V. 3. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Wellington on the extreme left, seated in profile on his white horse, looks down at three officers who heap trophies at his feet. He says: "Why! here's enough for three nights Illumination!" An officer answers: "Three times Three! My Lord!!" Another, holding two eagles with their tattered tricolour flags, holds out a marshal's baton, saying, "Here's Marshal Jordens Rolling-pin." The third, wearing hussar uniform, and holding an eagle with a flag inscribed 'La Emperu . . .', points behind and to the right, saying, "And here comes their Last Cannon!!" In the middle distance a soldier is dragging after him downhill a cannon by a rope attached to the muzzle; he says, grinning, "By St Patrick I think we have taken all they brought from Parts!"; a drummer bestrides the gun beating his drum and shouting, and a third man stands astride it on the gun-carriage, waving a Union flag and his shako and shouting "Huzza Huzza". Two asses are harnessed tandem to the gun-carriage and are being dragged backwards, one slides on its haunches the other rears; on each is a French soldier wearing a bonnet rouge; one says: "By Gar every ting goes backwards with us." On the hill lies a dead soldier' burlesqued and wearing a bonnet rouge, his legs raised from the ground by his huge spurs; near him is a decapitated body with the detached head still wearing a grenadier's cap. In the foreground (right) are sacks of coin, and a chest inscribed 'Plunder', heaped with church plate."--British Museum online catalogue
Alternative Title:
Scene after the Battle of Vitoria, More trophies for White-hall, and More trophies for Whitehall
Description:
Title from text above and below image., Plate numbered "202" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 3., Watermark: 1817., and Leaf 57 in volume 3.
Title from caption below image., Sheet trimmed within plate mark., One of six plates of a series entitled: Scraps and sketches / by George Cruikshank. Part the second. See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11, p. 239-240., and Watermark.
An equestrian portrait of the Marquess of Anglesey shows him riding a prancing horse in a park. Both his hands grasp the horse's reins
Description:
Title from caption below image., Possibly a variant of no. 14066 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, where the rider is described as having his right hand on his hip., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Anglesley, Henry William Paget, Marquis of, 1768-1854,
Title from text above central image., Six lines of verse above imprint statement: This is a stick of rhetorick or to tell you plainly it's intent ..., Probably from Cruikshank's self-published series: My sketch book., Plate numbered in upper left corner: Pl. 2., and Sheet trimmed within plate mark.
"A burlesqued tailor with a huge paunch and small legs stands in profile to the left, facing a gale and rain, encumbered with a little girl clinging to his neck, and by large roll of cloth under the right arm; he tries to open his umbrella, having placed his cane between his legs; tied to the handle in a handkerchief are books of patterns, which are blowing away, like his wig, hat, and the child's bonnet; his coat, with tape-measure, streams behind him ..." (Source: George)
Alternative Title:
Embarras des richesses
Description:
Title from caption below image., Anchor symbol is the artist's mark of Frederick Marryat., Artist from British Museum catalogue., Below title: Drawn from the life on the Cliff Brighton., Five lines of verse from Byron's Bride of Abydos inscribed below title: Through rising gale and breaking foam and shrieking sea birds warned him home ..., and For further information, consult library staff.
"Below the title: '(i e) Being dragg'd through mud & Mire by your Cockney friend, (who has lately taken-- a -- seat in the Country) to show the improvements! & his ignorance in Farming.' The fat 'cit', wearing top-boots, stands deep in mire, his hand resting on a heap of straw and dung (left); he turns to a file of agonized visitors who are picking their way on stones, saying, "Here's a charming lot of dung for you -- Now tho' you would not think it I made every bit of this dung myself since I came here! & you know that's not long!" A little boy, standing on the heap with a pitchfork, points to a pool, saying, "Yes & that pond was'nt there when papa first came; Papa made all that water too, all himself!" The foremost visitor registers astonishment; the other three are concerned only with the mud. A frightened boy watches the procession. On the right a woman tries to help her husband, a dandy, from mire that is sucking off his boot, and who holds by the hand (but disregards) a small child who has fallen deep in the muck, terrified at the onset of a menacing duck followed by ducklings. The fat hostess, standing before an unmistakable garden-latrine (right), takes his shoulder, saying, "Never mind my husbands nasty dung--come this way Mr B, & I'll show you my Grotto & Waterfall!" She points to water gushing into a pool from a tiny artificial cave on which stands a Venus pudica. This is flanked by little arbours (each surmounted by a flower-pot which indicates the scale) and each containing a seat. A dove-cot is surmounted by the figure of Harlequin or Mercury holding a purse. Behind are small trees, a haystack, and the roof of the house."--British Museum online catalogue
Description:
Title from caption below image., An anchor is the symbol of artist Captain Frederick Marryat., Sheet trimmed within plate mark., Lines of text below title: (ie) being dragg'd through mud & mire ..., and Temporary local subject terms: Chickens -- Farms -- Obesity.
Publisher:
Pubd. May 25th, 1819 by G. Humphrey 27 St. James's Strt
Title from caption below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Tmeporary local subject terms: Justice -- Sailors -- Crowds.
Title from caption below image., Date of publication based on running dates of the Great Exhibition: 1 May to 15 October, 1851., Artist's signature appears within design., and Sheet trimmed within plate mark.
"A provincial Assembly Room. A musicians' gallery (right) is above a recess which is the entrance from the street. In this a young woman changes pattens for dancing-shoes, supporting herself on the arm of a stout woman with a pin-cushion slung from her arm. A lighted lantern stands on the floor. In the foreground a couple advances from this entry, meeting a younger pair. In the background against the wall couples are dancing, facing each other, the man holding his partner's wrist. An absurd couple on a settee (left) flirt, the lady holding a tumbler, the man fanning her. Behind, two men delightedly inspect a paper headed 'Election 1812'. On the wall is a bill: 'Sir Toby Spendall returns his most grateful thanks to the worthy Freemen for thier kind support during the late Election.' From the pocket of an elderly man near the door hang two papers: 'State of the Pole' and 'To the Worthy Freemen'. In the foreground (right) a pair of half-boots, a cane, and a hat lie together. The room is lit by hanging candelabra and candle-sconces."--British Museum online catalogue
Description:
Title etched below image. and Temporary local subject terms: Musician's gallery -- Pattens -- Fiddle.
Publisher:
Pubd. April 28th 1813 by H. Humphrey No. 27 St. James's Strt