"A caricature portrait of the Marquis of Buckingham (George Grenville Nugent Temple) walking in profile to the left. He wears military uniform with cocked hat and spurred Hessians, and is enormously obese, his sword-belt grotesquely clasped across his paunch. His hand is on the hilt of his sword. He was Lord Lieutenant of Bucks. Unlike other caricatures of Buckingham."--British Museum online catalogue and "George identified the subject as George Nugent-Temple-Grenville, Marquess of Buckingham (1753-1813) but it is, rather, his son Richard Temple-Nugent-Brydges-Chandos-Grenville, first duke of Buckingham and Chandos (1776-1839), known until 1813 as Earl Temple."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Leaf 76 in an album with the spine title: Characatures by Dighton., Watermark, trimmed: [E]dmeads 1808., and Figure identified as "Marquess Buckingham" in pencil at bottom of sheet.
Publisher:
Pubd. by Dighton, Spring Gardens
Subject (Name):
Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839 and Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813,
"A coachman in a single-breasted coat reaching to his boot-tops stands looking to the left. His cylindrical hat has an irregular brim. A team-whip leans against his left shoulder and he holds the end of the lash between the tips of the fingers of both hands."--British Museum online catalogue and "Dick Vaughan, the driver of the Cambridge Telegraph, a famous coach, was known as Hell-Fire-Dick, and was 'a favourite companion of University fashionables'."--Curator's comments, British Museum online catalogue
Description:
Title etched below image. and Leaf 22 in an album with the spine title: Characatures by Dighton.
"Dr. John Smith, portly and very round-shouldered, stands in profile to the right, wearing mortar-board, gown, and cassock, with bands. An eye-glass hangs from a ribbon. Smith (1744-1809), B.D. and D.D. 1796, was Rector of Fairford, Glos., 1768-1809, and Master of Pembroke College 1796-1809."--British Museum online catalogue
Description:
Title etched below image., Leaf 47 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 27.3 x 20.5 cm, on sheet 31.1 x 25.5 cm.
"An elderly man shambles from right to left in profile, right hand on his stick, left hand in his coat-pocket. He wears a hat with a curved brim, a curled, old-fashioned brown wig, a long coat, and an overcoat, with ill-fitting gaiters reaching to the thigh. Two seals hang from a fob. He is Councillor John Morris or Morriss."--British Museum online catalogue
Description:
Title etched below image. and Leaf 57 in an album with the spine title: Characatures by Dighton.
"The tall Dean of Christ Church [Cyril Jackson] and James Webber (B.D. 1807), both in academic dress, walk, right to left, and slightly towards the spectator, heads in profile. Webber expounds with extended hand, the Dean listens with grave intensity. The Dean wears a clerical wig, a cassock with sash, and high-quartered buckled shoes. The younger and smaller man has short hair, double-breasted coat, fashionable jabot, and knee-breeches, with tied shoes."--British Museum online catalogue
Description:
Title etched below image., Leaf 43 in an album with the spine title: Characatures by Dighton., 1 print : etching with drypoint on laid paper, hand-colored ; plate mark 29.7 x 19.8 cm, on sheet 31.1 x 25.5 cm., and Figures identified as "Mr. Webber" and "Dr. Jackson, Dean, Christ Church" in pencil at bottom of sheet.
Publisher:
Robert Dighton
Subject (Name):
Jackson, Cyril, 1746-1819 and Webber, James, 1772-1847
"Representation of Mr William Elias Taunton in smart attire, leaning on a walking stick with his right hand, with his left hand tucked in the pocket of his breeches. He wears black boots, a brown, double-breasted over-coat and a black hat, and leans forward with his head and body turned to the left. He also sports a small ponytail."--British Museum online catalogue and "Taunton (1773-1835), son of the Town Clerk of Oxford, Justice of the King's Bench 1830, was made Recorder of Oxford in 1806."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., 'Tim Quiz' is a pseudonym for Robert Dighton; see British Museum catalogue., Publisher and place of publication from British Museum online catalogue, registration no.: 1935,0522.17.43., Leaf 35 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 27.8 x 20.2 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
Oxford (England)
Subject (Name):
Taunton, William Elias, Sir, 1773-1835
Subject (Topic):
builings, structures, etc and Government officials
"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties