Dick and Jenkins enjoying "life" in the Elysian fields
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate from: Carey, D. Life in Paris. London : Printed for John Fairburn ..., 1822., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Crowds -- Fighting -- French soldiers.
Publisher:
Published Sept. 1, 1822 by John Fairburn, Broadway, Ludgate Hill
The mast slants across the deisgn backed by a sail bellying in the wind. W.B. [i.e. William Blockhead] sits miserably with closed eyes astride a spar, to which he has tied his right thigh. His right arm encircles the mast, and to his wrist is tied an open book: Wilt thou upon [the] high & giddy mast scale the ship[?] bays. O yes & rock his brain. Below is a dialogue between the Lleutenant and Blockhead
Alternative Title:
Enjoying the fresh air for the 304th time
Description:
Title from text above image., Print singed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in British Museum catalogue., Two columns of dialogue below image: Dialogue - Lieut. - Pray Mr. B. Did you call the master? B. no sir I thought ..., Plate numbered in upper right corner: P. 4., and For reissue by Thomas McClean in 1835, see no. 14093 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Great Britain
Subject (Topic):
Navy, Sea life, Reading, Sailors, British, and Ships
"Imp-like creatures of the railway company, gathered around the seated figure of John Bull, stripping him of his clothes and possessions, an auctioneer selling elements of his wardrobe, trains pulling boxes of money and silver plate"--British Museum online catalogue
Alternative Title:
Anticipated effects of the railway calls
Description:
Title from caption below image., Date of publication and publisher from British Museum catalogue., Illustration to: George Cruikshank's Table book. Published by George Bell in London., Illustration accompanying a brief article on railroad speculation by the periodical's editor, Gilbert Abbott a Beckett., Sheet trimmed within plate mark., and Window mounted to 30 x 23 cm.
Publisher:
George Bell
Subject (Geographic):
England.
Subject (Topic):
John Bull (Symbolic character), Auctions, Fictitious characters, Money, and Railroads
"Below the title: Dedicated without permission, to the Church Commissioners--Nash, much caricatured, is spiked by the seat of his trousers on the spire of All Souls Church, Langham Place, the upper part of the ring of pillars below the spire forming the base of the design. He is suspended like a scarecrow, large in proportion to the building, his arms extended horizontally from the shoulders and hanging limply from the elbow, his head is turned to the left. Carrion birds fly round him. There is a background of clouds. Below the dedication: Providence sends meat, Parliament sends Funds-- The Devil sends cooks-- But, who sends the Architects?--!!!"--British Museum online catalogue
Alternative Title:
National taste!!!
Description:
Title from caption below image., Print signed using George Cruikshank's device: Q in the corner., Sheet trimmed to plate mark., Four lines of text below title: Providence sends meat, the devil sends cooks ..., Temporary local subject terms: Churches: All Souls Church, Langham Place., and Manuscript "97" in upper center of plate.
"Two designs. [1] Scene outside the Queen's house (left) in Portman Street. Four men in court-dress hurry across the street from the door assailed by the mob. In front is Wilberforce (right) holding a 'Petition to the Queen'; he exclaims "Oh! Dear! Saints never were so served before." From the other three (Stuart-Wortley, Bankes, and Sir T. Acland) ascend the words "These are aw-full times as the Scot's man said" [ ? the 'Scotsman', a conspicuously Queenite paper]. In the foreground (left) a man, saying "There he goes Dr Cantwell," and a boy spit copiously at them. The crowd: "Hiss! hiss"; "No Cantwell"; "out out"; "Spit on 'em." Brougham stands in the doorway; Denman behind him; he says "What quantities of rabbid saline!!" The Queen stands on a balcony, the base of which is 'a Good Foundation--(ie) Innocence--'. She says "No Tricks, you faithful representitaves [sic] of the people." [2] A corner of the House of Commons with the Speaker (Manners-Sutton) in the Chair (right), calling "Order! Order!" Beside the table and on the Speaker's right a member stands shouting "Privilege! Privilege." Behind is a group of members, freely sketched. One man looks down from the gallery."--British Museum catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 30 of: George Humphrey shop album.
