"Sheridan (left) and Fox (right) face each other in profile across a narrow table on which they lean with folded arms. They are large half length figures. Their lips are closed by padlocks (see BMSat 8693), their faces register anger and alarm. Above their heads: 'Mum, - is the order of the Day!!'"--British Museum online catalogue
Alternative Title:
Old friends with new faces
Description:
Attributed by George to Newton., Sheet trimmed within plate mark., Temporary local subject terms: Bills: allusion to Treasonable Practices and Seditious Meetings bills -- Padlocks., and Mounted to 29 x 38 cm.
Publisher:
Pubd. by Willm. Holland, No. 50 Oxford St.
Subject (Name):
Fox, Charles James, 1749-1806 and Sheridan, Richard Brinsley, 1751-1816
"The actor Kean in part as Richard III appalled as his bastard son is presented to him by its mother as a beadle holds a court order for its maintenance at 7/6d a week."--British Museum online catalogue
Alternative Title:
Specimen of Mr. Kean's acting, or, A little man of great parts! and Little man of great parts!
Description:
Title etched below image., Printmaker and date of publication from the British Museum online catalogue, registration no.: 1935,0522.11.111., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to 30 x 41 cm.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho, and 28 Fetter Lane, Fleet Street
"Twelve figures arranged in two rows, each representing Dundas (not caricatured) in one of his capacities, title and words etched above each. [1] 'A Governor of the Charter House'. He walks (left to right), looking down at a document in his left hand and saying: "How I venerate Charters". [2] 'Joint Keeper of the Signet in Scotland'. He holds out his left hand looking admiringly at a signet ring: "a vera pretty Seal ring worth £2000 a Year". [3] 'Chancellor of the University of St Andrew'. He sits directed to the left in a high-backed arm-chair wearing academic cap and long gown: "There is great weight and Dignity in a gown and Square Cap." [4] 'Patent Printer of the Bible in Scotland'. He sits in dressing-gown, cap, and slippers at a printing-press of the Caxton type, saying: "This printing and composing is vera tedious, but as it brings in about £6000 per Annum I must noe loose sight of it." [5] 'Custos Rotulorum for Middlesex'. He sits pompously in a high-backed chair wearing an old-fashioned cocked hat and laced coat, saying: "A little Consequence is very necessary in a custos Rotulorum". [6] 'A Treasurer of the Navy'. He sits at a table on which are money-bags and piles of coin, which he is counting: "Ah! this is pretty neat employment I love to count over the Siller." [7] 'A Governor of Greenwich Hospital'. He stands, wearing cocked hat and uniform, in profile to the right, right hand on his hip, left hand on the hilt of a sword: "a naval uniform is vera becoming." [8] 'A Commissioner of Chelsea Hospital'. He stands with arms folded, wearing cocked hat with military uniform: "As is also that of the Miliatory in due season." [9] 'A Commissioner for India Affairs'. He stands with his back to a group of barrels and chests, turning to the right: "What are ye aboot ye lazy loons, why are not these goods shipp'd off for India d'ye mean to do nothing at aw' for your money." [10] 'Governor of the Bank of Scotland'. He stands in profile to the left, 'chapeau-bras', one hand thrust under his waistcoat and wearing an old-fashioned wig: "This is what I call snug - vera little trouble." [11] 'A Secretary'. He writes busily in profile to the right at a davenport desk: "By my Sawl I care not how many Trades they make me sae that the Siller comes alang with them catch aw things is the rule in Scotland." [12] 'An Elder Brother of the Trinity House'. He stands in profile to the left, wearing a gown, bowing, cap in hand: "This concludes for the present my small portion of the Candle ends, and cheese parings" [cf. British Museum Satires No. 9038]."--British Museum online catalogue
Description:
Title etched below image., Signed in image with printmaker Isaac Cruikshank's initials in lower right corner., and Publisher's advertisement following imprint: Folio's caracatures lent out for the evening.
Publisher:
Published Feby. 5, 1798, by S.W. Fores, No. 50 Piccadilly corner of Sackville Street
Subject (Name):
Dundas, Henry, 1742-1811
Subject (Topic):
Government officials, College administrators, Documents, Academic costumes, Printing presses, Coins, Barrels, Writing materials, Desks, and Military uniforms
Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Bills: Seditious Meetings bill -- Crowd -- Symbols: the White Horse of Hanover -- Buildings: Treasury -- John Bull as a bulldog., and Watermark: countermark L & P.
