"Under the title: 'Description. - A Guillotine, which is placed on the Throne; the royal Chairs being removed, pour accomoder les Etrangers, (in English) To accommodate the Strangers. Two Turkish Mutes, with strangling Bowstrings, each his hand on his Mouth, stand as Supporters. The House empty of Peers. On a Board is written, "Solitudinem faciunt, Pacem appellant". (in English)" They (that is, the French) "create Solitude, and call it Peace". - The Cap of Liberty [Liberté] above the Canopy, below which is painted in capital Letters, "Confusion to all Order". - A French Admiral [right], looking at the Tapestry, which represents the Defeat of ye Spanish invincible Armada, & the Portraits of the Immortal English Commanders, says "Me like not de Omen; destroy it." French Soldiers with Swords, Pikes, & screwed Bayonets, attack the Tapestry, on one Side of the Room [right]. A Sea Captain, on the Top of a Ladder [left], tears down ye Tapestry from above ; his Lieutenant sets fire to it below, & at the same Time pulls the Foot of the Ladder, to break his Superior's Neck; saying, "This is an easier Way of getting Preferment than de English Way." - "Un Commandant en Chef (in English) The Commander in Chief, in his full Republican Uniform, pointing at the Mace says, "Here take away this Bauble; but if there be any Gold on it, send it to my Lodging." - A [ragged] French Soldier carries it away on his Shoulder. The Bust of Felton [assassin of Buckingham, 1628] on the Table, in the Middle between those of Damien & Ravillac.' [Dalrymple, op. cit., pp. 3-4.] See BMSat 9180."--British Museum online catalogue
Description:
Title etched below image., "Price 6 d. Colourd. 1 sh. 3 d.", Three columns of text below image: Description. A guillotine, which is placed on the throne ..., Temporary local subject terms: Threat of French invasion -- Interior of House of Lords -- Allusion to Spanish Armada -- Cap of Liberty -- Strangling Turkish bowstrings -- Bayoneted guns with screws -- Military: French soldiers -- French navy officers -- French naval uniforms -- French military uniforms -- Mute Turks -- Theft of maces -- Ships: Galleons -- Ladders -- Thrones -- Tapestries -- Pikes -- Busts -- Guillotines -- Propaganda -- Swords -- Pictures amplifying subject -- Torches., 1 print on wove paper : etching with engraving in red ink ; sheet 35.1 x 40.5 cm., Imperfect; sheet trimmed to plate mark., Numbered in ms. in right margin: 248., and Partial watermark.
Publisher:
Pubd. March 1st, 1798, by Js. Gillray, No. 27 St. James's Street
Subject (Name):
Felton, John, 1595?-1628., Damiens, Robert François, 1715-1757., and Ravaillac, François, 1578-1610.
A scene in Paris on the Boulevard des Italiens outside a coffee house (or French café) in which fashionable ladies (several wearing large hoop earrings) and gentlemen sit in ladderback chairs or stand about in conversation. One man looks through his quizzing glass at the scene. One woman sits with her two children and a dog. On the left a coachman looks done from his box
Description:
Title and date from contemporary manuscript annotations on a separate piece of paper pasted below the image., Sheet trimmed within plate., Watermark., and Mounted to 33 x 40 cm.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Topic):
City & town life, Carriages & coaches, Children, Clothing & dress, Dogs, and Quizzing glasses
A design proposed for the monument to Roger Townshend in Westminster Abbey; sent in Horace Walpole's letter to the deceased's mother Lady Townshend, Friday 21 September 1759. In his letter he attributes the design to Richard Bentley and acknowledges authorship of the epitaph: "To the memory of Roger Townshend her youngest son slain in the service of his country at ... 1759, Ethelreda Viscountess Townshend dedicates this marble. Lov'd Son, adieu! Tho' from a Mother's eyes fond tears you call, She thanks you, that without a blush they fall. Lady Townshend did not use this design but instead a design by Robert Adam
Alternative Title:
To the memory of Roger Townshend
Description:
Title devised by curator., Watermark in center of sheet: GR., and For transcription of the letter along with a reproduction of the image, see: Yale edition of Horace Walpole's correspondence, v. 40, p. 166-67.
