The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed 'a Present from Bart. Bergami'. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed 'Garden of St Cath[erine]'. This is held out by two hands projecting from the right margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood's mouth, her right hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her entirely from just below her large waist down, with only one leg extended below. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed 'Wood'. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass
Alternative Title:
Queen's ass in a band-box
Description:
Title etched below image., A reversed copy of a print attributed to Theodore Lane that was published 22 January 1821 by G. Humphrey. See no. 14110 in the Catalogue of prints and drawings in the British Museum, v. 10., and The letters "ee" have been added in ink to the censored word "Qu-n's" in title, to complete the intended word "Queen's".
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
"A companion print to British Museum Satires No. 6979. A bust portrait of Queen Charlotte, directed to the left, taking a pinch of snuff. She wears a jewelled oriental turban; her hair is studded with jewels, and jewels cover her neck and ornament her dress. A large ear-ring is conspicuous. In the upper left corner of the print, under the words 'The Pun', is a large heart-shaped jewel surmounted with a crown; it stands, embedded in diamonds, in a box inscribed 'Bulse'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Companion print to: Cheyt Sing in his Eastern dress., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain.
Subject (Name):
Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818
Title from item., Not in the Catalogue of engraved British portraits ... in the British Museum., Temporary local subject terms: Congregations: country congregations -- Female dress, 1749 -- Male dress, 1749, and Watermark: Pro patria.
Title from text below image., Date of publication from unverified data in local card catalog record., Text below title: A better farmer ne'er brushed dew from lawn. Byron., and Window mounted to 24 x 35 cm.
Caption title., In one column with a woodcut above the title., A slip song., In verse., First line: See the mall throng'd with ladies, the gay and the fair ..., and For further information, consult library staff.
Title from caption below image., Date of publication from unverified data in local card catalog record., Text below title: For pickling, preserving, and cookery, none could excel her ..., and Window mounted to 24 x 36 cm.
In the weaving shop ont he right Mr. West stands with the apprentice Goodchild on a raised platform, his arm resting casually on the young man's shoulder. Goodchild holds the "Day Book", a purse, and a set of keys.The two gloves on the desk are shown clasping, symbolic of the relationship between the two men. On the left a porter wearing the coat-of-arms of the City of London enters the shop carrying rolls of cloth. The porter has a large carbuncular nose. His dog bares its teeth at the shop cat who hisses back, back arched. In the background workers sit at the looms and spinning wheels; attached to the desk is a calendar from the "London Almanack". The left of the frame is decorated with a scourge, manacles and a hangman's rope; on the right frame hang the mace of the City of London, the alderman's gold chain and a sword of state
Alternative Title:
Industrious apprentice a favourite and entrusted by his master
Description:
Title etched above image., A reduced copy of the fourth plate in the "Industry and idleness" series. For the original plate engraved by Hogarth and published in 1747, see no. 2926 in the Catalogue of prints and drawings in the British Museum, v. 3. See also: Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 171., Caption centered below image, a quote from "Matthew Chap. XXV. Ve. 21": Well done thou good and faithfull servant, thou hast been faithfull over a few things. I will make thee ruler over many things., Plate numbered "4" in upper right corner., and Bound in after page 264 in volume 3 of an extra-illustrated copy of: Pennant, T. Some account of London.
A bust portrait of a man wearing a turban covered in jewels, carrying a bulse. On the wall behind is a plan of the Battle of Hastings. In 1786 Warren Hastings forwarded a giant diamond from the Nizam of the Deccan as gift for George III, which was reported as a bribe from Hastings by his enemies
Description:
Title etched below image., Date of publication from dealer's description., Sheet trimmed within plate mark., For possibly related prints, see no. 6966 and no. 6978 in the Catalogue of prints and drawings in the British Museum, v. 6., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
publisher not identified
Subject (Name):
Nizām ʻAlī Khān, Nizam of Hyderabad, 1734-1803. and Hastings, Warren, 1732-1818.