A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: ending in a round game". In the second row: "In love I perceive", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Unidentified artist., Date conjectured from that of the published print of the same design., Similar to a print, published by G. Blackman in 1817, and attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
Three playing cards, or transformation cards, drawn in pen and ink by an unidentified artist, showing caricatured figures using the shape of the pip, only hearts or diamonds (red watercolor) in this incomplete set. One of the cards (two hearts) features two gentlemen meeting. The other two cards (three of diamonds) feature a lady with a fan and two gentleman in one card; the other incomplete, has a lady with a fan and only one gentleman
Description:
In English., Title from dealer's description., and Cards appear to have been removed from an album; remains of paper and glue are present on verso of each card.
Subject (Geographic):
Great Britain
Subject (Topic):
Playing cards, Card games, and Social life and customs
A collection of hand-drawn transformation playing cards using the suit symbols incorporated in the sketches of people in a variety of scenes, some clearly English, others continental. Two examples are a fireside scene illustrating a mother and child (and two others) seated in front of a fireplace with a hanging cauldron, and an illustration of an amorous couple enjoying a dance as a violinist plays stage left. The cards depict both black and white characters, all of whom are wealthy or of high status, including soldiers, bishops, and men and women in fashionable dress. At the top of one card above the head of a man who reads from a sheet as he addresses a woman who looks down demurely, are the words "Mio ben.". On the verso of two cards are inscriptions in English. The first shows a figure in Shakespearean-era costume on the front and on the back, a quote from Twelfth night (Act II, Scene 5): "Some are born great, some achieve greatness, and some have greatness thrust upon them.” A second shows a couple sitting across from each other with an empty table between and on the back three stanzas from William Cowper’s The Diverting History of John Gilpin, first published in 1782
Description:
Title devised by cataloger. and In a later envelope inscribed 'Mlle. de Bernardy' and 'N. Anderson'.
Subject (Geographic):
Great Britain
Subject (Topic):
Playing cards, Card games, and Social life and customs