publish'd according to act of Parliament May 7, 1761.
Call Number:
Kinnaird 79K(m) Box 120
Collection Title:
Plate 68. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A monkey dressed as a connoisseur waters with a watering can three withered and sapless trees in pots. A banner under the pots is labelled 'EXOTICKS'. In his right hand he holds a magnifying glass to his eye. The trees are labelled 'OBIT 1502', 'OBIT 1600' and '[O]BIT [1]604'
Alternative Title:
Tailpiece to The catalogue
Description:
Title and state from Paulson. and Sheet trimmed within plate mark.
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson. and One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129.
A scene in an encampment: two punished soldiers standing outside the headquarters, one holding a very long pole, the other with two blocks on his head, others looking on from both sides
Description:
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XV; see p. 129., Ms. note in Steevens's hand: Standing before the General's tent &c., and On page 24 in volume 1. Plate trimmed to: 4.5 x 7.8 cm.
Simon, John Peter, -approximately 1810, printmaker
Published / Created:
[1 July 1790]
Call Number:
Drawer 724 803B no. 83
Image Count:
1
Resource Type:
still image
Abstract:
"Petruchio seizing Katherine by the hand, brandishing his whip in the other, gesturing to the right, outside, as he insists on leaving without the wedding feast, though Katherine remonstrates and Baptista on the right looks bewildered and the musicians look down, ready to play, from the balcony above."--British Museum online catalogue
Description:
Full title from British Museum online catalogue., 'Shakspeare' in open letters below imprint., and Sheet trimmed at top and bottom to edge of plate.
Publisher:
Publish'd July 1, 1790, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall, London
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"Sly wakes up in the Lord's house, is convinced by the Lord and his attendants that he is in fact a nobleman who has come to after 15 years of being insane, and having ordered a play, calls for his wife to come to bed with him, but is told his doctor has forbidden him."--Britsih Museum online catalogue
Description:
Full title from British Museum online catalogue., 'Shakspeare' in open letters below imprint., and Sheet trimmed at top.
Publisher:
Publish'd Sepr. 12, 1792, by J. & J. Boydell, Cheapside & at the Shakspeare Gallery, Pall Mall
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"Ferdinand and Miranda standing to left in the cave, arm in arm, Ferdinand looking up with outstretched arms, amazed at a circle of female spirits above their heads, controlled by Prospero, who stands to right, looking thoughtfully away to left, having learnt from them of Caliban's plot against him; with Caliban and two others in the background to right, on the sea-shore."--British Museum online catalogue
Description:
Title, artist, printmaker, and imprint from British Museum online catalogue. and Sheet trimmed at right and bottom edges.
Publisher:
J. & J. Boydell
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"Ferdinand and Miranda at a chess table, Miranda seated looking up into Ferdinand's face as he stands leaning towards her, holding her hand, with two figures just visible, talking in the shadows to the right.."--British Museum online catalogue
Description:
Title, artist, printmaker, and imprint from British Museum online catalogue.
Publisher:
J. & J. Boydell
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
A scene from the Beggar’s Opera as performed and perhaps witnessed by Hogarth. The scene (Act III, Scene II) is the last. Set in Newgate prison. At center stage, is the highwayman Macheath, chained (played by Thomas Walker) wearing red. Two women who believe they are married to him plead for his life as he is sentenced to the gallows. To his left, Lucy Lockit with her back to the audience (played by Mrs. Egleton) is dressed in blue. She pleads with her father the prison warden (John Hall). On his right Polly Peachum (played by Lavinia Fenton) dressed in white with a pink sash, pleads with her father, a dishonest lawyer and informant (played by John Hippisley). The actors are flanked by an audience members privileged to sit in boxes on the stage. Among these is John Rich the impresario of the play. Cf. Einberg
Alternative Title:
Horace Walpole’s Copy of A Beggar’s Opera
Description:
Title from 2005 Christie's appraisal., Artist unidentified., Formerly attributed to William Hogarth. See R. Paulson, Hogarth: his life, art and times, pp. 26-7, pl. 45., In a contemporary gilt Rococo frame., Label on verso in Horace Walpole's with a note in his hand: "Sketch of the Beggar’s opera as first performed: Macheath, in red, by Walker. Polly kneeling, in white, by Miss Fenton, afterwards Duches of Bolton: Lucy in green, her face turned away, by Mrs. Eggleton; Peacham, in black by Hippisley; Lockit, by Hall. Amongst the audience, on the left hand, Sir Thomas Robinson of Rokeby, a tall gentleman with a long lean face; on the right, Sir Robert Faggs, profile, a fat man with short grey hair, much known at Newmarket. Painted by Hogarth. H.W.", Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: The original sketch of The Beggar's Opera, representing Walker as Macheath; Miss Fenton, afterwards Duchess of Bolton, as Polly, Hippisley, as Peach'em; Hall as Lockit; on one side in a box are Sir Thomas Robinson, very tall and lean, and Sir Robert Flagg, a famous Horse racer, fat, with short grey hair, by Hogarth. This highly interesting and curious picture was purchased at the sale of John Rich, the celebrated Harlequin and Master of the Theatres in Lincoln's-Inn-Fields and Covent Garden, for whom the picture was painted - it is in its pure and genuine state, and presents one of the most remarkable efforts of this original master., Text from the 1774 edition of Horace Walpole's Description of the villa of Mr. Horace Walpole, at Strawberry Hill: The original sketch of the Beggar's Opera: Walker as Macheath; miss Fenton, afterwards duchess of Bolton, as Polly; Hippisley, as Peach'em; Hall as Lockit: on one side in a box, sir Thomas Robinson, very tall and lean; sir Robert Fagg, a famous horse-racer, fat, with short grey hair: by Hogarth. Bought at the sale of John Rich, the well known harlequin, and master of the theatres in Lincoln's-inn-fields and Covent-garden, for whom the picture was painted. Formerly hung in the Great North Bedchamber, Strawberry Hill., and Title devised by curator.
"Death (left) poises his javelin, about to strike an old man in bed, reading a book by the light of a candle held in his left hand. The room is heaped with his treasures (armour, &c.). Rats scamper, chased by a cat."--British Museum online catalogue
Description:
Title from description of a later state in the British Museum catalogue; the assigned title for each plate from The English dance of death is the heading to the opposite printed page., Early (proof?) state, before aquatint added. For a later state, see no. 12412 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from imprint on later state: London, Pub. 1 April 1814, at R. Ackermann's, 101 Strand., Sheet trimmed within plate mark, with possible loss of text below image., Later state issued in: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 320., Temporary local Medical Library subject terms: Skeleton as Death., and Ink verse notation on verso, perhaps in Rowlandson's hand; additional pencil notation on verso.
Publisher:
publisher not identified
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Wills, Skeletons, Spears, Beds, Sleeping, Cats, Rats, Armor, Musical instruments, Books, Candles, Artists' materials, Urns, and Sculpture