"Kemble (scarcely caricatured), as Rolla (the noble Peruvian), stands with his left hand pointing upwards, his right arm thrown back, his head in profile to the right. He wears quasi-classical dress, with barbarian adornments, feathered head-dress, heavy gold belt, and ornaments. The costume appears substantially correct, with some exaggeration of the gold chains and ornaments."--British Museum online catalogue
Description:
Title etched below image., Leaf 26 in an album with the spine title: Characatures by Dighton., and Figure identified as "Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Kemble, John Philip, 1757-1823
"William IV rides (left to right) on a country road, with a large document under his arm: 'Plan Bridge over Canal for Public'; Wellington sits insecurely behind the saddle. Both are in civilian dress. The King: 'Now I've got him up behind I'll just do as I like'. Wellington (slyly): 'This is a very bad Seat, not such a one as I have been used to lately. I am afraid I shall be off.--Open the Park indeed for the Public: I don't like giving way to the Public!!!' A signpost (left) points (right) 'To Holland House'."--British Museum online catalogue
Alternative Title:
When 2 ride upon one horse one must ride behind
Description:
Title etched below image., Approximate month of publication from the British Museum catalogue., and Offsetting on verso. Paper watermarked "J. Whatman Turkey Mill 1827."
Publisher:
Published 1830 by S.W. Fores, 41 Piccadilly, London
Subject (Name):
William IV, King of Great Britain, 1765-1837 and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Horseback riding, Documents, Dirt roads, and Traffic signs & signals
Plate 26. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In her bedroom, a young woman seems to resist the advances of an eager-looking young man sitting on her canopied bed. He pulls her towards him as she pulls away. On the wall to the left is a picture which shows Cupid lighting a firework; it is titled "Before." As she pulls away she upsets the dresser with a mirror; her powders and cosmetics have tumbled to the floor. In the drawer can be seen letters, a novel, and "The Practice of Piety", but on top is a copy of Rochester's Poems. The lady's dog jumps toward the couple. Her willingness to be seduced is suggested by the fact that she is not wearing her corset which can be seen on a chair to the right; her bonnet hangs on the curtains around her bed
Description:
Title and state from Paulson., Companion print to Hogarth's After, published on the same date., The man is said to have been modeled on Sir John Willes. See Paulson., "Price two shillings & 6 pence"--Below design, on the right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching and engraving on laid paper ; plate mark 42.5 x 32.6 cm, on sheet 59 x 46 cm., and Plate 26 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Willes, John, Sir, 1685-1761
Subject (Topic):
Boudoirs, Canopy beds, Chamber pots, Couples, Cupids, Dogs, Fireworks, Seduction, Sex, and Women
"Brook Watson (1735-1807) walks in profile to the right, using a sturdy tasselled cane; his right hand is in his coat-pocket. He is well preserved; a slight stoop suggests hurried walking (on his (right) wooden leg) rather than age. He wears a round hat, double-breasted coat, frilled shirt, and breeches; a small pigtail and a spatterdash suggest a quasi-military career."--British Museum online catalogue
Alternative Title:
Elderly man with peg leg and cane
Description:
Title and printmaker from British Museum catalogue., Text in lower left portion of design, possibly an additional publication line "Pubd. by Dighton", has been obscured with etched lines., Leaf 7 in an album with the spine title: Characatures by Dighton., 1 print : etching on laid paper, hand-colored ; plate mark 25.5 x 15.1 cm, on sheet 31.1 x 25.5 cm., and Pencil annotation in lower left corner of sheet is mostly trimmed away.
