Manuscript on parchment (trimmed) of what appears to be the second of a two-volume Bible.
Description:
Binding: Nineteenth century. Red velvet case. Leather placemarks on fore edge., Script: Written in an elegant French minuscule, chapter divisions added in margins by a later hand., and Twenty-seven fine aniconic initials, 20- to 7-lines. The initials are drawn in black pen, filled with yellow, brown or blue, most with interlace knots at midpoints and terminals, some with dragon heads, infilled with intertwining palmette foliage against irregular red, blue, green, and yellow panelled grounds. Prologues open with 10- to 4-line initials, red and blue with terminals in a leafy "arabesque" design. Chapters with 3-line initials in red. 1-line initials, running headings, and rubrics throughout. Marginalia sometimes outlined in red.
Subject (Topic):
Bible.--Latin--Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of the Bible, with prologues to almost every book; also includes interpretations of Hebrew names
Description:
In Latin., Script: copied by several similar-looking hands writing in Northern Gothica Textualis Libraria., Decoration: each Prologue (except Jeremiah, f. 240rb) opens with a painted initial, decorated with interlace and hybrid animals, fishes, etc. Numerous large and small decorative initials in red and blue pen-work. Execution of decoration ascribed to the "Vie de Saint Denis Atelier." See catalog description for further detail., and Binding: Eighteenth century : rose-coloured parchment over wooden boards; both covers gold-tooled; brass bosses and clasps; arms of Johann Christoph Borzek on front cover; cartouche containing a peasant pruning a tree, with the motto "Cum tempore fructus," on rear cover.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
In Latin., Script: Written by a single scribe in small, neat, gothic bookhand; note in his hand on f. 209r, too trimmed to be legible., Approximately half the historiated initials have been excised. The initials, 51- to 9-line, painted gold, red and blue with white highlights and punctuated with gold dots, terminate in spiralling floral serifs, often with biting animal heads, with long projecting stems against cusped grounds. The figures are red, blue, orange and grey, against red or blue grounds, some of them diapered and decorated with groups of three white dots and gold dots. Illuminated initials, 51- to 5-line, occasionally for books (f. 74v [Joshua] and f. 175r [Nehemiah]), for the most part for the prologues, similar to the historiated initials, except infilled with interwining and angular vines with biting head terminals, red and/or blue against red or blue grounds with gold dots and set in frames of painted gold. 2-line calligraphic initials for chapters, red or blue with blue or red penwork, each attached to a column of superimposed I's, red and blue, running the full length of the text column, with penwork flourishes, especially at the terminals. Capitals for verses stroked in red. Running headings and chapter numbers in alternating red and blue letters or numbers., and Binding: Date? Resewn on four single, round, vegetable fiber cords which are frayed out and adhered inside the oak boards. There are no endbands, but traces of alum tawed endband cores and sewing supports remain in the holes in the boards. The spine is square. Some lettering in ink on the fore-edge. Covered in red-brown calf, with an exceptionally large stamp of the Virgin and child in an aureole within concentric frames, one with an inscription, on the upper board and diamonds filled with crosses, roses and IHS in circles on the lower. The latter ornaments are also stamped on the turn-ins underneath the pastedowns. Rebacked and edges repaired. Upper board detached. Not the original and possibly not an early binding. Rebacked in the Yale Conservation Studio in 1982. The upper and lower covers are lined with single leaves, pasted down, of a missale plenum (11th century?). Portions of Dominica VI post Pentecosten, Feria IV of that week (upper cover), an unidentified mass of the Sanctorale, Dominica III post Pentecosten (lower cover). Where they occur, the texts of the proper chants are notated in German neumes in campo aperto. Some of the chants are cited by incipit; these are usually not noted. The Alleluia for DMC III is Domine in virtute; that for DMC VI is Eripe me. (We thank K. D. Hartzell for his assistance with these fragments.)
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Missals
Manuscript on parchment (trimmed). and On fol. 260v: historiated initial of King David and a carillon of three bells and clappers.
Description:
Evidence of heavy use in the 14th through 16th centuries includes marginal notes of an early corrector (e. g. "hunc prologum non correxi quia non inueni correctum" on f. 182r and "Quidam non hunc istum uersum" on f. 539v).
