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: French petit-maître -- Male costume: French, 1784 -- Ambassadors, 'Mushroom' -- Swords -- Supplication., and Watermark upper right corner: J. Whatman.
Publisher:
Pubd. May 4th, 1784, by H. Humphrey, Bond Street
Subject (Name):
Adhémar, Jean-Balthazar d'Azemar de Montfalcon, comte d', 1731-1791
A sour looking wife, her face covered in carbuncles, chastises her abject-looking husband for keeping her waiting. The wife sits before a clock which reads 8:30. Behind her chair is hidden a wine glass and a wine bottle labelled "Nants". She says: "Here have I been sitting up for you these four hours without anything to comfort me Mr. Fillpot. I will not suffer it." He responds: "Don't be angry, you beauty! I have only been drinking your health with Squir Guzzle 'pon honor."
Description:
Title etched below image., Series title and series number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Earlier state of print described in Grego, v. 2, page 14.
Publisher:
Pubd. October 1, 1799, by R. Akerman, No. 101 Strand
"The piazza of Covent Garden, with the hustings, showing a line of hill in the distance inscribed 'View of Richmond Hill'. In the air, flying towards the hustings, is Mrs. Hobart encased from the waist downwards in a circular balloon to which is attached a hammock-like platform, on which lie two voters, face downwards, looking over the side. The lady, in profile to the left, looking upwards, excessively fat, with uncovered breast, is saying "This may save him"; her petticoats have been transformed into the balloon, her 'last shift'. A blast issues from her posteriors. One of her passengers in profile to the left holds out his hand, saying, "I see the Hustings". The other, facing in the opposite direction, says, "thank God I am an outside Passenger". A flock of birds scatters right to left of the balloon. Wray, kneeling on one knee, and Hood standing behind him (right) look up eagerly to the balloon, holding out their hands. Wrays says, "A foul wind is fair for us"; Hood says, "O come sweet Air Balloon or I must off in one". The hustings under the portico of St. Paul's are freely sketched; gesticulating orators, hat in hand, address the crowd. One of the houses on the right (north) side of the piazza is inscribed 'Lows'; a flag flies from a window."--British Museum online catalogue
Alternative Title:
Aerostatic dilly
Description:
BEIN BrSides 2022 42: Sheet trimmed to 34.7 x 24.4 cm. Hand-colored., Title etched below image, at top of center column of text., Printmaker identified as Rowlandson and artist questionably identified as Townshend in the British Museum catalogue., Fourteen lines of explanatory text below image, in center column underneath title: The grand political balloon launched at Richmond Park on the of [sic] March 1784 and discharged by secret influence with great effect in Covent Garden at 12 O Clock on the same day. ..., Two numbered verses of a song, each verse in its own column to the left or right of center column, etched below image: Song, Tune Bellisle March. 1. Tho' in every street, all the voters you meet, the Dutchess knows but how to court them ..., Temporary local subject terms: Canvassing -- Elections: Westminster, 1784 -- Electors -- Covent Garden: Piazza -- Portico of St. Paul's Church, Covent Garden -- Songs: 'Bellisle March' -- Richmond Hill -- Hustings -- Balloons -- Coaches: Allusion to diligence (stage-coaches) -- Low's in Covent Garden., Watermark: E P., and Mounted to 41 x 31 cm.