publish'd according to act of Parliament Nov. 5th 1759.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 82. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Interior of the Cockpit on the south side of St James's Park with two fighting cocks in the pit and forty male spectators ranging from a sow-gelder, a butcher, a black footman, coachmen and a sweep to the blind Lord Albermarle Bertie (in the centre); on the wall to right, a framed picture of a stout woman, lettered "Nan Rawlings", seated with a cock on her lap."--British Museum online catalogue
Alternative Title:
Pit ticket
Description:
Title from Paulson., Title engraved below image, on either side of an image of a rooster wtih the words 'Royal' and 'Sport' etched on either side: Pit ticket., 1 print : etching and engraving on laid paper ; plate mark 31.6 x 38.2 cm, on sheet 42 x 57 cm., and Plate 82 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Bertie, Albemarle, Sir, ca. 1720-1765 and Saint James's Palace (London, England)
Subject (Topic):
Cockfighting, Social life and customs, Blacks, Butchers, Chimney sweeps, Dogs, Gambling, Nobility, Sports spectators, and Servants
"A man wearing a black and red gown with bands stands in profile to the left, holding his mortar-board, with an expression of wary deference. He has short hair and bushy eyebrows."--British Museum online catalogue and "William Parsons (1746?-1817), a singing-master, Master and Conductor of His Majesty's Band of Music from 1786, matriculated Magdalen College, 23 June 1790, aged 42, was B. and D.Mus. 26 June; he was knighted in Ireland 1795. The portrait does not resemble a more flattering bust portrait "a painting in water-colours by Francis Wilkin, Jun." in the 'European Mag.', Aug. 1808."--Curator's comments, British Museum online catalogue
Description:
Title from British Museum catalogue., Leaf 46 in an album with the spine title: Characatures by Dighton., and Figure identified as "Dr. Parsons, late Vice Chancellor, Oxford" in pencil at bottom of sheet.
Publisher:
Robert Dighton
Subject (Name):
Parsons, William, 1746?-1817 and University of Oxford
Plate 4. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45) and attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are prints of Captain Mackheath (the hero of "The Beggar's Opera") and Dr Sacheverell (the High Anglican clergyman impeached in 1710), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll's feet. A copy of Bishop Gibson's "Pastoral Letter to ..." serves a butter dish. Above the window on the left is a print of after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her
Description:
Title devised by cataloger., Series title, state, publisher, and date from Paulson., State with black Latin cross added in center below design (since state 2) and with many additions to design. See Paulson., 1 print : etching with engraving on laid paper ; plate mark 31.9 x 39 cm, on sheet 46 x 59 cm., and Plate 4 in the album: Queen Charlotte's collection of Hogarth works.
Volume 1, after page xxxvi. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
Samuel Johnson is shown full-length on the left, facing right and apparently asleep standing up; his knees are bent, his eyes are closed, and his head rests on his left hand. A second man stands on the right, hands in his coat pockets, looking over at Johnson; this figure may be Sir John Hawkins
Alternative Title:
Scene from Boswell's 'Tour'
Description:
Title and date supplied by curator., Alternative title from description of original drawing in: Riely, J. The age of Horace Walpole in caricature. New Haven : Yale University Library, 1973, no. 48., After a drawing that is probably the work of Samuel Collings., Printmaker attribution to Rowlandson from unverified data in local card catalog record., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 38 x 27 cm., and Bound in after page xxxvi (leaf numbered '41' in pencil) in volume 1 of an extra-illustrated copy of: Spence, J. Anecdotes, observations, and characters, of books and men.
Publisher:
publisher not identified
Subject (Name):
Johnson, Samuel, 1709-1784 and Hawkins, John, 1719-1789
"The Prince of Orange in old-fashioned uniform, heavily gold-laced, stands in profile to the left, looking up, both hands resting on a tall cane. He wears a cocked hat, long pigtail, aiguillettes, a star, a long sword, and clumsy jack-boots. He has not the heavy somnolent appearance of Gillray's portraits, cf. British Museum Satires No. 9065, &c."--British Museum online catalogue
Description:
Title from British Museum catalogue., Possible signature "D12[?]" in lower right, partly scored through. The British Museum catalogue gives a tentative attribution to either Denis or Richard Dighton., Date of publication from British Museum catalogue., and Leaf 78 in an album with the spine title: Characatures by Dighton.