After page 16. Trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right
Image Count:
1
Resource Type:
still image
Abstract:
Elizabeth Chudleigh, Duchess of Kingston, attending her trial for bigamy. The maids of honour hold a bottle marked "cordial". They are followed by a fat chaplain, a physician with a bigwig and sword, and a lean apothecary with a big enema syringe and "Seven figures walk from left to right. First is the (so-called) Duchess of Kingston, short and stout. She is saying "By God and", and holds out her hands with a gesture of affirmation. Behind her walk three young women, her 'maids of honour', who are tall and slim in contrast with their mistress. One carries a large square bottle inscribed "cordial". All four ladies are dressed alike in the fashion of the day with low bodices and high coiffures decorated with feathers and flowers. Next comes a fat clergyman, his mouth open as of shouting. He is followed by the physician wearing a big-wig and sword. Last walks the apothecary, lean and bent, also wearing a sword, and carrying an enormous and ornately decorated syringe which rests on his right shoulder."--British Museum online catalogue
Description:
Elizabeth Chudleigh married the Hon. Augustus John Hervey secretly in 1744; the marriage was not registered until 1759. In 1769 a consistory court declared her unmarried, after which she married Evelyn Pierrepoint, 2nd Duke of Kingston, in 1770. She was tried and convicted for bigamy in 1776, the surgeon Caesar Hawkins having testified to the birth of her son by Hervey. She left England immediately and lived thereafter in Paris, St Petersburg and Rome., Title engraved above image., Printmaker from British Museum catalogue., Later state, with text added below image. For an earlier state lacking this text, see National Portrait Gallery, London, NPG D32146., Date of publication based on date of newspaper citation below image., Text below image: Then the Duchess was brought into court attended by her chaplain, physician, apothecary, & three maids of honor. Morning post, May 16, 1776., "Price 1 sh."--Lower right, below image., Temporary local subject terms: Medical: Syringe -- Apothecary -- Medows, Philip, 1708-1781., Temporary local Medical Library subject terms: Apothecaries -- Clyster., and Tipped in after page 16 in an extra-illustrated copy of: The trial of Elizabeth duchess dowager of Kingston for bigamy, before the Right Honourable the House of Peers ... London : Printed for Charles Bathurst, in Fleet-Street, MDCCLXXVI [1776].
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Bristol, Elizabeth Chudleigh, Countess of, 1720-1788 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788.
Subject (Topic):
Pharmacists, Physicians, pharmacists, physicians, chaplains, Chaplains, Trials (Bigamy), Hairstyles, Clothing & dress, Wigs, Medical equipment & supplies, and Clergy
Head and shoulder profile caricature of clergyman in wig and bands, with face absurdly concave in shape, features accentuated by jutting chin and protruding hair
Description:
Title from item. and MD of publisher's name forms a monogram.
"The head and shoulders of Lady Archer at different stages of her toilet. In the first (right), wearing a night-cap, with unsightly pendent breasts, she looks up to the left, tears falling from an empty eye-socket, her gaping mouth showing toothless jaws. In the next she fits in an eye, in the third she places a wig on her head, in the fourth (below on the right) she fits in a set of false teeth; in the next she applies rouge to her cheeks with a hare's foot, holding a mirror. In the last (left) she appears a pretty young woman, holding a mask in her hand. In the last two stages her arms, which were skinny and muscular, have become smooth and rounded and her breasts have been covered with the gauze drapery then fashionable."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson by Grego., Line of text below title: Dedicated with respect to the Right Honble. Lady Archer., Companion print to: Six stages of marring a face., Sheet trimmed within plate mark., and Watermark: Edmonds & Pine 179?
Publisher:
Publish'd May 29th, 1792, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
England
Subject (Name):
Archer, Sarah West, Lady, 1741-1801
Subject (Topic):
Clothing & dress, Grooming, Mirrors, Teeth, and Wigs
Leaf 29. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men stand on the pavement outside a door-way under the pediment of which are the royal arms. Beneath them and over the doorway is inscribed, "Lovejoy, Kings arms Tavern", cf. British Museum Satires No. 4995. This appears to be a representation of the entrance to Covent Garden Theatre. The taller of the two men (left) has snatched off the other's wig, and holds it up in his right hand. In his left hand is his sword, broken off below the hilt; his hat is on the ground. Behind and to the right stands a short stout man with bare shaved head; his hat is in his right hand. The taller man is dressed in the prevailing macaroni fashion and has a certain resemblance to Colman, then part-proprietor and manager of Covent Garden Theatre, see British Museum Satires No. 5064. The wig of the other is of the type worn by 'cits', see British Museum Satires No. 5463."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "2" in upper right corner., Temporary local subject terms: Buildings -- 'Cits' -- Wigs: type worn by 'cits' -- Weapons: broken sword -- Fences: iron fence -- Arms: royal arms., First of two plates on leaf 29., and 1 print : etching with engraving on laid paper ; plate mark 24.7 x 17.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pub. by MDarly, Strand, Feby. 24th, 1772, accorg. to act
Subject (Geographic):
England
Subject (Name):
Colman, George, 1732-1794 and Covent Garden Theatre,
Leaf 29. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Two men stand on the pavement outside a door-way under the pediment of which are the royal arms. Beneath them and over the doorway is inscribed, "Lovejoy, Kings arms Tavern", cf. British Museum Satires No. 4995. This appears to be a representation of the entrance to Covent Garden Theatre. The taller of the two men (left) has snatched off the other's wig, and holds it up in his right hand. In his left hand is his sword, broken off below the hilt; his hat is on the ground. Behind and to the right stands a short stout man with bare shaved head; his hat is in his right hand. The taller man is dressed in the prevailing macaroni fashion and has a certain resemblance to Colman, then part-proprietor and manager of Covent Garden Theatre, see British Museum Satires No. 5064. The wig of the other is of the type worn by 'cits', see British Museum Satires No. 5463."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "2" in upper right corner., Temporary local subject terms: Buildings -- 'Cits' -- Wigs: type worn by 'cits' -- Weapons: broken sword -- Fences: iron fence -- Arms: royal arms., and Watermark: Strasburg lily.