Publisher:
Pubd. April 29th, 1784, by H. Humphreys, Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
"Burke kneels before a throne, from which the Prince of Wales has risen, eagerly holding out his hands for the head of Charles I which Burke proffers in a round box inscribed 'Treasury Box'; he says, "My Liege I told them in the House no day so proper to settle the Regency as Charles's Martyrdom". Sheridan stands behind Burke, leaning eagerly forward, and saying with a sinister scowl: "I too am for Dispatch such days best suit our Purpose"; from his pocket hangs a paper: 'Horn Tooke's Letter on the Princes Marriage' ('Prince' appears to have been scored through) ..."--British Museum online catalogue
Description:
Title etched below image., Printmaker identified in the British Museum catalogue as Rowlandson imitating James Sayers's signature., Two lines of text below title: "Why not debate it on Friday, I say it is the only day in the year on which it ought to be debated (Charles's martyrdom) and carried up in the black box." Vide Mr. Burk-s speech on Tuesday last., Sheet trimmed within plate mark., Temporary local subject terms: Emblems: Prince of Wales's feathers -- Treasury boxes -- Allusion to Prince of Wales's letter on Regency restrictions, 30 Dec. 1788 -- Speeches: Burke's in the House of Commons, Jan. 27, 1789 -- Satire on Regency resolutions -- Regency crisis, 1788 -- Thrones -- Execution of Charles I, Jan. 30, 1649 -- Literature: Tooke, John Horne, A letter to a friend on a reported marriage ... ., Watermark: fleur-de-lis on crowned shield with initials G R below., and Mounted to 28 x 37 cm.
Publisher:
Pubd. 30 Janry., 1789, by S. Fores, No. 3 Picadilly [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, and Charles I, King of England, 1600-1649
"Sir Alan Gardner (left) in naval uniform, bends forward to cut off, with a sickle inscribed 'Loyalty', the head of Fox, which is planted in the ground like some monstrous vegetable, the hair terminating in leaves. One of these Gardner holds, saying, "My Life and Services are ever devoted to my King & Country". Fox says: "I was always a Staunch Friend to the Crops and Sans Culottes but this damn'd Crop is quite unexpected". Gardner stands on 'Constitutional Ground'. Behind him stands Britannia, towering above him, and holding a laurel wreath over his head; she says: "Go on, Britain approves and will protect you!" On her spear is the cap of Liberty. More 'venemous' democrats are being drawn towards flames by the Devil (right), a figure like that of BMSat 6283. He puts his trident-like rake in the neck of Horne Tooke, who has a reptilian body with a barbed tail and feline claws, saying, "Long look'd for come at last Welcome thou Staunch Friend and faithful Servant, enter thou onto the Hot-bed prepared for thee." Tooke, his head in profile to the right, says, "Now will no prospering Virtue gall my jaundiced Eye - nor people foster'd by a belov'd Sovereign and defended by the Wisdom of his Counsellors. - To Anarchy & Confusion I will blow my Horne, and wallow in every thing that's damnable". The Devil clutches in the talons of his right foot the head of Thelwall, who says, "This will not Tell well." His left foot tramples the neck of Hardy, who says, "I was Fool Hardy". In the background is a man-of-war, Queen, her flag inscribed 'June Ist'. Below the title: 'Weeds carefully eradicated, & Venemous Reptiles destroy'd \ by Royal Patent \ God save the King.'"--British Museum online catalogue
Alternative Title:
Sir Alan Gardiner, Covent Garden
Description:
Title from item., Temporary local subject terms: Royal Navy: "Queen"., Watermark: Strasburg lily., and Mounted to 31 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Great Britain. Parliament, Gardner, Alan Gardner, Baron, 1742-1809, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Thelwall, John, 1764-1834, and Hardy, Thomas, 1752-1832
Subject (Topic):
Elections, 1796, First of June, Battle of the, 1794, Trials (Treason), Britannia (Symbolic character), Liberty cap, Devil, and Wreaths
A parody of The Nightmare by Henry Fuseli in which a naked Fox lies prone on a bed with a demon on his chest. Behind them a horse with bulging eyes pokes his head through the bedcurtains. On a table in the foreground are a pair of dice and dice-box
Alternative Title:
Covent Garden nightmare
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed partially within plate mark., and Mounted to 29 x 39 cm.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand
Subject (Name):
Fox, Charles James, 1749-1806, Great Britain. Parliament, 1783-1784., and Great Britain. Parliament