Volume 1, page 39. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Lake Bishop Bath Wells
Description:
Title inscribed in upper right corner., Date supplied by cataloger., Laid down on an ink line mount., and Mounted on page 39 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Volume 1, page 33. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Lord Fortescue
Description:
Title from note in ink below image., Date supplied by cataloger., and Mounted on page 33 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Page 168. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
Lord Lyttelton
Description:
Title and statement of responsibility written in ink above image, in a contemporary hand., Artist unidentified; after a design by George Townshend., Date based on death date of Horace Walpole, who assembled the collection in which this drawing is found., and Tipped in as page 168 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
A collection of sixty-four prints (mostly engravings and etchings) showing views of London and its vicinity, including views of Chelsea with Ranelagh, Hampstead, Highgate from Upper Halloway, Old Bedham with the gardens in front, Whitehall with the gatehouse, Grosvenor Square, St. Mary's Church on the Strand with old Somerset House, The Royale Mews in Charing Cross, St. James's Square with the Round Pond, Covent Gardent, Royal Gardens of Somerset, Hampstead, and scarce views of Barnes and Richmond as well as views of Twickenham, and many other scenes in and around London in the later half of the 18th century
Subject (Geographic):
England, London., Thames River (England), Saint James's Park (London, England), Twickenham (London, England), and London (England)
Title and artist name written in ink below image., Probably a copy of the original portrait or an engraving done by Giovanni Battista Catenaro. For the engraving, see British Museum online catalogue, registration no.: 1868,0808.2394., Date supplied by cataloger., "Ob." and "Aeta." are written in lower right corner of sheet, but the date of the portrait and the age of the sitter have not been added., and Mounted on leaf 44 in volume 1 of Anne Damer's Scrapbooks.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[approximately 1800]
Call Number:
Drawings H263 no. 7 Box D125
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait of Lucy Walter, turned slightly left and looking at the viewer; wearing a pearl necklace, pearl earings, and a blue gown adorned with strings of pearls
Description:
Titled by the artist within lower border., Signed in lower left corner with the artist's initials., Date of production supplied by cataloger, based on the dates of similar drawings by G.P. Harding at The Lewis Walpole Library., Note in pencil beneath lower border: From the miniature at Strawberry Hill., Drawn after the miniature owned by Horace Walpole and kept in his Cabinet of Miniatures and Enamels at Strawberry Hill. Walpole believed the miniature to have been painted by Samuel Cooper, but it has since been reattributed to Nicholas Dixon; see Christie's sale catalogue "Fine miniatures, enamels and object of art and vertu", 6 July 1965, lot 36., and A print entitled "Lucy Barlow alias Waters", published by Harding's father Sylvester in 1802 for The biographical mirrour, was probably engraved from this drawing; see Lewis Walpole Library call no.: SH Contents H263 no. 16.
Subject (Name):
Walter, Lucy, 1630?-1658, and Strawberry Hill (Twickenham, London, England)
Page 189. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title and statement of responsibility from note in ink on a one of diamonds playing card (84 x 57 mm) mounted below drawing; alternative statement of responsibility "by Miss Conway" written in pencil at top of image., Date inferred from the use of artist Anne Seymour Damer's maiden name Conway; she was married to John Damer in 1767., and Mounted on page 189 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.