A copy of the second print in William Hogarth's series "Four Times of the Day": Set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., After Hogarth. Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 147., Signed bottom left hand corner: Designed by Wm. Hogarth. Signed bottom right hand corner: Engraved by T. Cook., Plate also issued in a collection entitled Hogarth restored, first published by G.G. & J. Robinson in 1802., and Watermark: 1794 J. Whatman.
Publisher:
Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.4 cm, on sheet 59 x 46 cm., and Plate 23 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
An older man, representing Rev. Madan, is attacked by two women, one of them pulling on his coat and indicating a crying boy standing next to her, the other grasping his wig with her left hand and ready to strike him with a small stool she is holding in her right. Her right foot is propped on a volume entitled "Thelyphthora," his treatise advocating polygamy. Behind her, a third woman is picking his pocket. On the left two women are engaged in a fight; on the right a couple is kissing behind a screen on which is displayed an image of a duel, above it is an image of a prisoner in chains and next to it a body hanging from the gibbet
Alternative Title:
Polygamy displayed and Doctor Madman restored to his senses
Description:
Title from item. and Sheet trimmed to plate mark.
Publisher:
Publish'd 1st Decr. 1780 by the author
Subject (Geographic):
England
Subject (Name):
Madan, Martin, 1726-1790.
Subject (Topic):
Clergy, Polygamy, Fighting, Children, Couples, and Clothing & dress
"The interior of a well-furnished room with a carpeted floor. A young woman turns aside with a gesture of disgust from a young man of simian appearance who is grinning sheepishly. Her father stands behind her with outstretched arms, pleading desperately for her acceptance of the man. The suitor, holding his hat in both hands, turns away from the lady with an imbecile grin, but is being pushed towards her by a third man, probably his father. Through two sash-windows (left) appear houses and the steeple of a church. Between them is an oval mirror in a carved frame. A landscape hangs on the other wall (right) perhaps symbolically amplifying the subject; a waterfall flows over a large stand of rocks with a sole tree bending in the wind
Alternative Title:
Happiness sacrifised to riches
Description:
Title from text below image., Artist identified as Robert Dighton in the British Museum online catalogue, registration no.: 1935,0522.1.136., Sheet trimmed to plate mark., Numbered "516" in lower left corner., No. 27 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Children, Couples, Fathers, Interiors, Marriage, Mirrors, Parlors, and Rugs
A sailor (just returned, his dropped knapsack in the right foreground) supports his swooning wife, overcome at seeing him return, outside a thatched cottage, while a little girl and a little boy (broom in hand) on the left hurry up to help; a pig in the foreground, two lush trees in the yard, and a ship and sea in the background; illustration to a song., Title etched below image and above verses., Sheet trimmed within plate mark., Numbered '300' in lower left of plate., Three columns of verse, each 14 lines, below title: Bleak was the morn when William left his Nancy ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Publish'd 17th June 1793, by Robt. Sayer & Co., Fleet Street, London
Subject (Topic):
Bags, Brooms & brushes, Children, Couples, Dwellings, Homecomings, Sailors, British, Ships, Swine, and Young adults
A man with a large nose and holding a walking stick walks arm-in-arm with a fashionably dressed young lady who holds a umbrella over her head. A woman holding the hands of two children walk toward them from the right; they all wear hats and the woman has her nose in the air. Behind the couple (left) is a man who holds a basket and makes a mocking gesture at the couple
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Four lines of verse pasted on sheet: Now, whether his nose had two corners or three, unlucky! I did not heed them but I thought, form its length, the better 'twould be as a handle by which to lead him., Plate numbered '2' in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Children, Couples, Hats, Noses, Teasing, Umbrellas, and Walking
A pregnant young woman standing to the right, swearing on a book before a magistrate who sits at a bench to left with a book in front of him, that the child is by an old man wearing a dark wig with a ruff hanging at his waist, while he raises his hands and eyes to heaven, protesting innocence, his wife, wearing a coif and bonnet shakes her fist, upbraiding him, and the true father, a young man, crouches behind the woman, whispering counsel; beside the magistrate to left, a little girl sits teaching a dog to walk on its hind legs
Description:
Title engraved below image., Text following title: Vide Picart's Religious ceremonies, Vol. VI, p. 81., Sheet trimmed within plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., See reference to related print published by Joseph Sympson: Paulson, R. Hogarth's graphic works (3rd ed.), p. 107., and On page 11 in volume 1.
Publisher:
publisher not identified
Subject (Topic):
Children, Couples, Courtrooms, Dogs, and Pregnant women
A woman swearing a child to a grave citizen, after Hogarth; a pregnant young woman standing to right, swearing on a book before a magistrate who sits at a bench to left with a book labelled 'Law of Bastadry [sic]' in front of him, that the child is by an old man wearing a dark wig with a ruff hanging at his waist, while he raises his hands and eyes to heaven, protesting innocence, his wife, wearing a coif and bonnet shakes her fist, upbraiding him, and the true father, a young man, crouches behind the woman, whispering counsel; beside the magistrate to left, a little girl sits teaching a dog to walk on its hind legs
Alternative Title:
Denunciation
Description:
Title from Paulson and British Museum catalogue. Alternative title from Paulson: The denunciation., Twelve lines of verse describing the scene etched below image: 'Here Justice triumphs in his Elbow Chair, And makes his Market of the trading Fair; His Office Shelves with Parsh Laws are grac'd, But Spelling Books and Guides between 'em plac'd. Here pregnant Madam screens the real Sire, And Sally swears her Bastard Child for Hire Upon a Rich old Letcher, who denies The Fact, and vows the naughty Hussif [sic] lies; His Wife enrag'd, exclaims against her Spouse, And Swears she'l be reveng'd upon his Brows; The Jade, the Justice and Church Ward'ns agree, And force him to provide Security'., Sheet trimmed within plate mark., See reference in: Paulson, R. Hogarth's graphic works (1st ed.), p. 309., and On page 11 in volume 1. Sheet trimmed to: 29.5 x 33.7 cm
Publisher:
Sold by J. Sympson engraver and print-seller at the Dove in Russell Court, Drury Lane
Subject (Topic):
Children, Couples, Courtrooms, Dogs, and Pregnant women
A woman swearing a child to a grave citizen, after Hogarth; a pregnant young woman standing to right, swearing on a book before a magistrate who sits at a bench to left with a book labelled 'Law of Bastadry [sic]' in front of him, that the child is by an old man wearing a dark wig with a ruff hanging at his waist, while he raises his hands and eyes to heaven, protesting innocence, his wife, wearing a coif and bonnet shakes her fist, upbraiding him, and the true father, a young man, crouches behind the woman, whispering counsel; beside the magistrate to left, a little girl sits teaching a dog to walk on its hind legs
Alternative Title:
Denunciation
Description:
Title from Paulson and British Museum catalogue. Alternative title from Paulson: The denunciation., Twelve lines of verse describing the scene etched below image: 'Here Justice triumphs in his Elbow Chair, And makes his Market of the trading Fair; His Office Shelves with Parsh Laws are grac'd, But Spelling Books and Guides between 'em plac'd. Here pregnant Madam screens the real Sire, And Sally swears her Bastard Child for Hire Upon a Rich old Letcher, who denies The Fact, and vows the naughty Hussif [sic] lies; His Wife enrag'd, exclaims against her Spouse, And Swears she'l be reveng'd upon his Brows; The Jade, the Justice and Church Ward'ns agree, And force him to provide Security'., Sheet trimmed within plate mark., and See reference in: Paulson, R. Hogarth's graphic works (1st ed.), p. 309.
Publisher:
Sold by J. Sympson engraver and print-seller at the Dove in Russell Court, Drury Lane
Subject (Topic):
Children, Couples, Courtrooms, Dogs, and Pregnant women
A later print designed and etched to look like the woodcut that appeared on the title-page of a pamphlet of the same title. The image shows "Iohn and Mary Champian" described within image as "Presbyterian" and "Anabaptist", respectively, at the moment when Mary, holding the severed head of their baby in her right hand, points at the rest of the body with the left. John (on the left) raises his hands at the horror. At Mary's feet is the knife lying in foreground. The mother allegedly killed the child rather than have it christened
Alternative Title:
Bloody news from Dover
Description:
Title and publication date based on the and Original woodcut appeared on the title-page of the anonymous pamphlet: Bloody newes from Dover : being a true relation of the great and bloudy murder, committed by Mary Champion (an Anabaptist) who cut off her childs head, being 7 weekes old, and held it to her husband to baptize ... [London?] : [publisher not identified], printed in the yeare of discovery, Feb. 13. 1647.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Topic):
Baptism, Anabaptists, Children, Couples, and Homicides