"The stage of Covent Garden Theatre is seen from the right with a small part of the pit in the left foreground; the boxes and galleries adjoining the stage form the background on the left. The pittites are standing and blow trumpets, spring rattles, ring bells, and shout. Those in the crowded boxes behave in the same way; with one exception all are men. Two men occupy each of the two boxes over the stage-door; they watch passively. The musicians' seats are empty, but candles burn beside their open music-books, and one of the orchestra stands facing the audience, threatening them with fist and baton. On the stage three men stand together addressing the audience. The man in the centre holds out a paper: 'Riot Act'; he says: "We shall Read the riot act". Behind them stands Kemble wearing a tail-coat and white trousers, appealing to the audience with his hands meekly together as if in prayer. Large notices and placards hang from the galleries and boxes: 'Old Prices' [five times]; 'Harris will but Kemble won,t'; 'No Kembles No more insults'; 'Kemble remember the Dublin Tin Man'; 'No Foreign Sofas'; 'Iohn Bull against Iohn Kemble'; 'No Catalani'; 'Old Prices' [three times]; 'No Italian Private Boxes'; '£6000 for Caterwauling'; 'Catalani', below a print of a cat dressed as a woman, and singing 'Me Yo' from a music-book; 'No Catalani!! Mountain-- Billington, and Dickons for ever'; 'Ol Price for ever No caterwauling'; 'Old Prices No Catalani'; a gigantic placard: 'Statement-- £ Subscribed -- £80-000 Fire Office -- 50-000 Old Materials -- 25-000 155-000 New Theatre ---- 150-000 Managers of it ---- 5-000' Held up by a 'John Bull' in the pit who blows a trumpet: 'No Catalani No Pigeon Holes Old Prices No Private Boxes'. A man shouts from a box: "Off Off Off Off"; he springs a rattle."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac and George Cruikshank in the British Museum catalogue., Date of publication from British Museum catalogue., and Matted to 47 x 54 cm, with a token for a box seat, Prince's side (BPS), New Theatre Covent Garden 1809.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Kemble, John Philip, 1757-1823., Nares, John, 1754-1816., Billington, Elizabeth, 1765-1818., Catalani, Angelica, 1780-1849., Dickons, Maria, approximately 1774-1833., Harris, Thomas, -1820., Reed, James, active 1808., Mountain, Rosoman, approximately 1768-1841., and Covent Garden Theatre,
Subject (Topic):
Interiors, Stages (Platforms), Actors, Orchestras, Theater audiences, Theaters, and 1809
Hudibras is beaten with clubs by two masked men dressed as devils; a third man with mask in hand gestures to the young widow in the doorway on the left. A fourth, smaller masked man holds a large torch as he lights the way in the room. Ralpho hides behind a curtain on the far left. The room is decorated with a large wardrobe, an oval portrait, and large mirror; a footstool and urn in the right corner partially seen in the right corner
Description:
Title engraved above image., From a series of twelve prints after Hogarth and issued by Robert Sayer. Publisher name from first print in series., Date of publication based on publisher's name and address in imprint statement on the first plate in this series. Robert Sayer moved to 53 Fleet Street in 1760, and from 1777 onward he formed partnerships that caused him to trade under different names (Sayer & Bennett, Sayer & Co., etc.); see British Museum online catalogue. He acquired the Hogarth plates from Overton and re-issued them and copies in 1768. See Paulson., Numbered "9" in upper left corner., Eighteen lines of verse in three columns, below image: No sooner was the come t' himslef But on his neck a sturdy elf ... And that which was proved true before Prove false again? Two hundred more., Copy of no. 512 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 1., See Paulson, R. Hogarth's graphic works (3rd ed.), no. 90., and From a set of twelve prints, all with two sewing holes along left edge.
A scene in a room: Justice Henry Fielding stans in a circle drawn on the floor, the scales of 'Astrea' in his pocket, his hand supported on the sword of Justice. Also in the circle as if to protect them from witchcraft are the Lord Mayor Sir Crisp Gascoyne, his state collar round his neck, and "Dr." John Hill, the clyster-pipe of 'Galen' in his pocket; the latter points to the gypsy Mary Squires whose cause he advocated. Fielding points to Elizabeth Canning with an attendent(?) behind, whose story he eagerly defended. Two pictures hanging on the wall amplify the subject of the print: on the left, a view of the Mansion House, London, then recently erected; and on the right, a view of the Old College of Physicians, comprising a mortar, a dried and stuffed skin of a crocodile, a human skeleton, and a stuffed ostrich. Between the pictures hangs the regalia of the City of London. Centered on the ground is a bottle labelled 'Another bottle' alluding to the 'Bottle-Conjurer' (See British Museum satire 'The magician' no 3022).
Description:
Title from item., Sheet trimmed within plate mark., "Pr. 6d"--Lower right below verses., Six lines of verse in three columns below image: When one head has a cause in hand, A cause it cannot understand; Auxilliarys must be good, To make the matter understood: Three conj'rers sure must find ye out, Which, one, might ever hold in doubt., and Mounted to 35 x 46 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and British.
Subject (Name):
Fielding, John, Sir, 1721-1780, Hill, John, 1714?-1775, Gascoyne, Crisp, Sir, 1700-1761, Canning, Elizabeth, 1734-1773, and Squires, Mary, -1762
Subject (Topic):
Romani, Fraud, Interiors, Criminals, Physicians, British, Government officials, and Magicians
A scene in a fashionable library with ladies and gentlemen conversing with attendants at the counters on either side. On the left a woman looks in a book while her male companion converses with a clergyman, as the woman behind the counter consults a book. On the right, a man sits in a chair as a lady discusses her choices with the man behind the counter who reaches for a book below a sign 'Stamp'. Behind him is another sign "Just published [...]" An older woman with a walking stick approaches the counter on the right, followed by a Black servant and a dog. The windows are filled with books and prints. Through the open door a woman with an umbrella is silhouetted; to the left another sign "History Westminster and its monuments."
Description:
Title etched below image., Printmaker, publisher, and date of publication from the volume in which this plate was issued., Plate from: Poetical sketches of Scarborough / illustrated by twenty-one engravings ... made upon the spot by J. Green and etched by T. Rowlandson. London : Printed for R. Ackermann by J. Diggens, 1813., Aquatint probably added to this plate and others in the volume by J.C. Stadler and J. Bluck. See: Hardie, M. English coloured books., Sheet trimmed within plate mark., and Watermark, partially trimmed: [J. Wha]tman [18]14.
Publisher:
R. Ackermann
Subject (Geographic):
Scarborough (England) and Great Britain,
Subject (Topic):
Black people, Interiors, Libraries, Books, Bookcases, Window displays, Light fixtures, Dogs, and Stores & shops