"Bonaparte (right) stands in profile to the left, directing with outstretched right arm the Grenadiers who, at the point of the bayonet, are ejecting the Council of Five Hundred from the Orangery. The members, in their official costume (see BMSat 9198), flee in wild confusion. Officers (right) stand behind Bonaparte; a little drummer fiercely beats a drum inscribed 'Vive la Liberte'. A tricolour flag is inscribed 'Vive le Triumverate Buonaparte Seyes-Ducos'. All are caricatured except Bonaparte, who is calm and dignified, though with (dagger) wounds on face and arms. He tramples on 'Un liste de Membres du Conseil des Cinque Cents' which lies beside a paper: 'Resignation des Directoires'."--British Museum online catalogue.
Alternative Title:
Buonaparte closing the farce of egalitè at St. Cloud near Paris, Novr. 10th, 1799 and Exit libertè a la Franc̦aise!
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons.
"An altered version (like British Museum Satires No. 12205) of British Museum Satires No. 11057, from the original plate. ... The shield, sinister supporter, crest and motto are the same, but the dexter supporter is altered, apparently by Rowlandson, from 'The French Devil' (Talleyrand, now a supporter of Louis XVIII) to Death, a skeleton holding up an hour-glass. This has necessitated the re-drawing of the Gallic cock at his feet, but it pecks at a crucifix as before. The (printed) text is as before (allusions to Jaffa, d'Enghien, &c.) except for the addition to the title and the descriptions of the supporters: '. . . The Gallic Cock, vainly pecking the crucifix, is symbolic of the Corsican's impiety.' The description of 'The Corsican Devil' is altered to 'Satan, wearing an Iron Crown,... cutting down the Cap of Liberty, and accompanied by the Serpent and Hyaena, the attributes of the Corsican Emperor's wily and sanguinary reign'. The inscriptions (now obsolete) hanging from the mouth of the hyena are altered to: 'Cambaceres', 'Davoust', 'Augereau', 'Sebastiani', 'Vandamme', 'Savory'."--British Museum online catalogue.
Description:
Attributed to George Cruikshank in the British Museum online catalogue, registration no.: 1978,U.827., Date of publication from British Museum catalogue., Imperfect; sheet trimmed within plate mark with substantial loss of letterpress text, including publisher's and printer's statements, from bottom edge. Missing text supplied from impression in the British Museum., Six lines of letterpress text, followed by four additional columns of text, below title: ... the tyrant of France, who created himself Emperor of the French 18th May 1803 ..., and Title from letterpress text below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., Enghien, Louis-Antoine-Henri de Bourbon,--duc d',--1772-1804--Caricatures and cartoons., Ferdinand--VII,--King of Spain,--1784-1833--Caricatures and cartoons., Harrison & Leigh, publisher., Harvey, Francis--Ownership., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., and Wright, John Wesley,--1769-1805--Caricatures and cartoons.
"The undergraduate advances dejectedly, raising his cap to a Fellow wearing cap and gown and gaiters, who walks with another wearin clerical wig and bands with a cocked hat, long coat to the ankles, and gold headed cane. The former points angrily at the gaiters which the undergraduate (like himself) is wearing. The scene is the side of a College Court showing an edge of grass in the foreground."--British Museum online catalogue.
Alternative Title:
Rake's progress at the university ; no. 4 and Rake's progress at the university.
Description:
Fourth of five prints in a series entitled: The rake's progress at the university., Printmaker from British Museum catalogue., and Title from text within curly brackets below image, following series title.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Nelson, in naval uniform, stands knee-deep in water, among a swarm of crocodiles which he is dispatching with a club of 'British Oak', raised in his left hand. In the hook which replaces his right hand are cords attached to barbed hooks which transfix the jaws of nine (tricolour) crocodiles. In the foreground crocodiles are contorted in death-agony, one emits tiny crocodiles in a gush of water from its jaws. Two swim off (left). One disappears with tail erect. Behind (right) the jaws of a monster larger than the others gape from the water, emitting a fiery explosion. The crocodiles are tricolour, most shed tears. In the background the Nile winds inland, tiny crocodiles are indicated swimming in its mouth. Behind are pyramids, and on the shore the buildings and columns of Alexandria."--British Museum online catalogue.
