"Half length portrait of a grossly fat Dutchman in profile to the left, smoking a short pipe, and with a second pipe in his hat. 'He looks upon money to be the greatest good upon earth, and pickled herring the greatest dainty'."--British Museum catalogue.
Description:
Plate from: A lecture on heads / by Geo. Alex. Stevens ; with additions, as delivered by Mr. Charles Lee Lewes ; ... embellished with twenty-five humourous characteristic prints, from drawings by G.M. Woodward, Esq. London : Printed for Vernor, Hood, and Sharpe ..., 1808., Publisher and date of publication from engraved frontispiece to the volume; see no. 11155 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Stevens, George Alexander,--1710-1784.--Lecture on heads., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"A young officer in smart regimentals clasps the hand of a pretty girl who leans from the window of a rustic cottage; he points as if to make an assignation. On the wall is a placard: 'The Wolf and the Kidd'. An old man (right) trudges off to the right carrying a bundle. By the cottage is a pump at which are two old women, while a third looks from her cottage door on the extreme left; all register eager spite. A young woman walks off carrying a pitcher on her head. A dog barks."--British Museum online catalogue, description of a later state.
Alternative Title:
Captain Careless shot flying by a girl of fifteen ... and Teggs caricatures ; no. 52
Description:
For a later state with imprint partially burnished from plate, see no. 11621 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A little elderly man lands on a steep slope after leaping a fence; he has lost his seat and sits on the horse's neck, clutching its ears, while his whip dangles from the rein. A reckless young woman (right) leaps the fence immediately behind him. Both are riding among the hounds. He wears a jockey cap, with half-boots without spurs."--British Museum online catalogue.
Alternative Title:
Cockney hunt
Description:
For the original issue from 1807, see Lewis Walpole Library call no.: 807.07.14.01+., Reissue; the year "1807" following Rowlandson's signature has been mostly burnished from plate, and the year "1807" in imprint statement has been altered to "1811." See British Museum catalogue., and Title etched below image.
Publisher:
T. Rowlandson, N. 1 James St. Adelphi
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, publisher.
"One of the landing stairs on the river. A gale is blowing, and the boats are dancing about. The watermen are pulling a skiff to the stairs; at the same moment a breeze is blowing off a parson's wig and hat, and carrying away his fair companion's parasol, bonnet, &c. The landing steps show a succession of diasters, an ascending flight of hats, caps, and wigs, of which the astonished wearers are suddenly denuded."--Grego, J. Rowlandson the caricaturist.
Alternative Title:
Scudding under bare poles and Teggs caricatures ; no. 2
Description:
"Price one shilling."--Lower left corner of design., Attributed to Rowlandson by Grego., For a nearly identical version of the design, etched on a different plate and published 10 May 1810 by Thomas Tegg, see no. 11620 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 2 of 2) | Folder I-50
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
The rivalry between Fox and Pitt is shown in a series of seven images beginning with the portraits of each of them. In the third image, Fox and Pitt fight for a Twelfth Cake, with Fox winning. In the fourth, Nobody (i.e., the King), gives Lord Temple, carrying dark lantern, a note supporting Pitt's claim to the Cake. In the fifth image, a grocer complains about Fox's actions against smuggling. In the sixth, on his return from the Grocers' Hall on February 28, Pitt participates in a riot. He is opposed by a diminutive Jeffery Dunstan, the popular 'mayor of Garrett" and Fox's supporter. In the seventh, Pitt and his companions are thrashed by men with sticks.
Alternative Title:
Young statesman's ramble
Description:
CtY-LW, Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Title etched below image.
Publisher:
W. Humphry, no. 227 Strand
Subject (Geographic):
Great Britain--Politics and government--1760-1789.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Cornwall, Charles Wolfran,--1735-1789--Caricatures and cartoons., Dunstan, Jeffery,--1759?-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, William, approximately 1740-approximately 1810, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., and Riviere & Son Binding.
Subject (Topic):
Clothing & dress--England--1780-1790., Devil., Riots., and Smuggling.
"A birch-rod placed diagonally, the handle (tied with rope) in the lower left corner of the design. From among the twigs ten heads (caricature portraits) project, also (right) the head of a boar and posteriors emitting smoke. 'O peuple aveugle et endormi! . . . C'est la liberté qui a formé pour ton éducation cette verge salutaire. . . .' Text, 'Ezekiel', vii. II."--British Museum online catalogue.
Description:
Artist identified as Hess and printmaker questionably identified as Gillray in the British Museum catalogue., One of twenty plates published as a bound set entitled: Hollandia regenerata., Place and date of publication from British Museum catalogue., Plate numbered "18" in upper left corner., Possibly published by Hannah Humphrey. See British Museum catalogue., Temporary local subject terms: Holland: civil discord -- Emblems: birch rod., Title etched below image., and With: Letterpress explanation in French that includes appropriate texts from the Bible in Dutch and in English.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Hess, David, 1770-1843, artist.
