Plate 64. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Five rows of wigs classified as "Parsonic", "Old Peerian or Aldermanic", "Lexonic", "Composite" and "Queerinthian"; at the bottom of the sheet a row of womens heads with, on the left, that of the newly-crowned Queen Charlotte; the wigs are annotated in the manner of illustrations to contemporary architectural treatises."--British Museum online catalogue
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs., State from Paulson. The second 'e' in advertisement added above the line; the 'k' in parsonic burnished out., Caption etched below image: Advertisement. In about seventeen years will be compleated, in six volumns, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., Portraits after James 'Athenian' Stuart and Nicholas Revett., 1 print : etching on laid paper ; plate mark 30.2 x 22.3 cm, on sheet 36.6 x 28.9 cm., Mounted on leaf 46 x 59 cm., and Plate 64 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
A copy of the Hogarth's Frontispiece and its explanation for Samuel Butler's poem Hudibras with the title engraved above the image and the text below in a single sentence below. Plate one is an emblematic scene with an oval portrait of Samuel Butler mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the left, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the right a young satyr holds up a mirror to a figure of Britannia
Alternative Title:
Hudibras. Frontispiece
Description:
Title from text above image., After Hogarth., Date of publication based on publisher's name and address in imprint statement. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Five lines of explanatory text below image: The bass relief on the pedestal represents the general design of Mr. Butler in his incomparable poem Hudibrass ..., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 82., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1, no. 504., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet annotated in brown ink in a contemporary hand: "Twelve plates" written above image and "35" is written in upper right corner. Two sewing holes along left edge.
Publisher:
Printed and sold by Robt. Sayer, map & printseller at No. 53 in Fleet Street
Subject (Name):
Butler, Samuel, 1612-1680, and Butler, Samuel, 1612-1680.
Plate 41. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"A rural scene with a hustings where ailing men are being brought to vote and the able-bodied are amusing themselves with a drawing of one of the candidates, an execution broadside and a gin bottle; in the middle ground a coach bearing the sign of the Union Flag has collapsed, but its female passenger (Britannia) is unable to gain the attention of her coachmen who are absorbed in a card game; beyond, a bridge across a river is crowded with a riotous procession."--British Museum online catalogue
Description:
Title engraved above image., Third state with the words 'Milicia Bill' on the coat pocket of the crippled voter in the left foreground., Third in a series Four prints of an election., Dedication engraved below image: To the Honble. Sr. Edward Walpole, Knight of the Bath. This plate is most humbly Inscrib'd by his most obedient humble servant Willm. Hogarth., 1 print : etching and engraving on laid paper ; plate mark 43.6 x 55.9 cm, on sheet 46 x 59 cm., and Plate 41 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth.
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Card games, Carriages & coaches, Crowds, Political elections, and Riots
Plate 41. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"A rural scene with a hustings where ailing men are being brought to vote and the able-bodied are amusing themselves with a drawing of one of the candidates, an execution broadside and a gin bottle; in the middle ground a coach bearing the sign of the Union Flag has collapsed, but its female passenger (Britannia) is unable to gain the attention of her coachmen who are absorbed in a card game; beyond, a bridge across a river is crowded with a riotous procession."--British Museum online catalogue
Description:
Title engraved above image., Third state with the words 'Milicia Bill' on the coat pocket of the crippled voter in the left foreground., Third in a series Four prints of an election., Dedication engraved below image: To the Honble. Sr. Edward Walpole, Knight of the Bath. This plate is most humbly Inscrib'd by his most obedient humble servant Willm. Hogarth., 1 print : etching and engraving on laid paper ; plate mark 43.6 x 55.9 cm, on sheet 46 x 59 cm., and Plate 41 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth.
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Card games, Carriages & coaches, Crowds, Political elections, and Riots
Plate 71. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A defense of the unpopular ministry of John Stuart, third Earl of Bute, Hogarth takes off from a print published in August 1762 "John Bull's House sett in Flames". He depicts a London street scene in which the half the buildlings are in flames as the political factions either stir the flames or are battling to extinguish them. The fire is the Seven Years' War and the houses, Germany and France; the two men clasping hands are France and Spain who had recently joined in the fight against England
Description:
Title etched below image., Second state as described by Paulson, with 'HERMIONE' and the door and doorway to the house with the burning globe have been darkened with added seriese of diagonal lines. For other changes to the design, see Paulson., Sheet trimmed within plate mar., 1 print : etching and engraving on laid paper ; plate mark 24.6 x 30.5 cm, on sheet 28.5 x 36.9 cm., Mounted on leaf 59 x 46 cm., and Plate 71 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Henry VIII, King of England, 1491-1547
Subject (Topic):
Seven Years' War, 1756-1763, Cities & towns, Fires, Fire fighting, Firefighting equipment, and Signs (Notices)
Caption title., Includes a printed list of paints and oils, as well as other chandlery goods including preserved goods and other supplies of use on board ships., Inscribed "No. 6 Painters Bill. The Marchoness of Ada[?] Capt Ogilvie. 1765." in ink on recto, over the printed list of paints. The verso lists the paints supplied to "Jno. Clarke Esq. For the Brig Marchoness ordered [by] Capt Hugolvie. ... [between] May 22 1765 [and] June 11 1765." The bill was paid in full August 30, 1765, and signed by James Ogilvie and Thomas Hewerdine., and For further information, consult library staff.
Publisher:
Thomas Hewerdine
Subject (Geographic):
England.
Subject (Topic):
Advertising, Paint, Paint industry and trade, and Painters (Tradespeople)
Volume 1, page 10a. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion wearing huge boots is seen from behind, walking away holding his whip
Description:
Title, printmaker, and date of publication from British Museum catalogue., Temporary local subject terms: Postillions., Mounted on page 115 of: Bunbury album., and 1 print : etching on laid paper ; plate mark 12.1 x 8.1 cm, on sheet 12.4 x 8.4 cm.
Volume 1, page 9. Etchings by Henry William Bunbury, Esq. and after his designs. Page 115. Bunbury
Image Count:
1
Resource Type:
still image
Abstract:
A French postillion, whip in hand and wearing huge boots, is seen from behind looking over his right shoulder towards the viewer; a church is visible in the distance
Description:
Title, printmaker, and date of publication from the British Museum catalogue., Later state, with position of the figure's head altered and with additional shading added to the foreground. For an earlier state before these changes to the plate, see Lewis Walpole Library call no.: 75 B87 770., Sheet trimmed to plate mark on three sides., Mounted on page 115 of: Bunbury album., and 1 print : etching with drypoint on laid paper ; plate mark 14.5 x 10.1 cm, on sheet 15.1 x 10.7 cm.
Publisher:
publisher not identified
Subject (Topic):
Postillions, French, Boots, Whips, and Coach drivers
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., 1 print : etching and engraving with stippling on laid paper ; plate mark 35.7 x 40.8 cm, on sheet 46 x 59 cm., and Plate 11 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., 1 print : etching and engraving with stippling on laid paper ; plate mark 35.7 x 40.8 cm, on sheet 46 x 59 cm., and Plate 11 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion