Page 190. Collectanea Cantabrigiensia, or collections relating to Cambridge, university, town, and
Image Count:
1
Resource Type:
still image
Abstract:
Full-length depiction of a woman facing right, kneeling on a cushion with hands pressed together in prayer, a book open on a stand in front of her
Description:
Title devised by curator., Unsigned; artist unidentified., Date of production based on publication date of the volume in which the drawing is found., With note in pencil below image: North isle of Chipenham Chapel, painted [?], no inscript[ion?]., Tipped in at page 190 in an extra-illustrated copy of Francis Blomefield's Collectanea Cantabrigiensia, or collections relating to Cambridge, university, town, and county ..., and Temporary local subject terms: Women in literature and art.
A female Bermudan street vendor is sitting behind her produce wares under a makeshift sun shade. She wears a white scarf over her hair and a dress dyed primarily white and midnight blue; her hands are slightly raised and outstretched towards the diverse assortment of produce
Description:
Title devised by cataloger., Date from unverified data from local card catalog record., Possibly one of a series of small drawings of black Bermudans., and For further information, consult library staff.
Subject (Geographic):
Bermuda Islands
Subject (Topic):
Black people, Street vendors, Produce stands, Corn, Bananas, and Squashes
A man in a coat with military facings, identified as Woodford Rice, stands in the middle of a room holding in his left hand a book open to the title page, "The Rutland Volunteers," and with a frontispiece that is a copy of this print. In the background, a military hat and a sword lie on a chair, togetehr with table with writing materials on it. Above the table hangs a plan depicting General Burgoyne's position against the French and Spanish armies at Villa Vellia Ford in 1762 where Captain Rice distiguished himself in the battle
Description:
Title and publication date from no. 6316, of which this print appears to be a variant. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Rice, Woodford, -1784.
Subject (Topic):
Authors, Furniture, Inkstands, and Clothing & dress
Volume 2, page 24. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A Punch-like figure is shown standing to front, with head in profile to the left, holding a paper in each hand. A goat stands beside him on the right; a pole with a sign 'To Wynnstay' (lettered backwards) is on the left, pointing to the right. A design for an admission ticket for the theater at Wynnstay, the private theater of Sir Watkin Williams Wynn
Alternative Title:
To Wynnstay
Description:
Title and date from those supplied in the British Museum catalog for the print made after this drawing., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Mounted with a related drawing and a print on page 24 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Original design, with image and letters in reverse, for no. 7069A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Watercolor drawing depicting a gray caterpillar at top, a pupa in the middle, and a yellowish-brown and white moth at bottom
Description:
Title from local catalog card., Artist's name written in ink in an unidentified hand in lower right corner., Place and date of production based on the artist's country of residence and death date., Trimmed manuscript annotation in the artist's hand on verso. For other drawings by Marshal of moths and caterpillars, some with similar annotations on verso, see: Collection 941. Alexander Marshal Insect Watercolors. Academy of Natural Sciences of Philadelphia., Formerly laid in with three other drawings at page 51 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with three other drawings to 49 x 37 cm., and Original case shelved separately.
Watercolor drawing depicting a gray caterpillar at top, a pupa in the middle, and a yellowish-brown and white moth at bottom
Description:
Title from local catalog card., Artist's name written in ink in an unidentified hand in lower right corner., Place and date of production based on the artist's country of residence and death date., Trimmed manuscript annotation in the artist's hand on verso. For other drawings by Marshal of moths and caterpillars, some with similar annotations on verso, see: Collection 941. Alexander Marshal Insect Watercolors. Academy of Natural Sciences of Philadelphia., Formerly laid in with three other drawings at page 51 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with three other drawings to 49 x 37 cm., and Original case shelved separately.
A man holds a lady's hand as she descends a flight of stairs overlooking a pond. To the left in the distance are shown two figures in a row boat on the water
Description:
Inscription in pencil on verso: Cut mount to fit shape of inlay piece., Robert Dighton, English draughtsman, 1752-1814., For further information, consult library staff., and Watermark.
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Theodore about to be executed in the courtyard of the castle. On the left, Theodore kneels down before the friar Jerome to pray, his shirt slipping down below his left shoulder to reveal the mark of a bloody arrow. Behind the friar stands Manfred, who ordered the execution, and several attendants; two guards holding pikes and a man carrying a sword stand behind the kneeling prisoner. At the far end of the courtyard on the right, the giant helmet sits in front of colonnades. In the background at center, the bordering colonnades are interrupted by a gray-colored section of the castle with arched windows and alcoves in which statues reside
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 100 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Castles & palaces, Courtyards, Colonnades, Executions, Prayer, and Helmets
The young Zeluco with a defiant look on his face, crushes his pet bird in his right hand; a bird cage sits on a table to his left, its door standing open. To his right, his tutor looks back at him in horror