Alternative Title:
British hero cleansing [the] mouth of [the] Nile
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Nelson, Horatio Nelson,--Viscount,--1758-1805--Caricatures and cartoons.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 1 of 2) | Folder I - title page print
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"Gentlemen gazing at the wares in the bow window of a book and print dealership, the proprietor at the door, a gentleman walking off to the left with his purchases under his arm; an advertisement for F Harvey, a London print and book dealer."--British Museum online catalogue.
Alternative Title:
Bookplate of Francis Harvey
Description:
Alternative title devised by curator. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis., Harvey, Francis--Ownership., and Riviere & Son Binding.
"Eight authors, lean and elderly, dine at an oval table in a handsome book-lined room. A plump man sits at the head of the table (left), reading and gesticulating. The others drink wine, or eat dessert; one helps himself from a punch-bowl. Below the design: "People think that we often dine with Democritus, and there they are mistaken. There is not one of my fraternity, not even excepting the makers of Almanacks who is not welcome to some good table - As for my own part, there are two families where I am received with pleasure. I have two covers laid for me every day one at the house of a fat director of the farms to whom I have dedicated a romance, and the other at the house of a rich Citizen who has the desease of being thought to entertain wits ever) day at his table, luckily he is not very delicate in his choice and the city furnishes him with great plenty"."--British Museum online catalogue.
Description:
One of a group of prints that were collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego., Publisher from the British Museum online catalogue., and Title etched below image.
Subject (Name):
Ackermann, Rudolph, 1764-1834, publisher., Auchincloss, Hugh Dudley--Ownership., and Harvey, Francis--Ownership.
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker.
Call Number:
Auchincloss Rowlandson v. 8
Image Count:
1
Abstract:
Falstaff is carried to bed by three men and a woman. To the left his bride arranges her cap in the mirror on a bureau. To the right a maid holds a candlestick and in her other hand a bed warmer. The large bed is covered in bed curtains; the room is decorated with two chairs and two mirrors.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires. and Title etched below image.
"Bust portrait of George III and Queen Charlotte in profile to the right, his taller figure concealing her right shoulder and the back of her shady hat which has a transparent brim. Both are plainly dressed as in prints depicting them as a farmer and his wife ..."--British Museum online catalogue, description of published print.
Alternative Title:
Farmer George and his wife
Description:
Date based on presumed publication date of print of which this drawing is likely a copy. See No. 6934 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., From a collection in twelve volumes probably compiled by Francis Harvey and sold at auction, Sotheby, London, June 1900. Bequest of Hugh Dudley Auchincloss to Yale University Library, 1981. Bound by Riviere & Son in three-quarters red morocco with gold tooling and gold lettering on spine., and Title inscribed by artist below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., and Harvey, Francis--Ownership.
"A rich farmer's parlour or drawing-room, with curtains drawn over two high windows (right). Betty, plump and bucolic, wearing a high-waisted dress with short sleeves, sits at a square piano (left), in profile to the left, laboriously playing and singing, her eyes on the music: 'Bluebells of Scotland Sung by Mrs Jordan. O Where & O Where is my Highland Laddie gone'. The farmer and his wife stand by the piano, gaping in delighted admiration; they are stout, good-humoured, and plainly dressed. A younger girl, slimmer and less rustic, stands by the piano (left), singing; she holds up a fan. Under the piano is a book: 'Songs of Catalani'. Three elderly ladies sit at a card-table (right), on which are spread drawings or embroidery by 'B. Giles'. One sleeps, two gossip with spiteful zest. A son of the house sits primly with his back to the windows, in profile to the left, his hands folded, ill at ease in frilled shirt, and powdered hair. A small foot-boy enters from the right with a decanter and glasses on a salver and a cake-basket on his arm, the cakes falling out. A spaniel sits dejectedly in the foreground. The room is lit by two pairs of candles in sconces, two candles on the piano, and one on the table. The chairs are of modern shape, with stuffed backs and ormolu ornament. Above the chimney-piece is a heavily framed sampler with two alphabets, figures from 1 to 12, 'Evil communications Corrupt good Manners', and a design of two birds flanking two hearts pierced with arrows, inscribed: 'Betty Giles aged 16. 1808. Cheese Hall'. Over the piano in an oval frame is a view of 'Cheese-Farm': the corner of a house next a small thatched cottage and two haystacks. A gigantic horse looks over the cottage roof, and in the foreground a woman milks a large cow, beside which are two geese and a cock larger than the woman."--British Museum online catalogue.
Alternative Title:
Farmer Giles and his wife shewing off their daughter Betty to their neighbours on her return from school
Description:
Artist questionably identified as Col. Braddyll in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.