Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
A group of threatening operative builders' masters with the features of beasts walk towards the operative builders and brandish a declaration to be signed
Description:
Title from item., Initials of printmaker Charles Jameson Grant, with the "J" in "C.J.G." written backwards, in lower center of design., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 52.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Two works in two separate hands, recording the orders and rules of a fictitious noble order created for ladies' amusement, presumably by someone well acquainted with the customs and using her knowledge to arrange a masque for the amusement of her circle of friends in the months leading to the coronation of George III, possibily at her home in Yorkshire. The first work entitled "The Order for the installation of one of the Ladies of the most noble Order of the Needle instituted in 1761" (pages 2-4) is followed by "The Rules of the most Noble Order of the Needle Instituted on July 25th 1761" (pages 4-8), both written in black ink
Description:
Miss Frankland remains unidentified but is likely a descendant of the family of Lady Elizabeth Russell Frankland (1666-1733), the granddaughter of Oliver Cromwell, and her husband Sir Thomas Frankland (1665-1726) of Thirkleby Park, North Yorkshire. Lady Frankland was the sister of John Russell (-1735), the stepfather of Mary Joanna Russell., Mary Joanna Cutts Revett Russell (1707-1764) was the daughter of Colonel Edmund Revett (-1709) and Joanna Thurlbarne Revett (-1764), the step-daughter of John Russell (-1735), and the wife of Lieutenant Colonel Charles Russell (1701-1754). The Russell family acquired Chequers, their family home in Buckinghamshire, through John Russell's 1715 marriage to Joanna Revett., In English., Titles from captions at the head of each of the two works., "By Miss F-nkl-d" on first page, upper right corner, suggests the author of the first manuscript, "The Order for the installation," as a member of the Frankland family., The second work is attributed to Mary Joanna Russell based on a manuscript also entitled "The rules of the most Noble Order of the Needle" in the British Library (Add MS 69390). The online record for that copy states that it was drawn up by Mrs. Russell for her daughter and nieces and their friends., One signature, sewn and unbound, with watermarked laid paper, horizontal chainlines; crowned watermark with lion rampant, countermark 'EH'. Pages with text are unnumbered; final 8 pages are blank., and For further information, consult library staff.
Subject (Geographic):
England.
Subject (Name):
George III, King of Great Britain, 1738-1820
Subject (Topic):
Coronation, Amateur theater, Masques, and Satire, English
The frontispiece is dated 1795 and is included in the Contents list., Frontispiece of William Hogarth, 2 leaves (letterpress title page and "A catalogue of the original works of William Hogarth contained in this volume"), and 110 engravings on 85 leaves., and Bound in full contemporary calf, spine richly gilt in compartments, red morocco lettering piece, rebacked. For further information, consult library staff.
Publisher:
Sold by John and Josiah Boydell, at the Shakespeare Gallery, Pall-Mall, and No. 90, Cheapside, London
Subject (Geographic):
England and England.
Subject (Name):
Hogarth, William, 1697-1764. and Hogarth, William, 1697-1764
Subject (Topic):
English wit and humor, Pictorial, Social life and customs, and Manners and customs
Below imprint: (Price two shillings.)., Signatures: [A]⁴ B-M⁴ N² [$2 signed]., Not in ESTC., Possibly by John, Lord Hervey (1696-1743). Cf. Maioli, R. Eighteenth-Century studies, volume 54, number 2, winter 2021. Baltimore : Johns Hopkins University Press., LWL 49 1608 33:5: Horace Walpole's marks., LWL 49 1608 33:5: Omitted from Horace Walpole's list of contents of this volume., and Mottled calf, with Horace Walpole's manuscript list of contents.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 63. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Obadiah (left) mounted on the coach-horse at full gallop attempts to pull up his horse, leaning back in the saddle, his cap in his right hand. On the ground is Dr. Slop's pony. Behind the pony on the right. Dr. Slop lies on his back; a spotted dog prances over him. The doctor lies under a sign-post terminating in a hand pointing "To Shandy Hall". Behind the coach-horse, which is wearing blinkers, is the angle of a high garden wall, in the distance (right) is a church spire among trees."--British Museum online catalogue
Alternative Title:
Overthrow of Doctor Slop
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed to plate mark., Four lines of text below image, two on either side of title: "When Obadiah & his coach horse turn'd the corner rapid, furious, pop, full upon him ..." Vide vol. 1st, Tristram Shandy., One of a series of prints illustrating Laurence Sterne's novel Tristram Shandy., Temporary local subject terms: Medical: Physicians -- Coach-horse -- Male costume: Riding hats., and Mounted on page 63 of: Bunbury album.
