"Whole length portrait of a man walking (right to left) with a mincing gait, left toe turned out. He looks through an eye-glass with a frowning grimace. His left hand, holding a bludgeon, is on his hip. His hair is cropped and he has side-whiskers, and is dressed in the manner adopted by the rakes and bloods of 1791, wearing a high-crowned hat, a waistcoat with a high collar at the back; his coat is slipped off his shoulder, showing the upper part of his shirt-sleeve. He wears long breeches or pantaloons and very short top-boots, see BMSat 8040, &c. In the background is a piece of water, trees, and buildings. He resembles Lord Barrymore. In the background is indicated a house (right) with a park wall and trees reflected in water."--British Museum online catalogue
Description:
Title etched below image. and Watermark: I Taylor.
Publisher:
Pub. Sepr. 1st, 1791, by S.W. Fores, No. 3 Piccadilly
"A man, whole length, playing a violin. He faces right but looks over his right shoulder, his mouth open as if speaking. He is doing dancing steps. He wears a rather short coat, and a ruffled shirt. His hair is in an exaggerated macaroni club."--British Museum online catalogue
Description:
Title from text below image., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate from vol. III: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "13" in upper right corner.
Publisher:
Pub. according to act of Parlt. June 7th by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dance, Dandies, British, Hairstyles, Teachers, and Violins
Leaf 76. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"A man, whole length, playing a violin. He faces right but looks over his right shoulder, his mouth open as if speaking. He is doing dancing steps. He wears a rather short coat, and a ruffled shirt. His hair is in an exaggerated macaroni club."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Year of publication from the British Museum catalogue., Plate numbered "v. 3" in upper left corner and "13" in upper right corner., For an earlier state, see no. 5014 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Temporary local subject terms: Macaronies -- Male costume -- Exaggerated club wigs -- Dancing masters., and First of three plates on leaf 76.
A grotesque racist caricature of a buxom black woman in a white dress decorated with flowers and a bonnet with ribbons, grinning at the viewer and saying 'Don't you think you Fancy me now Massa'. Probably inspired by the "High Life in Philadelphia'' series by Edward Williams Clay between 1828 and 1830 mocking supposed racial differences and modeled after George and Robert Cruikshank's Life in London
Description:
Title etched below image., Print signed using an unidentified artist's device: An image of a hand, palm facing the viewer., Date of publication from dealer's description., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Pasted on a blue album sheet at corners: 21.5 x 18 cm.
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image., Leaf 14 in an album with the spine title: Characatures by Dighton., and 1 print : etching on laid paper, hand-colored ; plate mark 29.7 x 19.7 cm, on sheet 31.1 x 25.5 cm.
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
"A design partly bisected by a vertical line. The same lady sits (left) directed to the left at her dressing-table, wearing only a long chemise or petticoat, and slippers. On the right she sits, in the same attitude but directed to the right, fully dressed at the same dressing-table. In undress she is almost bald; a wig of naturally-dressed hair is on a stand on the table. She has an over-long neck and skinny arms. On the the table (left) are her fan, a locket suspended on a ribbon, cosmetic-boxes, and a bottle labelled 'Wrinkles'. When dressed her neck is concealed by a lace ruffle on a chemisette, she has long rucked sleeves, in her gloved hand is her fan. She wears a high-waisted gown under which her legs are defined; she wears elaborately embroidered stockings with flat slippers. Her wig seems to be luxuriant natural hair; she wears an ear-ring. On the dressing-table are boxes, a bottle of 'Lavender', and tickets inscribed 'Opera' and 'Cards'. She looks young and handsome, the dress (not exaggerated) effectively concealing her weakest points."--British Museum online catalogue
Alternative Title:
Fashionable lady in dress and undress
Description:
Title etched below image. and Watermark: J Whatman 1805. check
Publisher:
Robert Dighton
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dressing tables, Wigs, and Cosmetics
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Publication date from British Museum catalogue and Grego., and Publication line altered, with the original date of publication removed: Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand.
A satire on the new fashion of Jean Debry coats: A tailor holds a mirror to a customer who looks at his image with horror. The customer complains that he has put a hump upon each shoulder. The tailor replies that the coat has been made to his wife's specifications
Description:
Title etched below image., Series title and number etched above print., Earlier state, with imprint. Cf. No. 9625 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Earlier state described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 15.
Publisher:
Pubd. Oct. 1st, 1799, by R. Akerman, No. 101 Strand
A woman, whole length standing in profile looking right, with her hair gathered in a large bag and wearing large sleeves trimmed with lace
Alternative Title:
Female macaroni
Description:
Title from text below image., Initial letters of publisher's name in imprint form a monogram., Plate from vol. III: Macaronies, characters, caricatures &c. [London] : Pubd. by MDarly, 39 Strand, 1772., and Plate numbered "24" in upper right corner.
Publisher:
Pubd. accordg. to act July 14th, 1772 by MDarly, 39 Strand
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, and Hairstyles