Title devised by cataloger., Printmaker from later plate in series., Questionable date of publication based on watermarks from this print and another in the series at The Lewis Walpole Library., Six designs on one plate, each with a letter etched above and a word and its definition etched below., Description based on imperfect impression; probable plate number has been erased from upper right corner of sheet.., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman 1827.
Title devised by cataloger., Questionable date of publication based on watermarks from this print and another in the series at The Lewis Walpole Library., Six designs on one plate, each with a letter etched above and a word and its definition etched below., Description based on imperfect impression; probable plate number has been erased from upper right corner of sheet., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: T. Edmonds 1825.
Chambars, Thomas, approximately 1724-1789, printmaker
Published / Created:
[1766]
Call Number:
Drawer 769.00.00.82
Image Count:
1
Resource Type:
still image
Alternative Title:
Saint Martin dividing his cloak
Description:
Title, printmaker, and publication information from lettered state in the British Museum., After a painting by Anthony van Dyck. Artist statement on lettered state makes a false attribution to Rubens; see British Museum online cat., registration number: 1870,0625.597., Plate no. 26 from: A collection of prints engraved after the most capital paintings in England. London: [J. Boydell, 1769], v. 1., and Watermark.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[25 March 1785]
Call Number:
Folio 49 3563 v.2 (Oversize)
Collection Title:
Volume 2, page 27. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Description:
Title from text on reissued state, published by J. Harris on 1 March 1799; see Lewis Walpole Library call no.: 799.03.01.01., For a slightly earlier state, before the date following printmaker's name was changed from "Jany." to "March", see Lewis Walpole Library call no.: 75 B87 770., A single design on three plates., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted on page 27 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., 3 prints forming 1 image : etching with drypoint on laid paper ; sheets 52 x 47 cm or smaller., and Sheet trimmed within plate marks.
The interior of a bare and plainly furnished room in a country inn; a number of middle-aged and plainly dressed men stand waiting for dinner to be served. Through a door in the back wall a serving-boy enters with a tureen, followed by a stout woman carrying a turkey, who is followed by a man-servant. A man (left), wearing spurred jack-boots, stands in profile to the left to hang his hat on a peg. He faces a framed notice which has not yet been filled in with text as in the finished version. In the centre two men, one wearing top-boots, the other in quasi-military dress, face each other, grinning. A third, with a pen and ink-horn at his buttonhole, tries to insinuate himself into the conversation. On the right a stout man stands at a table before a punch-bowl and a sugar-basin: his hands are folded and his eyes closed as if in prayer. Beside and behind him a man with a bottle in one hand sniffs at another bottle (both later labeled in final state). An irate man (left) stands at the end of the table, watch in hand. Above the door a picture of a mounted huntsman hangs askew. On the wall are (left) hats and sticks, (right) a map of the world in two hemispheres
Description:
Title, printmaker, artist, and publication information from later state in the British Museum catalogue., An early state, possibly a proof before letters for a later state with the imprint "London, Publish'd June 26th, 1788, by W. Dickinson, engraver, No. 158 Bond Street" and with the framed notice in the left part of the design expanded and filled with etched text, see no. 7452 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Sheet trimmed to design., and Watermark.
Title from letterpress broadside with which this plate is associated. See Catalogue of prints and drawings in the British Museum., Plate from: The Butiad, or, Political register. London : Printed for E. Sumpter, 1763., Later state of the left side plate. Cf. No. 4013 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Corporations: Corporation of London -- Laws and statutes: cider act, 1763 -- Pictures amplifying subject: portrait of Lord Bute -- Excisemen -- Thrones -- Resignations: Lord Bute's resignation, 1763., Mounted to 31 x 38 cm., and Watermark.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, and Pitt, William, Earl of Chatham, 1708-1778
Title assigned by cataloger based on letterpress text below., Publication information extrapolated from that of Walpole's Works., Head-piece illustration to a verse by Horace Walpole with caption title: The funeral of the lioness : a fable imitated from La Fontaine., Plate from: The works of Horatio Walpole, Earl of Orford. London, 1798, v. 4, page 377., and Watermark: 1797.
"A copy by Rowlandson after the 1774 Bunbury print, 'The hopes of the family - an admission at the university', a satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two further volumes, and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and a woman, a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."
Description:
Title supplied by cataloger, based on that of the print on which this design is based., Printmaker and date of publication from British Museum online cat., registration no.: 2006,U.1348., Restrike. Date of printing based on watermark., A reduced copy of no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Similar to and perhaps related to a series of small copies by Rowlandson of earlier Bunbury satires, published in 1803 by R. Ackermann. See Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. ii, p. 42-43., Watermark: J. Whatman 1828., Imperfect; artist's signature erased from sheet., and A border enclosing the design and shading to the lower portion of the design added in pencil.
"Landscape with the Finding of Moses; shepherd reclining on rocks in foreground, a group of women on the shore of a river beyond, a tower and bridge in mid-distance."--British Museum online catalogue
Alternative Title:
From the original drawing in the collection of the Duke of Devonshire
Description:
Title from descriptive catalog at beginning of bound volume., Text below image: From the original drawing in the collection of the Duke of Devonshire., One of two hundred plates that were later issued in bound volumes entitled: Liber veritatis. Or, A collection of two hundred prints ... / after the original designs of Claude le Lorrain ... executed by Richard Earlom ... London : Published by the proprietor, John Boydell, [1777-1819]., Plate numbered in lower left corner: No. 48., and Watermark.
Publisher:
Published Septr. 1st, 1774, by John Boydell, engraver in Cheapside