Title from item., Engraved rhymed letter in form of rebus., The words 'gentleman' and 'lady' within title are represented by portrait profiles of a young man and a young woman, respectively., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Hieroglyphs -- Letters., Publication date partially erased from this impression and the last two digits, i.e., '70,' supplied in contemporary manuscript., and Watermark: 1814.
Publisher:
Printed 21st October 1770, by Laurie & Whittle, No. 53 Fleet Street, London
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A street scene. A stout ugly man on the extreme left turns to look through an eye-glass at a woman with a lean and grotesque profile. She wears a straw bonnet and is blown by the wind, her dress defining her figure, her hands in a large muff. Two men (right) walking hurriedly to the left are much caricatured; one rejects the outstretched hat of a ragged female crossing-sweeper. On the extreme right an ugly military officer puts his arm round a handsome courtesan. The windows of a corner-shop form a background: 'Chevalier Stinkpot Perfumer in General to the Court of St James's'. Large jars and bottles fill the window, some being inscribed 'court Sticking Plaister, Goula . . Lotion, Rouge, Pearl Dentrifice, Maccass[ar] Oil, Pomade Devine'."--British Museum online catalogue
Alternative Title:
Old ewe dressed lamb fashion
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Text below title: Walking fast and far to overtake a woman, whose shape and air, as viewed en derriere, you have decided that her face is angelic, till on eagerly turning round as you pass her, you are petrified by a Gorgon., "Price one shilling coloured.", 1 print : etching on wove paper, hand-colored ; plate mark x cm, on sheet 25.6 x 41.8 cm., Watermark: 1815., and Leaf 39 in volume 1.
Publisher:
Pubd. October 25, 1810, by Thos. Tegg, No. 111 Cheapside
Title etched below image., Sheet trimmed to plate mark at left., Plate numbered '22' in upper right corner., Earlier state, without border around design and without lines indicating the floor in the image. Cf. No. 4699 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Macaronies -- Quizzing glasses -- Critics, and Watermark: countermark W.
Publisher:
Publish'd as the act directs, Novr. 16, 1772, by M. Darly, 39 Strand
"An elderly man, dressed in the macaroni manner with an enormous club of hair, walks, supported by a stick held in his left hand. His r. hand is firmly grasped by a young woman who points with her other (l.) hand in the direction to which she is leading him. She is tall and fashionably dressed and is evidently a courtesan."--British Museum online catalogue
Alternative Title:
Old macaroni misled
Description:
Title from item., Initial letters of publisher's name in imprint form a monogram., Sheet trimmed to plate mark on top and sides., Plate numbered '10' in upper right corner., Temporary local subject terms: Canes -- Female dress, 1772., and Watermark: countermark IV.
"A stout John Bull sits in an arm-chair holding a long pipe in his left hand which rests on a circular table beside a glass and bottle of 'Coniac'. He looks up with an anxious scowl at an elderly man who stands (right), saying, "I 'am come again about the Taxes Sir - if agreeable to you to discharge them". The tax-collector holds a large open book, 'New Taxes for the Year 1796', [The last figure is doubtful] in which he writes with his left hand. He wears a hat in which a pen is thrust, an ink-bottle hangs from a button, in each pocket of his greatcoat is a large book, one being 'Additional Taxes on Window Lights'. Under his arm is another large book: '[T]axes Receipts Taxes'. Beside the taxpayer sits a dog, who glares up at the tax-collector with an expression resembling that of his master."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Not in J. Grego's Rowlandson the caricaturist., Lewis Walpole print 794.12.26.01: Title expanded in contemporary hand: Mr. Taxus or an unwelcome visitor to John Bull., and Watermark: Strasburg bend.
Publisher:
Publd. as the act directs by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, John Bull (Symbolic character), Alcoholic beverages, Chairs, Dogs, and Pipes (Smoking)
"The head and shoulders of Stanhope, looking to the left, right arm raised in the attitude of an orator. He wears a large cocked hat. ... The bonnet-rouge does not fit this head."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., One of eight satirical portraits in the series "Illustrious heads designed for a new history of republicanism ..."; see British Museum catalogue., Plate numbered "3" in upper right corner., Temporary local subject terms: French republicans -- Members of the Opposition., and Watermark: 1805.
Publisher:
Publd. 12th May 1794 by H. Humphrey
Subject (Name):
Stanhope, Charles Stanhope, Earl, 1753-1816 and Cloots, Anacharsis, 1755-1794.
Title from item., Publication date from an unverified card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Three columns of verse in Dutch below image: Een Actie-Heer, die d'Actie-Wind Had by Scheeps-ladings ingeslágen ..., Watermark in the upper part of sheet, countermark DP (monogram) in the lower part., and Title translation on verso: Anatomy of the trade wind, or, Bombardio for the Devil.
"The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
Publisher:
Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802