Publisher:
Pub. Decr. 26, 1795, by S.W. Fores, N. 50 Piccadilly
"Two men in back view walk arm-in-arm, one (left) is short and fat, the other tall and thin. The former wears a short coat or spencer over his tail-coat, with wrinkled top-boots and a round hat, and carries a riding-switch. His hair is in a short queue with projecting side-pieces. The other wears a cylindrical hat with brim curled up at the sides, a coat reaching almost to his ankles with five capes forming a point in the centre of the back, with shoes tied with strings. He carries a bludgeon. The shoulders of both men are frosted with powder, see BMSat 8190. There is a landscape background. The spencer was a short double-breasted overcoat without tails called after George John Spencer, 2nd Earl Spencer (1758-1834), who is probably here caricatured. Gillray anticipates the earliest use of the word (1796) in the 'O.E.D.' The name derives from Earl Spencer's bet in 1792 that he would invent a coat which should become the fashion. 'Social England', ed. Traill, 1904, v. 676. This garment was associated by Byron in 'English Bards and Scotch Reviewers' with Sir Lumley Skeffington (1771-1850) ..."--British Museum online catalogue
Alternative Title:
Spencer and a thread-paper and Spencer & a threadpaper
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: spencers -- Neologisms: spencer (coat).
Publisher:
Pubd. May 17th, 1792, by H. Humphrey, No. 18 Old Bond Street
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title from item., Sheet trimmed mostly within plate mark., "No. 72" in upper right corner., and Restrike of No. 8054 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pubd. Jany. 3d. 1792 by H. Humphrey, N. 18 Old Bond Street
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Vehicles: platform on castors -- Mathematics: definitions of sphere and plane -- Literature: Euclid's Elements, Bk. i, def. 2; Bk. iv, def. 1.
Publisher:
Pubd. Jany. 3d, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Pitt, William, 1759-1806
Title from item., Printmaker and publication year from British Museum catalogue., Sheet trimmed to plate mark., Publisher's announcement below title: In a few days will be publishd Ld T-ls observation on excessive damages dedicated to the D-e of Y-., Temporary local subject terms: Furniture: bed -- Reference to George Carpenter, 2nd Earl of Tyrconnell, 1750-1805 -- Sarah (Hussey), Countess of Tyrconnell, 1764-1800., and Window mounted to 33 x 44 cm., matted to 47 x 63 cm.
Publisher:
Pud. Decr 29 by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Strathmore, John Bowes, Earl of, 1769-1820
"Satire on the election of April 1754; the elected candidates chaired to Guildhall; the first state without the results of the poll in the foreground."--British Museum online catalogue
Alternative Title:
Some folks at Guild-Hall
Description:
Title from item., Sheet trimmed to plate mark., Earlier state, without "Ministers of propagation" inscribed below a group of clergymen in upper left background., Eight stanzas of verse in four columns below title: O! see my raree shew good folks, all you who love election jokes ..., Plate numbered 'No. 3' on lower right., and Temporary local subject terms: Lottery: allusion to profits from lottery -- Shows: allusion to raree show -- Bills: Jews Naturalization Bill, 1753 -- Societies: Propagation of the Gospel -- Silversmiths: B. Jiffles -- Buildings -- Trades: butchers -- Newspapers: The Public Advertiser -- City of London: contest for representation of the City -- Quackery -- Livery of London: address to the Livery of London by A. Freeport, Feb. 1754 -- Literature: Address to the Livery of London by Andrew Freeport, 1754 -- Elections: parliamentary elections, 1754 -- Bridges: allusion to the Blackfriars Bridge -- Armine Wodehouse, 5th bt., ca. 1714-1777
Publisher:
Sold by John Smith at Hogarths Head, opposite Wood Street, Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon bestraddles the globe, seated at the Pole, about half of it being between his legs; countries are marked, but without regard to geography. A little figure looks from behind the globe (right) below the conqueror's left toe; his left hand is placed on 'Old England', and he raises a sabre menacingly. Napoleon, a fine figure, wearing an enormous cocked hat, a sabre in his right hand, looks down at the little man, his left arm extended; he says: "Ah, who is it dares interupt me in my Progress." The little fellow answers: "Why 'tis I little Johnny Bull Protecting a little spot I clap my hand on, and d-n. me if you come any Farther that's all." He is a 'cit' with an ill-fitting wig. 'France' lies between 'Switzerland', on which Napoleon's right foot rests, and 'Itali' [north of 'England'], on which is his left leg."--British Museum online catalogue
Description:
Title etched below image; lowercase letter "a" preceding "stride" is etched backwards., Printmaker from British Museum catalogue., Second reissue of a plate first published by Piercy Roberts in 1803 and then reissued by Blacklock in May 1806; Blacklock's imprint statement is scored through but still visible in lower right corner of design. See British Museum catalogue., Plate numbered "252" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: Basted Mill 1817., and Leaf 82 in volume 4.