Subject (Topic):
Bible.--Latin--Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (trimmed). The codex is probably a normal French Bible but is so badly bound, with lacunae throughout, that we cannot be certain
Description:
In Latin., Script: Written by a single scribe in a neat, but slightly round, gothic bookhand, on the top line. Notes for initials and chapter numbers in margins, in an informal cursive script. Numerous corrections between rulings in lower margin; the corrections were then written in a neat gothic bookhand next to the text., The surviving historiated initials, 8-, 7-, 6-, and 5-line, are of varied design, and are all badly damaged. In type and style they are somewhat comparable to initials in mid-13th century Parisian manuscripts. For the most part, the initials are red or blue, with white highlights; the body of the letter on a dark blue, pink, or grey ground, with white dots; curling floral and dragon serifs, some with cusps (orange, red, and green); descenders (up to 2/3 of text column) same color as body of letter, with adjoining strips of pink, blue, or grey, often with cusped floral terminals, rampant dragons; all sections thickly edged in black. Other historiated initials, blue or pink, with cusped serifs, against a brown ground with delicate floral filigree in white; thick black edging. Three historiated initials (ff. 25r, 90v, and 117v) in architectural settings, in dark blue, blue, red, pink, and gold, with elaborate floral pendants below. The historiated initials for two books, f. 1r (Proverbs) and f. 63v (Philippians) were cut out; script and decoration have been restored with unusual care (15th century); large floral buds (green, orange, yellow, and/or pink) on short green stems against purple or black grounds., Illuminated initials, 4- to 2-line for prologues, pink or blue with white highlights, occasionally with gold; otherwise, diminutive versions of historiated initials types (f. 63 [Prologue to Philippians] with a small bird); one initial of this type f. 35v (John), originally historiated, has also been restored. 4- to 2-line initials for chapters, set into text columns, red and blue with blue and red penwork flourishes running along column into margins, some with animal-head terminals; some initials in bottom line with unusual penwork pendants. Capitals in text stroked in red. Chapter numbers, red and blue, often with flourishes; running headings, red and blue; rubrics in red throughout; corrections surrounded by undulating red lines, occasionally with trailing penwork flourishes., and Binding: 18th-19th centuries. Vellum case. Paper boards are composed of fragments of several French legal documents of the 16th and 17th centuries.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of an illuminated Bible, with the prologues attributed to St. Jerome, and interpretations of the Hebrew names.
Description:
Binding: 19th century: calf over cardboard; both covers and spine, in six compartments, gold-tooled. Purple silk doublures., Manuscript on parchment of an illuminated Bible, with the prologues attributed to St. Jerome; interpretations of the Hebrew names: Interpretationes nominum Hebraicorum, with additions in the margins and at the end; an alphabetical list of words with explanations and/or ethymologies; a table of Epistles, Gospels and other readings for the ecclesiastical year: Temporale, Sanctorale and Common of the Saints; and a list, in two columns, of the kings of Juda and Israel., and Script: probably copied by one hand in extremely small Gothica Textualis Libraria (Perlschrift). Article 3 is by a contemporary hand. Numerous historiated initials of various sizes with long vertical extensions.
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Bible.--Latin--Versions, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (watermarks in gutter) of 1) Petrarch, Boccacii Griseldis historia. 2) Pope Pius II, Epistola. 3) Petrarch, Famil. rerum., 12, 2. 4) Pope Pius II, Bulla retractationum. 5) Pope Pius II, Epistola de fortuna
Description:
In Latin., Script: Written by three scribes in similar styles of informal gothic scripts (batarde influence). Scribe 1) ff. 1r-7r; 2) ff. 7v-14v; 3) ff. 15r-26v., One calligraphic initial, f. 1r, 4-line, blue with white floral motifs; infilled with red penwork floral designs tinted with green; penwork trails into inner margin, with plain green dots. Four initials, ff. 1v, 7v, 10v, 21v, red ink, 6- to 2-line. Paragraph marks in red. Numerous capitals stroked in red; rubrics throughout; explicits underlined in red., and Binding: Twentieth century. Vellum spine (verso of an unidentified manuscript) with "Petrarcae et Aeneae Silvii Epistoles" inscribed; grey-blue paper sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Papal documents
Manuscript on parchment (goatskin) of Gaspare Zacchi, Bononiensium res publica. Most probably the dedication copy, sent by the author from Tivoli to the Signoria of Bologna on or soon after 29 Nov. 1471
Description:
The author (d. 1474) in 1450-1455, being protonotary of Volterra, was a member of Cardinal Bessarion's legation to Bologna. In 1460 he became bishop of Osimo. At the time he wrote the present treatise he was prefect of Tivoli ("Arx Tiburtina")., In Latin., Script: Copied by a single scribe writing Humanistica Cursiva Formata very close in aspect to Humanistica Textualis, with relatively numerous and unusual abbreviations. A second hand, probably the author, has corrected the scribe's errors., The headings and "Finis" on f. 9r are written in Capitalis in pale red ink. The nine chapters open with a plain initial alternately blue and pale red. Between two chapters one line is left free. The Prologus (f. 2r-v) opens with a 3-line gold initial on a blue-red-green rectangular background decorated with white and gold penwork. The body of text opens on f. 3r with a 5-line white vinestem initial with full-length marginal extension. F. 1v contains the coat of arms of the city of Bologna, f. 10r the coat of arms of the author, both in full colour., and Binding: Early nineteenth century by Rene Simier (d. 1826). Citron morocco over pasteboard, both covers with delicate gold-tooled frame, the spine gold-tooled, with gold-tooled title "GASP. / RESP." and binder's signature at the foot "REL. P(ar) SI.". Gilt edges. Grey marbled endpapers.
Subject (Geographic):
Connecticut, New Haven., and Bologna (Italy)
Subject (Name):
Zacchi, Gaspare.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
Manuscript fragment on parchment of a book of hours with an office for the dead
Description:
In Latin., Script: Copied by one hand writing in Gothica Cursiva Formata (Bastarda)., and Decoration: Purplish red rubrics. Yellow highlighting of the majuscules. 1-line versals and 2- or 3-line initials, all in liquid gold on purplish red or blue square background decorated with foliage or flowers in liquid gold. Initials in red, blue, and gold. On f. 1v, there is a rectangular picture, framed in black and gold and treated as an initial 11 lines high, of God the Father with tiara, sitting, one hand on the globe, the other hand blessing rows of Seraphim and Cherubim before him. Elsewhere yellow-colored fleur-de-lys, animals, archers and a giant insects.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval