Shown before the gate of a castle, Hamlet is supported by two men as the ghost of his father, dressed in armour the knees of which are etched with the masks of Comedy and Tragedy, appears before him
Description:
Title etched below image., Two lines from Shakespeare Hamlet quoted below title: "Still I am called .. unhand me gentlemens [sic]. By heaven I'll make a ghost of him that lets me"., Date based on publisher's address. See Maxted, I. The London book trades, 1775-1800., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Title from item., Printmaker and publication date from British Museum catalogue., Temporary local subject terms: Shakespeare's Hamlet., and Mounted to 42 x 31 cm.
Title from caption below image., Title continues: ... Spectator so did I Lawks, vo sent he a chap arter the gals., and Publication date from unverified data from local card catalog record.
"The enormously fat Stephen Kemble, as Hamlet, gesticulates, right arm extended, left arm thrown back, fingers (very large) pointing awkwardly; his head is turned in profile to the left. He wears quasi-contemporary dress, much dishevelled, with a star and ribbon from which hangs the elephant of the Danish order."--British Museum online catalogue
Description:
Title etched below image., Publisher from the British Museum online catalogue, registration no.: J,2.22., Two lines of text from Hamlet are etched below title: ---------- that I have thought some of nature's journeymen had made men, and not made them well; they imitated humanity so abominably., Leaf 23 in an album with the spine title: Characatures by Dighton., 1 print : etching and stipple engraving on laid paper, hand-colored ; plate mark 22.5 x 16.1 cm, on sheet 31.1 x 25.5 cm., and Figure identified as "Stephen Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Kemble, Stephen, 1758-1822
Subject (Topic):
Actors, British, Obesity, and Theatrical productions
View down the Thames from Hampton Court wtih a pair of houses being lead to the carriage in the foreground. Two tourists stand on the terrace looking at the view, as another man below turns away from the view below
Alternative Title:
View down the river from Hampton Court
Description:
Title inscribed on verso by Horace Walpole: Hampton Court, Also inscribed on verso in ink: H. Walpole., Descriptive title inscribed in pencil on verso by W.S. Lewis., Attributed to J.-H. Müntz., and Press-mark C.1.22 in Manuscript Catalogue of 1763; moved to the Round Tower.
Subject (Geographic):
Richmond upon Thames (London, England) in art.
Subject (Name):
Hampton Court (Richmond upon Thames, London, England) in art.
"A design in two compartments; between the two titles is etched: ['Fatal Effects of the French Defeat']. On the left Fox hangs himself in a ramshackle garret. His neck is in a noose which hangs from a beam, his right foot rests on a low stool, his left hand holds the rope. He leans back with an expression of terror, dropping an 'Account of the Republican Overthrow'. On the wall (left) is a half length portrait of 'Pichegru' holding a sabre. The poverty of the room is indicated by peeling plaster showing patches of bricks, by the raftered roof, and a small casement window (right). On the right Pitt and Dundas drown themselves in wine. Both are on the floor; they have overturned a round table behind them from which the sliding bottles pour their contents over Pitt, who holds up a brimming glass in his left hand. He leans against an overturned chair holding a paper: 'News of the Victory over the Carmagnols'; he looks up smiling. Dundas sits behind and on the right, in profile to the right, more serious and more intent. He drinks with concentration, spilling his wine and waving his wig above his head. He wears a plaid over his coat. On the wall is an oval bust portrait of 'George IIId', the head cut off by the upper edge of the design."--British Museum online catalogue
Alternative Title:
Drowning and Fatal effects of the French defeat
Description:
Title etched at bottom of images., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., and Temporary local subject terms: Suicides -- Interiors: garrets -- Furniture: footstools -- Drunkenness -- Pictures amplifying subject: portrait of Gen. Pichegru -- Pictures amplifying subject: portrait of George III.
Publisher:
Pubd. Novr. 9th, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, and Pichegru, Charles, 1761-1804
Title from item., Imperfect; sheet trimmed within plate mark with loss of text from bottom edge., and On leaf 139 of an album with spine title: Trade tokens and bookplates.
"View of the west front of Harewood House in Hanover Square; elegantly dressed figures and carriages in street"--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum online catalogue., Sheet trimmed within plate mark., Plate from: A picturesque tour through the cities of London and Westminster. London: T. Malton, 1792 [i.e. 1802]., and "Pl. 90"--Below imprint.
"Ticket for a ball; two naked children, a boy on the right and a girl on the left, wearing draperies, lifting each other's mask; in a roundel; after Cipriani; proof before letters."--British Museum online catalogue
Alternative Title:
Hanover Square
Description:
Title from caption above image., Date from British Museum online catalogue, Cf. museum registration no. 1868,0822.1267., Sheet trimmed to plate mark; corners cut off., and On page numbered 22 in an album of 116 prints: [Bartolozzi and his pupils].