Publisher:
Pubd. July 3d, 1820, by W. Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wilberforce, William, 1759-1833, Wharncliffe, James Archibald Stuart-Wortley, Baron, 1776-1845, Bankes, Henry, 1757-1834, Acland, Thomas Dyke, Sir, 1787-1871, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canterbury, Charles Manners-Sutton, Viscount, 1780-1845
Subject (Topic):
Politicians, Crowds, Balconies, and Legislative bodies
Title from caption below image., Printmaker and artist from unverified data from local card catalog record., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Parliament -- Debate -- Treasury., and Principal figure identified by ms. annotation in pencil.
Publisher:
Published by John Miller, Bridge Street & W. Blackwood
"The Regent, as Macheath, wearing military uniform and heavily shackled, stands between Mrs. Fitzherbert, who kneels at his feet (left) removing his leg-irons, and Lady Hertford (right), who stands beside him taking the fetters from his wrists (inscribed 'Restri[ctions]'), He sings "How happy could I be with either." Mrs. Fitzherbert, a long rosary dangling from her waist, says: "The Benediction of His Holiness light on the Defender of Our Faith." Lady Hertford, sultana-like in a jewelled turban, says: "You heard of the Row & the Rowly Powly Song before Our house the Other Night?!!" Behind and on the right Eldon stands full-face between Perceval and McMahon, who face each other in profile. Perceval, in his Chancellor of the Exchequer's gown, and holding a brief-bag, says: "The Greys won't move without their own Coachman tho the Brewer [Whitbread] has offerd his black to do the dirty Work." Eldon, in a huge wig, holds the Purse of the Great Seal; he says: "We must hire Jobs for the Night Work but we are Pro' Rogued." McMahon, in military uniform, has a number of ribbons and stars hanging over his arm; he says: "These Garters & Ribbonds are all returned." On the wall are two pictures: George Hanger, bestriding his pony (as in No. 8889) with a burly bailiff seated behind him, rides in the direction of a sign-post, with a noose hanging from it, pointing 'To the Kings Bench'. This is 'George & his Hanger On, takeing a ride together to a Lodging in Surry'. The other is Sheridan as Bacchus, but dressed as Harlequin (cf. British Museum Satires No. 9916), bestriding a cask of 'Old Sherry'."--British Museum online catalogue
Alternative Title:
Polly & Lucy taking off the restrictions, Polly and Lucy takeing off the restrictions, and Polly and Lucy taking off the restrictions
Description:
Title etched below image. and Watermark: J. Whatman.
Publisher:
Published March 1812 by J. Jonhston, 98 Cheapside
Subject (Name):
Gay, John, 1685-1732., George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Fitzherbert, Maria Anne, 1756-1837, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, McMahon, John, approximately 1754-1817, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845., Whitbread, Samuel, 1764-1815., and Dionysus (Greek deity),
Subject (Topic):
Harlequin (Fictitious character), Military uniforms, British, Shackles, Religious articles, Turbans, Wigs, Bags, and Pictures
"Promenaders in Hyde Park illustrate these titles. [1] A dandy walks, right to left, jauntily rakish, holding a lorgnette and glove in a gloved hand. He wears a large bell-shaped top-hat, beneath which projects a great tuft of curled hair. Under his arm is a rolled umbrella. [2] A Quaker, in a shallow broad-brimmed hat, walks primly (right to left) with a young (twin) daughter on each arm. He holds a large gamp umbrella, fastened and point downwards. [3] A thin man wearing a long greatcoat and seedy top-hat, walks (left to right) with an expression of acute melancholy. He trails behind him an unfastened umbrella. He faces heavy wind and slanting rain. Beside him is a small dead tree. Near each is an appropriate dog."--British Museum online catalogue
Alternative Title:
Premium, par, and discount
Description:
Title from caption below image.
Publisher:
Pubd. May 1st, 1822 by G. Humphrey 27 St. James's St.
