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1. Citizen Don Quixotte becomes the champion of French principles [graphic]
- Creator:
- Sayers, James, 1748-1823, printmaker
- Published / Created:
- [17 March 1794]
- Call Number:
- Folio 75 Sa85 782 (Oversize)
- Collection Title:
- Leaf 63. Folio album of 144 caricatures.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
- Alternative Title:
- Citizen Don Quixote becomes the champion of French principles
- Description:
- Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted on page 83 with one other print.
- Publisher:
- Publd. 17 March 1794 by H. Humphrey
- Subject (Geographic):
- England., Great Britain, and France
- Subject (Name):
- Stanhope, Charles Stanhope, Earl, 1753-1816
- Subject (Topic):
- Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
- Found in:
- Lewis Walpole Library > Citizen Don Quixotte becomes the champion of French principles [graphic]
2. Citizen Don Quixotte becomes the champion of French principles [graphic]
- Creator:
- Sayers, James, 1748-1823, printmaker
- Published / Created:
- [17 March 1794]
- Call Number:
- Folio 75 Sa85 810
- Collection Title:
- Leaf 63. Folio album of 144 caricatures.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
- Alternative Title:
- Citizen Don Quixote becomes the champion of French principles
- Description:
- Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., 1 print : etching on wove paper ; plate mark 31.5 x 24.5 cm, on sheet 34.4 x 26.4 cm., Mounted on leaf 63 of James Sayers's Folio album of 144 caricatures., and Watermark: 1805.
- Publisher:
- Publd. 17 March 1794 by H. Humphrey
- Subject (Geographic):
- England., Great Britain, and France
- Subject (Name):
- Stanhope, Charles Stanhope, Earl, 1753-1816
- Subject (Topic):
- Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
- Found in:
- Lewis Walpole Library > Citizen Don Quixotte becomes the champion of French principles [graphic]
3. Citizen Don Quixotte becomes the champion of French principles [graphic]
- Creator:
- Sayers, James, 1748-1823, printmaker
- Published / Created:
- [17 March 1794]
- Call Number:
- 794.03.17.04+ Impression 1
- Collection Title:
- Leaf 63. Folio album of 144 caricatures.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
- Alternative Title:
- Citizen Don Quixote becomes the champion of French principles
- Description:
- Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and Mounted to 45 x 35 cm.
- Publisher:
- Publd. 17 March 1794 by H. Humphrey
- Subject (Geographic):
- England., Great Britain, and France
- Subject (Name):
- Stanhope, Charles Stanhope, Earl, 1753-1816
- Subject (Topic):
- Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
- Found in:
- Lewis Walpole Library > Citizen Don Quixotte becomes the champion of French principles [graphic]
4. Citizen Don Quixotte becomes the champion of French principles [graphic]
- Creator:
- Sayers, James, 1748-1823, printmaker
- Published / Created:
- [17 March 1794]
- Call Number:
- SH Contents Sa274 no. 1+ Box 200
- Collection Title:
- Leaf 63. Folio album of 144 caricatures.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Stanhope, striding forward in profile to the left, approaches an altar to 'French Principles', while with his left foot and left hand he overturns a bishop seated behind him on a bench. On the summit of a quasi-cylindrical altar is the seated figure of a female monster with webbed wings, snaky hair, and pendent breasts, a firebrand in the right hand, a dagger in the left. Behind her stands a foppish Frenchman with a simian head, dressed as a soldier, one foot resting on a large skull. In his right hand is a headsman's axe, in his left he holds out to Stanhope a hangman's noose. Stanhope places on the altar a paper inscribed in large letters: 'Philosophy Atheism Rapine Murder'. The altar itself is decorated with a headsman's axe and block, the word 'Liberté' in a wreath, and shackles. At its foot lie a cross and an overturned chalice. The bishop's head is turned in back view; he topples backwards as Stanhope kicks his bench; he represents the bench of bishops ..."--British Museum online catalogue
- Alternative Title:
- Citizen Don Quixote becomes the champion of French principles
- Description:
- Title etched below image; the word "Don" is scored through but conspicuously legible., Signed with the monogram of James Sayers., One of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., and 1 print : etching, on wove paper ; plate mark 312 x 241 mm, on sheet 46 x 28 cm.
- Publisher:
- Publd. 17 March 1794 by H. Humphrey
- Subject (Geographic):
- England., Great Britain, and France
- Subject (Name):
- Stanhope, Charles Stanhope, Earl, 1753-1816
- Subject (Topic):
- Clergy, Altars, Demons, Executioners, Foreign relations, and Politics and government
- Found in:
- Lewis Walpole Library > Citizen Don Quixotte becomes the champion of French principles [graphic]
5. O the roast beef of old England [graphic]
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Folio 75 H67 800 v.2 (Oversize) Box 1
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., Ms. note in pencil in Steevens's hand to side of print: See Nichols's book, 3d edit. p. 289., Sheet trimmed within plate mark to: 37.7 x 44.5 cm., and Formerly on page 145 in volume 2. Removed in 2012 by LWL conservator.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
6. O the roast beef of old England [graphic]
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Sotheby 33++ Box 310
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., and Title from Paulson: The gate of Calais, or, The roast beef of old England.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
7. O the roast beef of old England [graphic]
- Creator:
- Mosley, Charles, approximately 1720-approximately 1770, printmaker
- Published / Created:
- publish'd according to act of Parliament, March 6th, 1749.