A writing sheet engraved with vignettes and the large interior space left blank. At the top is a scene with a throne on a platform in the center at the top of a pie-shaped set of stairs with angels standing along the edges on both the right and the left. Behind the line of angels are crowds of people, with the group from the left seemingly walking towards the right. Along the base of the design is a banner held at either end by cherubs blowing horns, inscribed are the words "Come unto me; ye blessed!" Many of the figures in the crowds wear crowns, one holds a harp and another a censer on a chain. The back of the throne is decorated with three connected triangles, points down and with a crown above the oval head rest, rays of light emanating from all sides. On the left margin are vignettes entitled "The birth" and "The wedding" and on the right "The christening" and "The burial". At the foot of the plate is an image of a dragon-like beast from whose mouth streams a banner bearing the engraved text: “There shall be weeping, wailing and gnashing of teeth". A large oval shape on the dragon's body is left blank
Alternative Title:
Come unto me, ye blessed!
Description:
Title devised by cataloger., Place and date of publication based on manuscript note at foot of sheet., Lewis Walpole Library impression: Center blank space is filled in with three manuscript poems in black ink entitled 'On resurrection', 'On mortality', and 'On death'. The document is signed in the blank oval on the side of the dragon, "William Lea Yoxall's Christmas piece, December 16th, 1798, Chester"., With three poems entitled “On the Resurrection", "On mortality", and "On death” written in ink at center of sheet., and For further information, consult library staff.
A man (a pugilist?) carrying his hat in his right hand runs along the street of Covent Garden Pizza, a switch in his left hand with a bundle of switches in under his left arm
Description:
Title devised by cataloger., Eight lines of verse in two columns below image: [The] roaring blades who nightly rove, [the] fam'd Broughtonian sons ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: John Smith, fl. 1732-1746., Watermark: countermark W., and Manuscript note in later hand above image: Jack Smith better known by the name of Buck Horse -- The celebrated old pugilist -- Scene Covent Garden Piazza.
Publisher:
Publish'd & sold by Thos. Bowen, Printseller at [the] Golden Pallet in Shug Lane, near the Haymarket, St. James's
Smith, John Raphael, 1752-1812, printmaker, publisher
Published / Created:
[20 July 1781]
Call Number:
Bunbury 781.07.20.01 Impression 1
Image Count:
1
Resource Type:
still image
Abstract:
"A short man riding (right to left) after a coach, the back of which only appears in the print, with a footman standing behind it. The rider's head is turned to his right concealing his profile. His legs are thrust forward on each side of the horse's neck. On a building (right) is a placard, "Angel Fetter Lane Derby Diligence continues flying daily as usual. Inside [the poster is torn at this point] Outsides & Children on the Lap half price, perform'd (if God permit by Bull & Co." Beneath the design is etched: "When I follow'd a lass that was froward & shy Oh I stuck to her stuff but she would not comply"."--British Museum online catalogue
Alternative Title:
When I followd. a lass that was froward & shy ..., When I followed a lass that was froward & shy ..., and Derby Diligence
Description:
Title and artist from British Museum catalogue., Printmaker identified as J.R. Smith in the British Museum online catalogue, registration no.: 1868,0808.4766., Watermark, mostly trimmed., and Figure identified by ms. note in a contemporary hand below plate: Lord Derby.
Publisher:
Publishd. July 20th, 1781, by J.R. Smith, No. 83 Oxford Street, nearly oposite [sic] the Pantheon
Subject (Name):
Smith-Stanley, Edward, 1752-1834 and Farren, Elizabeth, 1762-1829.
Subject (Topic):
Carriages & coaches, Horseback riding, Servants, and Signs (Notices)
"Ticket to the Pantheon; a family concert outside a thatched cottage with a boy blowing a trumpet accompanying his sister who sings from a sheet, while the parents look on; in frame wrapped in garlands, ... cartouche at top."--British Museum online catalogue
Description:
Title devised by cataloger., With embossed wafer seal in red ink of the "Society of Musicians" in lower left corner, and the concert details "Pantheon, Friday, May 16th, 1788" added in ink within blank cartouche at top of image., Imperfect; sheet torn in lower right corner resulting in loss of printmaker's signature. Trimmed to plate mark on left edge. Missing text supplied from impression in the British Museum, registration no.: C,2.1476-1483., Watermarked paper: LV., and With contemporary ink signatures of "Arnold" (for Samuel Arnold) and "Sandwich" (for the Earl of Sandwich, as Society committee members) to blank lower margin; verso with contemporary ink note "No. 158. Richard Sulivan Esq. Subscriber." For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Topic):
Charity, Musical instruments, Families, and Dwellings