Publisher:
Pub. by MDarly, Strand, Feby. 24th, 1772, accorg. to act
Subject (Geographic):
England
Subject (Name):
Colman, George, 1732-1794 and Covent Garden Theatre,
Leaf 98. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature portrait of a man in profile to the right. He is smiling and holds up in his left hand a coin with a head inscribed "OTHO EMP". In his right hand is a cane with a chased handle. He wears spectacles, a large flowing curled wig, an oddly-shaped cap decorated with a pair of horns like those worn on medieval women's head-dresses, an old-fashioned heavily-trimmed coat, a long brocade waistcoat and boots (which appear to date from the 17th century) with large spurs. His sword has a crescent-shaped hilt. Perhaps intended for Jeremiah Milles (1714-84), Dean of Exeter and president of the Society of Antiquaries 1768-84."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "15" in upper right corner., Temporary local subject terms: Allusion to an Emperor Otto -- Canes -- Curled wig -- Weapons: Sword with a crescent shaped hilt -- Male dress: 17th-century boots with spurs -- Cap with projecting horns., Third of three plates on leaf 98., and 1 print : etching on laid paper ; plate mark 17.5 x 12.5 cm, on sheet 27.5 x 44.4 cm.
Publisher:
Pubd. as the act directs Sepr. 9, 1773, by MDarly, 39 Strand
Leaf 98. Darly's comic-prints of characters, caricatures, macaronies, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Caricature portrait of a man in profile to the right. He is smiling and holds up in his left hand a coin with a head inscribed "OTHO EMP". In his right hand is a cane with a chased handle. He wears spectacles, a large flowing curled wig, an oddly-shaped cap decorated with a pair of horns like those worn on medieval women's head-dresses, an old-fashioned heavily-trimmed coat, a long brocade waistcoat and boots (which appear to date from the 17th century) with large spurs. His sword has a crescent-shaped hilt. Perhaps intended for Jeremiah Milles (1714-84), Dean of Exeter and president of the Society of Antiquaries 1768-84."--British Museum online catalogue
Description:
Title etched below image., Initial letters of publisher's name in imprint form a monogram., Plate numbered "v. 6" in upper left corner and "15" in upper right corner., Temporary local subject terms: Allusion to an Emperor Otto -- Canes -- Curled wig -- Weapons: Sword with a crescent shaped hilt -- Male dress: 17th-century boots with spurs -- Cap with projecting horns., Watermark: Strasburg bend with initials LVG below., and Mounted to 49 x 36 cm.
Publisher:
Pubd. as the act directs Sepr. 9, 1773, by MDarly, 39 Strand
A satire on the mechanical studies of antiquarians who sought a canon of beauty by measuring the proportions of fine works of antiquity. A collection of five rows of wigs, some of which are shown on human heads, are drawn with measuring lines and lettered to reference a table at the side of the design
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs, First state as described by Paulson, without second "e" in "Advertisement"; without addition of "or Parsonic" under "Episcopal"., Below the design: Advertisment. In about seventeen years will be compleated, in six volumes, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., Portraits after James 'Athenian' Stuart and Nicholas Revett., and 1 print : etching on laid paper ; plate mark 304 x 220 mm, on sheet 321 x 237 mm.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
Plate 64. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Five rows of wigs classified as "Parsonic", "Old Peerian or Aldermanic", "Lexonic", "Composite" and "Queerinthian"; at the bottom of the sheet a row of womens heads with, on the left, that of the newly-crowned Queen Charlotte; the wigs are annotated in the manner of illustrations to contemporary architectural treatises."--British Museum online catalogue
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs., State from Paulson. The second 'e' in advertisement added above the line; the 'k' in parsonic burnished out., Caption etched below image: Advertisement. In about seventeen years will be compleated, in six volumns, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., Portraits after James 'Athenian' Stuart and Nicholas Revett., Ms. note in pencil in Steevens's hand above print: Perriwigs five orders of. See Mr. Nichols's book, edit 3. P. 372., Sheet trimmed to: 29.8 x 21.6 cm., and Formerly on page 187 in volume 2. Removed in 2012 by LWL conservator.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs
Plate 64. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Five rows of wigs classified as "Parsonic", "Old Peerian or Aldermanic", "Lexonic", "Composite" and "Queerinthian"; at the bottom of the sheet a row of womens heads with, on the left, that of the newly-crowned Queen Charlotte; the wigs are annotated in the manner of illustrations to contemporary architectural treatises."--British Museum online catalogue
Alternative Title:
Five orders of periwigs
Description:
Title etched above image., Title from Paulson: The five orders of periwigs., State from Paulson. The second 'e' in advertisement added above the line; the 'k' in parsonic burnished out., Caption etched below image: Advertisement. In about seventeen years will be compleated, in six volumns, folio, price fifteen guineas, the exact measurements of the perriwigs of the ancients ..., Portraits after James 'Athenian' Stuart and Nicholas Revett., and 1 print : etching on laid paper ; plate mark 302 x 218 mm, on sheet 382 x 282 mm.
Publisher:
Publish'd as the act directs, Octr. 15, 1761 by W. Hogarth
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Revett, Nicholas, 1720-1804, and Stuart, James, 1713-1788.
Subject (Topic):
Antiquarians, Clothing & dress, Hairstyles, and Wigs