"A large frothing tankard stands on a cask whose head forms the base of the design. From the froth Pitt emerges as Death on the White Horse (of Hanover, cf. BMSat 8691), giving the effect of a fantastic equestrian statue on a high pedestal. Pitt is in back view; in his right hand is a flaming sword, his left arm is raised, he turns his head slightly to the right, his right leg is extended; he wears his ordinary dress with heavily spurred top-boots. His head is the centre of rays on which his orders are inscribed, above it: 'Bella! \ Horrida \ Bella!' On the left are heavy clouds about to cover the sun, whose features indicate profound sleep; rays to the left are inscribed: 'Sun get thee to Bed! Myself will Light ye World' and 'Ho Rains! - Deluges! - Drown the Harvest!' Slanting rain descends in torrents from the clouds, battering down heads of wheat and obscuring a cottage in the background. On the right are the winds: four cherubs' heads blowing violent blasts in every direction, two of which are filled with swarms of insects. Rays to the right are inscribed: 'Pestiferous Winds! blast the fruits of the Earth!' and 'Ho! Flies! Grubs, Caterpillars! destroy the Hops!' The blasts strike hops twined round poles on the right of the design. On the tankard is a large '4' within a circle inscribed 'Pro-Bono-Ministero', and a small 'WP' with the Pitt crest of stork and anchor. On the cask a long lighted pipe inscribed 'Bellendenus' lies across a paper of tobacco inscribed : 'Ruin upon Ruin, or an Essay on the Ways & Means for supporting the cursed War.' ..."--British Museum online catalogue.
Alternative Title:
Ministerial conjurations for supporting the war
Description:
Four lines of text below title: "Four pence a pot for porter! Mercy upon us! Ah! its all owing to the war & the cursed ministry! ..." Vide, the doctor's reveries, every day after dinner. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue, description of the print of which this drawing is a copy.
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
Copy of a print by Gillray published 13 March 1798. Cf. No. 9186 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Date of publication based on that of the print of which this is a copy., 'Imprint statement' written in pencil below lower left margin of image: Pubd. March 13, 1798, by Lying Jack., Note written in pencil following 'imprint statement': Price 6 d., for the benefit of the Philanthropic Society., One line of text written in pencil below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., and Title from note in pencil below image, in artist's hand; word "bookseller" is crossed out and "blacksmith" is written above, inserted with a caret.
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, Nicholas,---1807--Caricatures and cartoons., Gillray, James, 1756-1815, artist. http://id.loc.gov/authorities/names/n50033402, Harvey, Francis--Ownership., and Stockdale, John,--1749?-1814--Caricatures and cartoons.
"The three Bow Street Justices sit at a rectangular table (left); Addington in the chair, the scales of Justice, evenly balanced, above his head; on his right and on the extreme left, Bond(?) is writing: 'Wright. W. against [?]...'. The third sits resting his chin on his hands, which are supported on the head of his cane; he gazes fixedly at the culprit. 'Lying-Jack' stands in a rectangular pen formed of posts and rails immediately in front of the justices, his elbows resting on the rail, his hands clasped, his knees bent, tears falling. He says: "Oh! God dang it, - your Worship, do take bail, your Honor tw'ant my fault please your Majesty, that I com'd the Black-guard over him: - God dang it, didn't he say that his thing was printed before mine? & that all my things were only Copies & piracies? - God dang it, your Worship, Ax Almon ye Bookseller if I was a Blackguard all the while I was a Porter! - or ax ye people where I & Wife kept a small-coal Cellar in Leather Lane if I'm a Blackguard! - God dang it, was I act like a Blackguard when I let that Cooper the Printer, pull me by the Nose, only for saying he was a Liar? - god dang it, your honor, was it like a Blackguard when I offer'd to beg Ridgeway's pardon, after he had kick'd my own Arse in my own Shop? - but I sees how the Booksellers all hates me! & wants to ruin me! - & says I lives by only Copying other peoples works your Worship! - 'tho' I only 'bridges 'em! - yes your Worship, they all hates me; & respires against me: & calls me Lying-Jack, your honor, - & Filching Jack the Plagurist! - & Stock'ee Jack the Informer! your honor - ah Gad dang it! Gad dang it, - they'll be my ruin your Honor! Gad dang it Gott damn. . . .[The last words dwindle into illegibility]" From his pocket hangs a paper: 'Speech of the Lord Chanr of Ireland'. Beside him, outside the dock, is a large bundle of books tied together, the wrapper inscribed 'Ways & Means'; these are: 'Sandford & Merton', 'G Nicol... Abridgd Embassy to China', 'D. Cox, Piracy', 'Harpers Pamphlet', 'Philanthropic Society'. Against the bundle lies a porter's knot (a pad for the shoulders attached to a ring which goes over the head) inscribed: 'Lying-Jack his Knot'. With this are the implements of a blacksmith : hammer, pliers, and horse-shoe. On the wall behind him are three bills: 'Lying Jack the Thief Taker'; 'Perjury'; 'Injuntion [sic] of the Court of Chancery agains Lying Jacks copy', and a map: 'Original Map of the Island of St Domingo by W. Faden. Charing Cross.'"--British Museum online catalogue.
Alternative Title:
Lying Jack the blacksmith at confession and Lying Jack the bookseller at confession
Description:
One line of text below title: Scene: Bow Street, with Lying Jack answering a charge of abuse & blackguardism., Printmaker from British Museum catalogue., Text following imprint: Price 6 d., for the benefit of the Philanthropic Society., and Title etched below image; the word "bookseller" is scored through and the word "blacksmith" is etched above, inserted with a caret.
Publisher:
Lying Jack
Subject (Name):
Addington, William,--Sir,---1811--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Bond, Nicholas,---1807--Caricatures and cartoons., Harvey, Francis--Ownership., and Stockdale, John,--1749?-1814--Caricatures and cartoons.