"An actor, ugly and ragged, stands gesticulating, the left arm extended towards Sheridan, who sits in a low chair (right) before a small rectangular table. He fixes Sheridan with a hungry glare, clutching a small cocked hat in his right hand ... In the upper right corner of the design is a quotation from 'Hamlet', III. ii, beginning 'Oh, there be Players', and ending, 'they imitated humanity so abominably'."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date from Grego., Possibly published by Fores, whose publisher's stamp is on the Lewis Walpole Library impression., Twelve lines of text below title: A candidate for the stage lately applied to the manager of Drury-Lane Theatre for an engagement ..., and Printseller's stamp in lower right of plate: S.W.[F.]
Leaf 28. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Lunardi, slim and handsome, walks diagonally towards the spectator from the right, supported on a staff, his left hand held out as if begging. On his back is his collapsed balloon, a large bundle from which project a net and two oars or propellers. His dress is fashionable but ragged. In the background are trees and a church."--British Museum online catalogue
Alternative Title:
Itinerant aeronaut
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Eight lines of verse below title: Behold an hero comely tall and fair! His only food phlogisticated air! ..., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 164., and On leaf 28 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Restrike, with printing plate cut down on bottom edge removing imprint. For original issue with the imprint "Pubd. 5 Sepr. 1785 by T. Cornell, Bruton Street", see no. 6858 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. and Lunardi, Vincent, 1759-1806
"Two designs on one plate. Above, the Duke of York sits, pen in hand, writing a love-letter, but turns from his table to declaim towards the window (right): To morrow I inspect my regiment--and then for my Dearest--Dearest--Dearest--Love. A negro servant (left) wearing a jewelled turban regards him with dismay: Bless my Massa what be de matter with him--him in love I fear--Sambo once be in love with bad Woman but him repent. On table and floor are papers inscribed: O Love is the cause of my Folly, My Amiable Girl; My Dearest Dear I hope to be in your Arms; Love Letters. Below, an elderly military officer without sword or gorget, scowls through an eye-glass at a pert boy (right) in uniform with sword and gorget. He says: Can I believe my eyes, why this is the little foot boy--who waited on us at the house of a Lady of a certain description. The boy (Carter) answers, hands on hips, I beg Sir you will not come for to go, to affront a gemmen--."--British Museum online catalogue
Alternative Title:
Scene at Weymouth
Description:
Title for upper design etched above image; title for lower design etched below image., Printmaker from British Museum catalogue., Artist identified as Woodward in the British Museum online catalogue., Plate numbered "69" in upper right corner., Temporary local subject terms: Eye glass -- Blacks., and Mounted to 43 x 30 cm.
Publisher:
Pubd. Febry. 26, 1809, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Plate from the 'Anti-Jacobin Review', ii. 233: On the extreme right the Devil holds up a canvas, 'le Tableau Parlant', which terrifies twelve Irishmen grouped round an oblong table. In their alarm the heavy table has been overturned, some are on the ground, others (left) flee in terror. The Devil, who looks round the edge of his picture, wears a bonnet-rouge inscribed 'Anarchy'; labels hang from his horn: 'Blasph[emy]' and 'Parracide'. He says "Stew it well - It cannot be Overdone for you and me". In the picture, 'Irish Stew I A Favourite Disk for French Palates', two French soldiers superintend the boiling of a Revolutionary Pot, in which stand three naked Irishmen shrieking for mercy; one says: "Liberty of being Stewed"; the other, "Equality - all to be stewed en Masse". Above the table five harpies fly off with a tattered cloth inscribed 'Map of Ireland'. They are intended for the Directors, three having belts inscribed 'Tallien' (not a Director), 'Barras', and 'Le Paux'. On the table is a paper, 'United Irishmen'. The Irishmen make gestures of terror or despair. Most look at the picture, one looks upwards, saying: "Poor Erin How thourt torn to pieces by these five Harpies." A fugitive looks round to say "What your own A. O Connor too!" A lawyer (? Curran): "So much for Republicani[sm] and glorious Independence! No Money! No Lawyer." A monk: "By St Patrick a complete Catholic Emancipation." Three others say: "I now howl in Vain - We are all gone to Pot"; "Brother John [Bull] would not have treated us so -" ; "My Merits with the Republic should have saved me, but I find we must all stew together" [he is perhaps Grattan]; "A Radical Reform by Jasus". Beside the last speaker, a ragged peasant, lies a bundle of pikes, &c.
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Plate from: The Anti-Jacobin review and magazine. London, 1799, v. 2, page 233, Temporary local subject terms: United Irishmen -- Maps: map of Ireland torn by demons -- Reference to the French Revolution -- Allusion to the Directory -- Allusion to anarchy -- Pictures: le tableau parlant., and Mounted to 31 x 37 cm.
