Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[approximately 1797]
Call Number:
Print00756
Image Count:
1
Resource Type:
still image
Description:
Title inscribed below image., Signed by the artist in ink at lower left., Date based on artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Topic):
Drugs, Prescribing, Physicians, Obesity, Alcoholism, and Gluttony
Title in ink at bottom center. and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Topic):
Human skeleton, Alcoholism, Gluttony, and Death (Personification).
Volume 1, page 41. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Monument for Sir Robert de Hungerford
Description:
Title written in ink below image., Date supplied by cataloger., Inscription below title, in a different hand: This monumental inscription is cutt in brass, and sett in black marble, fixt into the south wall of a small chapple joyning to the church of Hungerford. Comm. Berks., Inscription at bottom of sheet: There formerly lay under it, the figure of a man in armour cross legg'd, but that is remov'd into another part of the church and is much defaced., and Mounted on page 41 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Subject (Name):
Hungerford, Robert Hungerford, Baron, approximately 1429-1464. and Salisbury Cathedral.
Title written below image., Artist's initials on lower left, and on right, [anchor]--G. Cruikshank fect., Date based on original work created 1833., Pubd. by Thos McLean, 26 Haymarket, Augt. 1st, 1835 [scored through]., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
"A man in ragged but quasi-fashionable dress rides (right to left) an ass through a river which flows past a steep mountain. The animal jibs, with ears set back; the rider raises a whip in each hand. He wears, and uses, three pairs of spurs, and attached to his shoulders and to the ass is a monstrous pile of bladders inscribed respectively 'Repartee', 'Nonsensical Verses', 'Catastrophe', 'Sentiment', 'Blasphemies', 'Puns', 'Duels', 'Double Entendres', 'Metaphors', 'Ghosts', 'Melting Speeches', 'Squibs', 'Dialogue', 'Daggers Poisons'."--British Museum online catalogue, description of the print engraved after this drawing and A rough pencil sketch of the same design but lacking much of the detail on the verso
Alternative Title:
Dramatic author foiled in his endeavor to ascend Parnassus
Description:
Title written below image, in the artist's hand., Unsigned; artist attribution from statement of responsiblity "Giles Grinagain in. et f." present on the print made after this drawing., Date surmised from that of the print based on this drawing., Giles Grinagain is possibly a pseudonym of Samuel Howitt. See British Museum online catalogue., and Original design for a print first published by S. Howitt in 1802 and then reissued by S.W. Fores in 1804. Changes in the printed version include the replacement of the word "endeavor" in the title with "attempt," and the elimination of the speech bubble emanating from the man. Cf. No. 10334 in the Catalogue of prints and drawings in the British Museum, v. 8.
Page 457. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the shrine designed by Pietro Cavallini, brought to the chapel at Strawberry Hill from Rome in 1768. A cross sits on the floor beneath the shrine, between the twisted columns; an armored glove and dagger are seen in the foreground, while other arms and armor hang on the walls in the background
Description:
Title and statement of responsibility written in ink below image, on mounting sheet., Artist "E.B." identified as E. Bell in local card catalog record., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Mounted on page 457 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
Page 299. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of several items from Horace Walpole's collection that were sold at the Strawberry Hill Sale of 1842. Sitting on a table draped in a red tablecloth, surrounded by other items, is the silver bell that was once attributed to Benvenuto Cellini. Shields, urns, a book, a decorated hunting horn, and an ornate dagger occupy the floor in front of the table. To the right are several pieces of armor, on the floor beneath a stained glass window; wooden cases in the Gothic style are seen in the background
Alternative Title:
Silver bell and other curiosities and gems as seen in Strawberry Hill
Description:
Title from contemporary note in ink, on a separate sheet mounted below image., Statement of responsibility written in ink on mounting sheet, beneath lower right corner or image. Artist "E.B." identified as E. Bell in local card catalog record., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Mounted on page 299 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
Subject (Name):
Walpole, Horace 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Bells, Urns, Shields, Daggers & swords, Stained glass, and Windows
Title derived from verse written in ink below image., Inscription in ink., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local subject terms: Corns.
Portrait drawing of William Walker, who supposedly lived to be 122 and was interred in 1736 at the church in Ribchester; half length, turned to the left; bald, with white beard; wearing a hooded robe and a belt
Description:
Title inscribed in pencil below image., Artist's monogram written in pencil in lower left corner., Probably a nineteenth-century copy of an eighteenth-century work; the likely place and date of production for the original work follows title: Wimpole, Aug. 23, 1727., Date of production based on parenthetical note on verso beneath copied biographical information about the sitter: (Mr. Bull's[?] handwriting - taken from a book of portraits by Robt. White, Sir James Thornhill, & George Vertue etc. belonging to my father. 1873. E.S.)., Sheet mutilated in lower right corner resulting in loss of further manuscript annotations., Formerly laid in at page 155 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.
Portrait drawing of William Walker, who supposedly lived to be 122 and was interred in 1736 at the church in Ribchester; half length, turned to the left; bald, with white beard; wearing a hooded robe and a belt
Description:
Title inscribed in pencil below image., Artist's monogram written in pencil in lower left corner., Probably a nineteenth-century copy of an eighteenth-century work; the likely place and date of production for the original work follows title: Wimpole, Aug. 23, 1727., Date of production based on parenthetical note on verso beneath copied biographical information about the sitter: (Mr. Bull's[?] handwriting - taken from a book of portraits by Robt. White, Sir James Thornhill, & George Vertue etc. belonging to my father. 1873. E.S.)., Sheet mutilated in lower right corner resulting in loss of further manuscript annotations., Formerly laid in at page 155 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted to 49 x 37 cm., and Original case shelved separately.