Copy of Hogarth's print; interior of a chapel with an impassioned preacher inspiring his listeners who include a woman swooning on the floor and a young couple embracing; many of the congregation are clutching figures of Christ; a barking dog with a collar labelled "Whitfield" echoes the preacher. In the lower right corner, an image of a cross-section of brain, labeled below frame "A Methodist's brain"
Description:
Title etched below image., Lettered above the image with text beginning: Hogarth's first thought for the medley. Copied from a very curious print designed and engraved by Hogarth, of which there are only two impressions, both of them in the possession of John Ireland. March 15th 1796. [Image of hand with pointing finger]. After taking the above impressions, Hogarth changed the point of his satire from the superstitious absurdities of popery and ridiculous personification delineated by ancient painters, to the popular credulities of his own day, erased or essentially altered every figure except two, and on the same piece of copper engraved the plate now in the possession of Messrs. Boydell, entitled Credulity, superstition & fanaticism, a medley., Dedication etched either side of title: Humbly dedicated to his Grace the Arch Bishop of Canterbury, by his Graces most obedient humble servant Wm. Hogarth., Text following dedication: Advertisement. The intention of this print, is to give a lineal representation, of the strange effects of literal and low conceptions of sacred beings, as also of the idolatrous tendency of pictures in churches, and prints in religious books, &c., Legend to the left of the title: A. After Raphael Urbino. B. After Rubens. C. After Rembrant. D.E.F.G.H. Are imitations of several other painters., Sheet trimmed to plate mark., Copy of: Catalogue of prints and drawings in the British Museum, v. 3, no. 2425., and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 210.
Publisher:
Published Novr. 12th, 1795 by John Ireland, No. 3 Poets Corner, Palace Yard, Wesminster
Subject (Name):
Toft, Mary, 1703-1763, Villiers, George, 1690-1748., and Whitefield, George, 1714-1770
Subject (Topic):
Christianity, Superstition, Demonology, Demons, Ghosts, Witches, Sleeping, and Supervisors
The arms of two gibbets extend symmetrically, high above a bonfire; between them is an equally high post supporting a board on which the title is etched. From one (right) dangles a realistic effigy of Napoleon (scarcely caricatured) in cocked hat, uniform, and Hessian boots. From the other hangs a ruffianly fellow holding a dark lantern. They face each other in profile
Description:
Title from ink annotation, centered at the top of the sheet within the design., Unsigned; attributed to Rowlandson., and Preliminary pencil sketch of a print published by R. Ackermann on 27 November 1813. Cf. No. 12103 in the Catalogue of prints and drawings in the British Museum, v. 9.
Subject (Name):
Fawkes, Guy, 1570-1606, Napoleon I, Emperor of the French, 1769-1821, and Pitt, William, 1759-1806
"Illustration to a broadside, printed in four columns in the manner of a newspaper, and covering the upper part of the third and fourth columns. A whole-length portrait of Mrs. Clarke (unrecognizable, but alluring), standing with one hand on the head of a sofa. In the background are four oval bust portraits of other women: 'Miss Taylor' [see British Museum Satires No. 11229], 'Mrs Carey' [see British Museum Satires No. 11050], 'Miss Gifford', and 'Mrs Shaw'. ... The text, in eight chapters, is in the quasi-biblical language not uncommon in satires, e.g., British Museum Satires No. 6465, and afterwards exploited by Hone. The text is an account of the relations between the Duke of York and Mrs. Clarke, and the Parliamentary proceedings, highly flattering to Wardle and Burdett. It ends: 'And behold he [the Duke] walketh in a vain shew, which shall fade in the sight of the people, whilst the fame of Wardle, Whitbread, and Burdett shall flourish and endure . . . the tergiversation of the Black Coats may whiten his honour [see British Museum Satires No. 11269], but who can believe him innocent of folly, vice, and acknowledged adultery? ... Now the rest of the Acts of Mary Ann Clarke, ... are they not written in the Chronicles of Blue Covers which flutter on the Stalls.'"--British Museum online catalogue
Description:
Title from letterpress text above image., Date of publication from the British Museum catalogue., Companion print to: Second book of the Chronicle of the Isles., and "Price one shilling."--Following imprint.
Publisher:
Printed by and for J. Herbert, at his Newspaper Office, 4, Merlin's Place, Spa Fields and Sold by W. Wilson, 4, Little Warner Street
Subject (Name):
Clarke, Mary Anne, 1776?-1852, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827., Whitbread, Samuel, 1764-1815., Gibbs, Vicary, Sir, 1751-1820., Burdett, Francis, 1770-1844., and Wardle, Gwyllym Lloyd, 1762?-1833.
"Two designs placed side by side, the title so arranged that 'The Contrast' applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of 'Opium' in the hand of a distressed doctor in civilian dress. He says: "Don't talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them - As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way." In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders." ... [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: "We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued." The other adds: "A mercy unexpected, undeserved surprises more."--British Museum online catalogue
Alternative Title:
Contrast to English humanity
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures [sic] lent out for the evening., and Mounted on a 19th-century blue album sheet. On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; "Observations on the rot of sheep"; Poem entitled "Leamington Spa"; "Balloon Ascension" an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.