Publisher:
Publish'd as the act directs, 3d February 1773, by J. Bretherton, No. 134 New Bond Street
Full half-length portrait of a young woman, directed slightly to right, facing and looking to front, head inclined to left; wearing a bonnet and a cloak; hands holding a tray of oysters
Description:
Title from text below image. and Mounted to 54 x 42 cm.
Publisher:
Publishd. April 1st, 1786, by J. Young, No. 28 Newman Street, Oxford Street, London
Caption title., In verse; without the music., On the omission of Queen Caroline's name from the liturgy., First line: Don't I look a man of sense ..., "Price One Penny."--Below imprint., and For further information, consult library staff.
Publisher:
Printed and published by John Fairburn, Broadway, Ludgate-Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"The base of the design is a dunghill from which rises the head of Napoleon as a young republican officer, not caricatured. His head is covered by a large cup-shaped fungus, decorated with a tricolour cockade and resembling a Cap of Liberty; from its apex ascends a curving stalk, terminating in the large yellow rosette of a sunflower, centred by the head of Napoleon as Emperor, larger than that of the base, and representing an older man; like the lower one it is directed slightly to the right. Below it, leaves project from the stalk, balancing the design. On Napoleon's head is an arrangement of stamens in the form of an imperial crown. These unite to form the long scraggy neck of the third Napoleon, a head in profile to the right, emaciated and desperate. On this head is a larger fungus than that below, projecting like an enormous hat. From it ascend the stems of a bunch of violets, copied from No. 12511, but with the addition of more flowers, and on a larger scale. It contains the profiles of Napoleon, Marie Louise, and the King of Rome, arranged exactly as in British Museum Satires No. 12511. Smaller fungi sprout from the dunghill, some flat and some conical, like caps of Liberty; on the latter tricolour cockades are indicated. Four little figures are on a slope (left) leading towards the dunghill, prepared to clear it away. In front are Blücher and Wellington, running forward, and talking to each other; one holds a spade, the other a broad hoe. Behind them is the Tsar, shouldering a pickaxe. Behind again stands Louis XVIII, with splayed gouty legs, supported on a crutch. He waves his hat to cheer them on."--British Museum online catalogue
Alternative Title:
Pedigree of Corporal Violet
Description:
Title etched below image., Text below title: First as a Consular Toadstool, rising from a Corsican Dunghill, then changing to an Imperial Sun Flower, from that to an Elba Fungus and lastly to a bunch of Violets, which are disposed as to represent a whole length of profile of Buonaparte, with a bust of Maria Louisa, and her son the Prince of Parma., and Companion print to: A view of the Grand Triumphal Pillar.
Publisher:
Pubd. by H. Humphrey June 9th, 1815 - No. 27 St. James's St.
Subject (Geographic):
France and France.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Wellington, Arthur Wellesley, Duke of, 1769-1852, Blücher, Gebhard Leberecht von, 1742-1819, Louis XVIII, King of France, 1755-1824, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832., Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847., and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Political satire, French, Politics and government, Mushrooms, and Flowers
Caption title., In case as issued., Text following imprint including publisher's announcements: Price 5s. On canvas, and in a neat case for the pocket 8s. On canvas and rollers, 10s. N.B. This chart will, in future, be published early every January, corrected up to the first of that month. ..., Dissected into 20 sections and mounted on linen, folding down into the original brown card slipcase. For further information, consult library staff., and Slipcase issued with chart is shelved separately as: 63 821 K54.
Publisher:
Printed for the Author by Shackell and Arrowsmith, Johnson's Court, Fleet-Street; and sold by G. & W.B. Whittaker, Ave-Maria-Lane and J. Warren, Old Bond-Street; and by all other booksellers