Publisher:
Pubd. March 1st, 1799, by T. Whittle, Peterborough Court, Fleet Street, for the Anti Jacobin Review
Subject (Name):
Barras, Paul, vicomte de, 1755-1829 and Tallien, Jean-Lambert, 1767-1820
An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed
Description:
Title etched below image., Series title and number etched above image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Earlier edition of print described by Joseph Grego in Rowlandson the caricaturist, v. 2, page 14., and Watermark: Strasburg bend with date 1798 below.
Publisher:
Pubd. Octr. 1, 1799, by R. Akerman, No. 101 Strand
An angry wife confronts her astonished husband with a letter from his paramour in which she suggests a rendezvous in the garden after the wife has gone to bed
Description:
Title from item., Earlier state published by Akerman on October 1, 1799., Publication date from Grego., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 37 x 29 cm.
"A dog with the head of Sheridan is being chased out of the gate of Devonshire House by the Duke of Portland and other leading whigs. He flees 'To Carlton House', a signpost (left) pointing the way. His collar is inscribed 'G.P.', to his tail is tied a large architectural drawing of Drury Lane, showing the new front to Bridges Street added to Garrick's theatre by R. and J. Adam. The foremost of the pursuers is Portland, about to hurl a stone; Fox follows, holding out his hands pleadingly to the fugitive. Burke holds a club inscribed 'Shelaly', and clenches his fist fiercely. Next him is the short Lord Derby (left), and on the right the Duke of Norfolk. Lord Stormont holds up his hat as if to hurl it. Along the (Piccadilly) wall of Devonshire House broadsides and papers are hung up for sale."--British Museum online catalogue
Alternative Title:
Bardolph badgered and Portland hunt
Description:
Titles etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., and Temporary local subject terms: Whigs -- London: Devonshire House -- Road signs -- Allusion to Drury Lane Theater -- Allusion to Carlton House.
Publisher:
Publish'd by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Smith-Stanley, Edward, 1752-1834, Norfolk, Charles Howard, Duke of, 1746-1815, and Mansfield, David Murray, Earl of, 1727-1796
Leaf 15. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
On the left, William Pitt, his arms and one leg raised, is looking up at the East India House that he has just kicked toward Charles Fox who stands ready to toss it back. Behind Fox is a table with dice and a dice box on it. Playing cards are scattered on the floor. Behind Pitt an open book inscribed, "Blackstone," indicates his barrister's education
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6406 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 117-8., and On leaf 15 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 7th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and East India Company.
On the left, William Pitt, his arms and one leg raised, is looking up at the East India House that he has just kicked toward Charles Fox who stands ready to toss it back. Behind Fox is a table with dice and a dice box on it. Playing cards are scattered on the floor. Behind Pitt an open book inscribed, "Blackstone," indicates his barrister's education
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pubd. Feby. 7th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, and East India Company.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, riding on an ass, with Marie Louise seated behind him, approaches the coast, with the 'Island of Elba' on the horizon (right). Just in front of him the King of Rome rides a mastiff inscribed 'Corsican Dog'; the child points with a switch at the island, and looks round at his father registering furious anger. Napoleon stares in agonized dismay, his hands raised in astonished protest. He wears a peaked cap inscribed 'Fools Cap'; the coat of his accustomed uniform, breeches unbuttoned at the knee, and wrinkled stocking showing bare leg. In front of him hangs a small sack: 'Bag of Brown Bread'. Marie Louise (see British Museum Satires No. 12218) is a dishevelled termagant, her left hand resting heavily on Napoleon's shoulder. She turns to thrash the donkey, her open mouth indicating an angry scream; she raises a bludgeon inscribed 'Baton Marechâle' [cf. No. 12088]. The boy wears a single garment over bare legs; a tight childish cap is tied to his head; from his waist hangs a dagger. The dog bays at the sight of the sea. Behind the ass walks an elderly and old-fashioned French post-boy, with heavy boots and whip and wearing a cocked hat. He clenches a fist, and extends a leg as if kicking, and screams: "Be gar you Cocquin now I shall drive my Old Friends and bonne Customers de English Vive Le Roi et le Poste Royale." Beside the ass's head is the upright of a gibbet-shaped sign-post inscribed 'Road to Elba'; from this hangs a noose. Two carrion birds fly past it towards Napoleon, one holding in its beak a paper: 'We Long to pick your Bones.' Over Elba is the customary flight of (carrion) birds. Against the shore lie two small boats, one has a mast; in the other sits a man."--British Museum online catalogue
Alternative Title:
Bloody Boney the carcass butcher left off trade and retiring to Scarecrow Island
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "323" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 23 in volume 5.
Publisher:
Pubd. 12 April 1814 by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847