Title, printmaker, state, and date from Paulson., Print created for John Beaver's Roman military punishments; used as headpiece for Chap. XVII; see p. 144., and On page 24 in volume 1. Plate trimmed to: 4.3 x 7.8 cm.
"An exterior scene set among ruins; to left the naked buttocks of Gulliver to whom an enema is being administered by a crowd of Lilliputians; to right their prime minister, carried in a thimble, supervises operations while beyond a rat carries off a child."--British Museum online catalogue
Alternative Title:
Alternative form of title
Description:
Title, state, and publisher from Paulson., Caption below image: The punishment inflicted on Lemuel Gulliver by applying a Lilypucian fire engine to his posteriors for his urinal profanation of the Royal Palace at Mildendo which was intended as a frontispiece to his first volume but omitted., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand: See Mr. Nichols's book, 3d edit, p. 331., and On page 163 in volume 2.
An illlustration for Book 3, Chapter 2 in which the old innkeeper's wife (wearing spectacles) attends to Quixote's wounds; the daugher stands to the left with medicines in her hand. The torch is being held by Maritornes. An owl sits on a rafter above the bed. Quixote's armor hangs an a hook above his head. Sancho stands on the right his left arm on his right shoulder
Description:
Title, state, publisher, and date from Paulson., Sheet trimmed within plate mark., "Vol. I. p. 80."--Below image, lower left., and Mounted on page 86, volume 1.
Publisher:
Robert Dodsley?
Subject (Name):
Cervantes Saavedra, Miguel de, 1547-1616.
Subject (Topic):
Daughters, Eyeglasses, Mothers, Nursing, Owls, and Wounds & injuries
An illustration for Chapter 6 (not Chapter 5) depicts the scene at the end of Marcella's speech
Alternative Title:
Funeral of Chrystom and Marcella vindicating herself and Don Quixote: The funeral of Chrysostom
Description:
Title from Paulson., Title, state, publisher, and date from Paulson., "Vol. I, p. 71."--Lower left, below image., Sheet trimmed within plate mark., and On page 86 in volume 1.
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Description:
Title and imprint from Paulson., "Vol: I : P : 8"--Lower left, below image., A reversed copy of a print from the 1708 edition facing p. 5, with changes to the design by Hogarth: raised lectern and figures in foreground shifted., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Description:
Title and imprint from Paulson., "Vol: I : P : 8"--Lower left, below image., A reversed copy of a print from the 1708 edition facing p. 5, with changes to the design by Hogarth: raised lectern and figures in foreground shifted., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.1 x 7.8 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
A night scene in which Camilla is abducted by four bandits on horseback, as described by Apuleius. Three women stand in a doorway in the foreground at the right, in various poses showing their sense of alarm and distress
Description:
Title, printmaker, and imprint from Paulson., "Vol: I P: 113"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., A reversed copy of a print in the 1708 edition, with some changes. See Paulson., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14 x 7.6 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
Fantasio is being released by the hunchbacked witch Invidiosa from the chest in which he has been hiding; a young man holds the boy's shoulders. The scene is set in a ramshackle room with broom and bundle of twigs in the foreground, fire behind. The scene just before the witch lures Fantasio to her bed and changes into a beauty
Description:
Title and imprint from Paulson., "Vol: I P: 155"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14 x 7.6 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
A scene in Donna Theresa's bedchamber: Fantasio transformed by witchcraft into a lap-dog is being petted in the arms of Donna Theresa, who sits on her canpoied bed. The Provincial stands to her right as he addresses her
Description:
Title and imprint from Paulson., Paulson notes that Hogarth omits "invt." from his signature suggesting perhaps that this print too is a copy., "V: II : P: 1"--Lower left, below image., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.3 x 7.8 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.