Publisher:
Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
Black people, Flags, French, Forts & fortifications, Tents, Military medicine, Sick persons, Soldiers, Physicians, Opium, Military officers, Prisoners of war, Turkish, British, Physical restraints, and Axes
Series of 6 numbered postcards with narrative captions depicting a girl in legal attire advocating children's rights.
Alternative Title:
Postcards depicting a girl in legal attire, advocating children's rights and Legally themed postcards depicting a girl in legal attire, advocating children's rights
Description:
Title devised by cataloger. , Postcards are addressed to Mademoiselle Marie Thérèse Desmons; dates from postmark: Lille, France, 1902 and 1904., Some postcards include manuscript notes below captions., Also available in original print http://morris.law.yale.edu/record=b1281671, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM ZA Postcards v.1 no.1 tall, In French., and Online resource; description based on print version record.
Series of 5 numbered postcards, with narrative captions, poking fun at the arrogance of the legal profession. The child peasant in need of legal assistance cannot pay the lawyer enough
Alternative Title:
Postcards depicting two French children as attorney and peasant and Legally themed postcards depicting two French children as attorney and peasant
Description:
In lower right corner: R.P.I., Postmarked 1904., Title devised by cataloger. , Card number 5 dated 1903 in manuscript. Other manuscript notes on some postcards, some of which are addressed to Mademoiselle B. Devidel and Jeanne Lacaton. , Accompanied by translation., Also available in original print http://morris.law.yale.edu/record=b1281709, Digital reproduction. New Haven, Connecticut: Yale Law Library, 2019 LM ZA Postcards v.1 no.4 tall., In French., and Online resource; description based on print version record.
A sheet with 25 vignettes in roughly five rows, each with a humorous or satirical scene or a visual pun and each captioned with names of trades, industry, or arts. At the center of the page is a caricature of the Lord Chancellor, Lord Brougham in his long, curl wig and a collar, holding a broom in his left hand, with the caption "The Title page and Index" below. One of many such frontispieces of the period mocking the political and educational movements bringing information and knowledge to the working classes
Description:
Title from text at top of image., A publication date between 1833 and 1835 is suggested by Matthew Crowther; see his post entitled "Rediscovering W. Newman, fl. c. 1834-35" from The Printshop Window website (theprintshopwindow.wordpress.com; accessed 13 December 2023)., and An imitation of two satirical frontispieces by C.J. Grant for the Penny Magazine; the first is tentatively dated to October 1832 in the British Museum catalogue, and the second is dated 9 May 1833 on the print. See no. 17285 in the Catalogue of prints and drawings in the British Museum, v. 9. See also British Museum online catalogue, registration number: 1892,1021.4.
Publisher:
Pubd. by G.S. Tregear, Cheapside and Printed by R. Redman
Subject (Name):
Brougham and Vaux, Henry Brougham, Baron, 1778-1868
"The King, wearing military uniform, walks in profile to the left, bending forward and holding a cocked hat in his right hand, left forefinger extended. He wears a close-fitting wig with side-curl and tail, a star, high cavalry boots without spurs, and a large sword."--British Museum online catalogue
Alternative Title:
George the Third aged 72 1810 and George III aged 72 1810
Description:
Title etched below image., Publisher from the British Museum online catalogue, registration no.: 1935,0522.17.31., Leaf 1 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 27.2 x 19.8 cm, on sheet 31.1 x 25.5 cm.
"Lord Grantham, in military uniform, wielding the club of Hercules, inscribed 'L G his cane', stands with legs astride, threatening Wooler (left), a tiny 'Black Dwarf, as in British Museum Satires No. 12892, who registers extreme rage or terror. Grantham has enormous moustaches, which fly upwards on each side of his head. A lion's skin hangs from his shoulders, with a solid head which snarls savagely. He wears a bell-shaped shako, long tight trousers strapped under boots, and immense spurs. His left arm, terminating in a huge fist, is extended horizontally. On the left a knock-kneed yokel with bristling moustaches and wearing the cap of a Death's Head hussar, grins in oafish delight, saying, "Well done Col.! well done our side!!! my Zoul! what Honnor this will bring upon our Corpse!!! and if any more Dwarfs or Devils attack's our Regemunt Lord Grant'them all the zame fate, I zay!!" Wooler stands among piles of his paper, 'Black Dwarf', some of which have various inscriptions: 'Strictures on the York Hussars'; 'York you are not wanted'; 'The Devil to Pay'; 'a Lame Story to the Yellow Bonze at Japan'; 'universal Suffrage'; and (adapting 'As You Like It'), 'Then a Soldier, full of Strong Oaths & bearded like the Pard Jealous in Honor Sudden & quick in quarrel seeking the bubble Reputation Ev'n in the printing office'. He wears an ink-pot for hat, with three large pen-feathers; at his waist is a tricolour cockade. On the wall behind him is a framed picture of 'The Yellow Bonze', a grotesque imp, squatting with outspread fingers, and registering surprise. Below is a broadside headed by figures hanging from a gallows."--British Museum online catalogue
Alternative Title:
Lord G- & the printers devil and Lord Grantham & the printers devil
Description:
Title etched below image., "Lord Grantham" written in ink by a contemporary hand., and Mounted to: 22 x 26.5 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
De Grey, Thomas Philip De Grey, Earl, 1781-1859 and Wooler, T. J. 1786?-1853 (Thomas Jonathan),
Subject (Topic):
Military uniforms, Clubs (Weapons), Dwarfs, and Hides & skins