- Call Number:
- Folio 75 H67 764 (Oversize)
- Collection Title:
- Plate 33. Queen Charlotte's collection of Hogarth works. Leaf 33. Album of William Hogarth prints.
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- At the Gate of Calais, a fat monk is shown poking a very large side of beef carried by a thin cook; the label indicates that the beef is intended "For Madm Grandsire at Calais." On either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef. In the foreground on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier's hand takes him by the shoulder; beyond, through the gate, is a religious procession
- Alternative Title:
- Gate of Calais, or, The roast beef of old England and Roast beef of old England
- Description:
- Title engraved below image., State from Paulson., After Hogarth's painting Gate of Calais, now at the Tate Gallery, London., Title from Paulson: The gate of Calais, or, The roast beef of old England., 1 print : etching and engraving on laid paper ; plate mark 38.2 x 45.7 cm, on sheet 46 x 59 cm., and Plate 33 in the album: Queen Charlotte's collection of Hogarth works.
- Publisher:
- Wm. Hogarth
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Hogarth, William, 1697-1764 and Catholic Church
- Subject (Topic):
- Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
- Found in:
- Lewis Walpole Library > O the roast beef of old England [graphic]
8. The double discovery [graphic].
- Published / Created:
- [1771?]
- Call Number:
- 771.05.00.02
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A flying demon holds the level beam of a pair of scales, on which stand Wilkes (left) and Parson Horne (right). Each stands in the attitude of a fencer, thrusting at the other with an outstretched goose-quill; neither has the advantage. Wilkes wears a bag-wig, Horne is in parson's gown and bands. The demon says: "nicely pois'd indeed". The print illustrates "The Balance of Honour and Patriotism; or a Dialogue between Mr. H------and Mr. ------, in which the Demon of Discord very properly interferes". The dialogue ends with Horne's expressing a wish "that you, good Mr. Devil, had been conducting me to H------ll, before Malagrida [Shelburne] had persuaded me to engage in this d------n'd controversy"."--British Museum online catalogue
- Description:
- Title from text in image., Page number printed above image., and Plate from: The town and country magazine. London : Printed for A. Hamilton, Junr., 1771, v. 3, p. 262.
- Publisher:
- publisher not identified
- Subject (Name):
- Lansdowne, William Petty, Marquis of, 1737-1805, Tooke, John Horne, 1736-1812, and Wilkes, John, 1725-1797
- Subject (Topic):
- Clergy, Demons, Dueling, Pens, Scales, and Wigs
- Found in:
- Lewis Walpole Library > The double discovery [graphic].
9. The oratory inveniam viam aut faciam. [art original]
- Creator:
- Steevens, George, 1736-1800, artist
- Published / Created:
- [not after 1800]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Image Count:
- 1
- Abstract:
- A tracing of a 1731 print after Hogarth: Satire on Orator Henley and his followers. A view of his Oratory in Clare Market with Henley preaching from an open-air platform in front of the building, one cloven hoof protruding from beneath his robe. A monkey wearing clerical bands holds a rope which is attached to Henley's right hand; a small chest of pills, a medicine bottle and a pamphlet lettered "The Hyp Doctor" lie at his feet. In the foreground is a procession of men, lettered, "Ha!", "Ha!", "Te Hee", "He!" and "Silly Cur"; the latter wearing a laurel wreath is identified by Hawkins as Colley Cibber, and the others, two of whom wear ruffs, may be intended as actors or clowns; a puritan at their head, is urged by Henley's "Scout" towards the door of the Oratory, outside which stands a butcher acting as doorman; inside a man pays a clergyman at "The Treasury". On the extreme left, a man squats defecating on Henley's publications. Behind him a coach bears Folly, holding her bauble, towards an inn with the sign of the dunce's cap; a gallows labelled "Merit" stands beside it and an angel holding a ribbon labelled "Modesty" flies off
- Description:
- Title from text in image., Attributed in lower left, below image: W. Hogarth sc., Drawing attributed to Steevens by curator., Tracing of a 1731 print., Detailed description of the scene in a Steevens's hand, mounted to the right of this drawing., and On page 12 in volume 1.
- Subject (Name):
- Henley, John, 1692-1756 and Cibber, Colley, 1671-1757
- Subject (Topic):
- Angels, Audiences, Butchers, Carriages & coaches, Clergy, Clowns, Defecation, Monkeys, Preachers, and Preaching
- Found in:
- Lewis Walpole Library > The oratory inveniam viam aut faciam. [art original]