"The Prince of Wales ..., sword in hand, gallantly protects Britannia against the attack of three conspirators: Pitt raises a headsman's axe in both hands; Grafton, holding a conspirator's lantern, is about to strike her with a dagger; Richmond ... fires a musket, resting one knee on a cannon. The Prince wears a coronet with three ostrich feathers, he holds out his shield behind Britannia, who cowers towards him in terror."--British Museum online catalogue, description of the print for which this is the original drawing
Description:
Titled by the artist in brown ink below image., Attributed to Rowlandson., Original drawing for a print of the same title published by H. Holland on 7 February 1789. Cf. No. 7503 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 247.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Richmond and Lennox, Charles Lennox, Duke of, 1735-1806
Wash drawing depicting a rectangular section of ceiling at Strawberry Hill, with Gothic tracery running longitudinally in parallel rows
Alternative Title:
Ceiling under the stairs
Description:
Titled in Thomas Kirgate's hand below image on mounting page; part of the word "cieling" has been rubbed from sheet., Unsigned; artist unidentified., Date of production based on Horace Walpole's death date., and Mounted on page 3 (formerly B) of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Architectural decorations & ornaments, and Ceilings
Five men accompanied by two dogs leisurly sit around a small table in a tavern smoking long-stemmed tobacco pipes and drinking while one of their number squeezes juice and pulp from a fruit into a large punch bowl resting on the table
Description:
Title and artist's signature inscribed in the artist's hand below image. and Sheet trimmed to oval shape.
Inscription in Thomas Kirgate's hand on verso (not visible): "Cottage at Strawberry Hill, by J.C. Barrow.", Note in pencil in a later hand: "Bedford's copy of the Description, has (no. 36) aquatint from this as one of the "Views added"; he says in his list there that it was an aquatint by Barrow, engr. Parkyns. (Slight difference in his print: figs. in front + none under tree, but unmistakably this is the drawing for it).", Numbered on verso, in pencil: "No. H"., Formerly shelved as part of the SH Views collection., Jospeh Charles Barrow, English artist, active 1789-1802., and For further information, consult library staff.
Subject (Geographic):
Twickenham (London, England), England, and Twickenham.
A lady in quasi-military dress rides a sorry horse on the road to Rumsford [Coxheath]. She is followed by her husband who is dressed as a militia officer for auxilliary forces which were frequently encamped on Cox Heath. A dog trots panting at the side of the group
Description:
Title from text inscribed in contemporary hand on verso., Date based on publication date of James Bretherton's etching after this drawing., The signpost depicted in the drawing reads 'Rumford' while the Bretherton etching changes the text to 'Coxheath', and For further information, consult library staff.
Subject (Geographic):
England and England.
Subject (Topic):
Horseback riding, Signs (Notices), Military uniforms, Militias, and Dogs
A design drawing for a seat in a garden with three Gothic arches and a banner at the base showing the location of a tree
Alternative Title:
Design of a Gothic seat for Mrs. Cavendish at Thistleworth by Mr. Bentley
Description:
Title from Horace Walpole's ms. note in ink on mount. Harris notes that the house for which this drawing was done is not known., Added title written in ink in Horace Walpole's hand on verso of drawing: Design of a Gothic seat for Mrs. Cavendish at Thistleworth by Mr. Bentley., Signed in lower corner of banner with Bentley's monogram: RB., Date based on creation date of album., and Formerly mounted on leaf 35 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
An elevation drawing of the entrance end of John Chute's estate, The Vyne, drawn before 25 August 1757 as referenced in a letter from Horace Walpole to Bentley. Another drawing, also not executed, was mounted below on the same leaf: Another side for the antichapel at the Vine [sic]. On the verso of this drawing is a small pencil sketch of a clock tower
Alternative Title:
Design (not executed) for the antichapel at the Vyne in Hampshire, Design for an antichapel at Mr. Chute's at the Vine [sic] in Hampshire by Rich. Bentley 1750, and Design for an antichapel at Mr. Chute's at the Vyne in Hampshire by Rich. Bentley 1750
Description:
Title written in ink in Horace Walpole's hand on mount., Added title written in ink in Horace Walpole's hand on verso of drawing: Another side for the antichapel at the Vyne., See Horace Walpole's correspondence with George Montague 25 August 1757 (Yale edition, Horace Walpole's correspondence, vol. 9, p. 216)., and Formerly mounted at the bottom of leaf 34 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
An elevation drawing of the east end for a Gothic columarium for renovations to John Chute's estate, The Vyne, drawn before 25 August 1757 as referenced in a letter from Horace Walpole to Bentley. Another drawing, also not executed, was mounted below on the same leaf --"Elevation of the entrance end"-- and dated by Walpole on verso 1750 [i.e. 1756?].
Alternative Title:
Design (not executed) for the antichapel at the Vyne in Hampshire, Design (not executed) for the antichapel at the Vine in Hampshire, Another side for the antichapel at the Vine [sic], and Another side for the antichapel at the Vyne
Description:
Title from Horace Walpole's ms. note in ink on mount., Added title written in ink in Horace Walpole's hand on verso of drawing: Another side for the antichapel at the Vine., See Horace Walpole's correspondence with George Montague 25 August 1757 (Yale edition, Horace Walpole's correspondence, vol. 9, p. 216)., and Formerly mounted at the top of leaf 34 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
An elevation drawing of the east end for a Gothic columbarium for renovations to John Chute's estate, The Vyne, drawn before 25 August 1757 as referenced in a letter from Horace Walpole to Bentley. Another drawing, also not executed, was mounted below on the same leaf --"Elevation of the entrance end"-- and dated by Walpole on verso 1750
Alternative Title:
Design (not executed) of a Gothic columbarium at the Vyne
Description:
Title from Horace Walpole's ms. note in ink on the mount below the image. "East end" written in ink in the center, lower edge of drawing, in the artist's hand., See Horace Walpole's correspondence with George Montague 25 August 1757 (Yale edition, Horace Walpole's correspondence, v. 9, page 216)., and Formerly mounted in the upper half of leaf 46 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].