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Subject (Topic):
Quakers, Dogs, Dandies, British, Parks, Pedestrians, and Umbrellas
"An African chief displays to a naval officer three black women, who stand together (right), grinning and coy, and absurdly squat and obese, with huge posteriors like those of the Hottentot Venus (see British Museum satire no. 11577). The officer, Lieut. Lyon, bows in profile to the right, right hand on his breast, staring with humorous and wary appraisal at the women. The chief, who smiles blandly, seated on a low slab, wears a huge nose-ring, a plume of ostrich feathers, and a sword for which his left ear serves as hilt. Immediately behind him is a bodyguard of four warriors holding tall spears on each of which a skull is transfixed. Two grin, one looks with sour possessiveness at the women. All the Africans are very negroid, and naked except for small aprons. Behind the women are more Africans, much amused. Behind Lyon stand an astonished naval officer and two amused military officers; all are in dress uniform. Behind these are grinning sailors and on the extreme left the tips of the bayonets of the escort, with a Union flag."--British Museum online catalogue
Alternative Title:
King of Timbuctoo offering one of his daughters in marriage ...
Description:
Title from item., An anchor is a symbol used by Captain Frederick Marryat; he was a personal friend of George Cruikshank the caricaturist and engraver and designed a number of prints for him., and Sheet trimmed leaving thread margins.
Publisher:
Pubd. Octr. 10, 1818 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Africa, West and Africa, West.
Subject (Name):
Lyon, G. F. 1795-1832 (George Francis), and Lyon, G. F. 1795-1832. (George Francis),
Subject (Topic):
Black people, English wit and humor, Pictorial, Ethnic stereotypes, Military officers, British, and Skulls
"The Princess, in oriental dress, sits regally on a low settee, knees apart, left foot on a stool, with Pergami at her right hand, and others of her suite behind her. She addresses Metternich (right), pointing to Pergami, and saying: "Permit me Sir Prince, to present to you my sweet [scored through and replaced by] suite--" Pergami, bold, florid, and handsome, stands erect, right hand on his hip, holding his busby and the hilt of his sword. He wears hussar uniform as in British Museum Satires No. 12889, with spurred Hessian boots. Metternich, slim and elegant, wearing embroidered court dress with a sword, makes a courtier's bow, answering: "Your R--l H--s is really too Condescending?!" The Princess is a grotesque obese figure in Turkish trousers, short-waisted bodice grossly décolletée, Turkish slippers, and large turban with crescent and aigrette, wearing, like Pergami, a bunch of orders. At her right knee and between her and Metternich is little Willy Austin, cap in hand, and holding a riding-switch. He wears a short braided jacket with trousers, and a childish frill round the neck. Behind him is a stout lady-in-waiting (probably 'Countess' Oldi), oddly dressed, in round cap, décolletée high-waisted bodice and (apparently) breeches or trousers. Two gentlemen-in-waiting behind Pergami wear braided tunics with trousers gathered at the ankle. All the suite, including the boy, wear orders; the three men are whiskered and moustached. Along the wall forming a background are pictures illustrating the persons beneath. Behind Pergami is a prancing stallion with a girth inscribed 'Ich Dien: Cock horse a favourite Stallion.' Behind the Princess is 'A View in Wales', the frame decorated with the Prince's feathers: a mountainous sea-shore with goats. Behind the boy is a scraggy mule with a plume of ostrich feathers, and its tail decorated with ribbons. At its feet 'Black-heath' (see British Museum Satires No. 12027): This is 'Billy A-- favourite Mule--!!!' Above Metternich is the whole length portrait of a courtier, cocked hat in hand: 'Met--her--nick--!!'"--British Museum online catalogue
Alternative Title:
Royal condescension, or, A foreign minister astonished! and Foreign minister astonished!
Description:
Title etched below image., "Ple. 2"--Upper left corner., Companion print to: A r-y-l visit to a foreign capital, or, The ambassador not at home!!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Metternich, Clemens Wenzel Lothar, Fürst von, 1773-1859, and George IV, King of Great Britain, 1762-1830.