"Hastings stands in a two-wheeled cart under a gibbet. Fox places the rope round his neck; Burke also stands in the cart dressed as a parson, in a long gown and bands, holding an open book. Sheridan (right) pushes the cart from behind, looking at North (left) who holds the horse's head. Large scrolls issue from the mouths of all five and are an important part of the design: Hastings says, "Walpole said every Man had his Price but Alass! I never could find out any of your Prices." Burke says "A Poor Atonement this for Millions &c." Fox says "A Poor Atonement do you call it Ned! Egad it would have been adevil of a Job for me, if my F------r had made such an atonement for------Unaccounted Millions." (Lord Holland was called in a City Address to the King 'the public defaulter of unaccounted millions'. North says, "Dont you remember Sheri------that my now Rt Honble Friend often threat'ned to bring me to this or the Block". Sheridan answers, "Psha Fred - you know that was only to frighten you from your Station - &c - but drive on, or our friend Edmund will stand preaching here all day.""--British Museum online catalogue
Description:
Title etched below image., Printmaker suggested by British Museum catalogue., Sheet trimmed within plate mark., A satire, an attack on the Coalition., In lower right corner: "Price 2s. 6d. plain or coloured.", and Watermark.
Publisher:
Pubd. March [the] 1, 1788 for J. Doughty & Co., No. 19 Holborn, London
Subject (Geographic):
India
Subject (Name):
Holland, Henry Fox, Baron, 1705-1774., Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Hastings, Warren, 1732-1818, North, Frederick, Lord, 1732-1792, and Walpole, Robert, Earl of Orford, 1676-1745.
Subject (Topic):
Impeachment, Politics and government, Carts & wagons, Executions in effigy, and Gallows
A parody of The Nightmare by Henry Fuseli in which a naked Fox lies prone on a bed with a demon on his chest. Behind them a horse with bulging eyes pokes his head through the bedcurtains. On a table in the foreground are a pair of dice and dice-box
Alternative Title:
Covent Garden nightmare
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed partially within plate mark., and Mounted to 29 x 39 cm.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand
Subject (Name):
Fox, Charles James, 1749-1806, Great Britain. Parliament, 1783-1784., and Great Britain. Parliament
"Fox stoops to support on his back Horne Tooke, who is about to climb into the window of 'St Stephe[n's] Chap[el]', the name on a slab over the door, partly cut off by the right margin. The door is being closed by Lord Temple, who says: "He shall not pollute this holy Temple". Tooke rests his right foot on Fox's back, his hands grasping the sill; his left toe is in a cranny in the wall above a placard headed: 'Old Sarum Dilly takes only one at the Brazenface'. He looks down at Fox, saying, "don't give way I am not quite in Yet". Fox, his head towards the door, one foot supported on a book: 'Powerfull Reasons for Non attendance', says: "Come on with you!! and mind and button your great Coat to hide the Old Cassock." Tooke's greatcoat hangs open, showing his coat, and the skirt of a short cassock over knee-breeches. On the wall beside him is a torn placard: 'A New Edition The Diversions of Purley by the Rev John H...' The keystone of the arch over the door, on the extreme right, is a satyr's head, leering at Tooke with protruding tongue."--British Museum online catalogue
Alternative Title:
Westminster ceceeder on fresh duty and Westminster seceder on fresh duty
Description:
Title etched below image; the letter "n" in "Westminster" is etched backwards, and the third "e" in "ceceeder" is etched above the line, inserted with a caret., Attributed to Charles Williams in the British Museum catalogue., Early state, before spelling of "ceceeder" in title changed to "seceder". For the later state with this correction, see no. 9715 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Printseller's announcement beneath lower right corner of image: Folios of caracatures [sic] lent out for the evening., and Watermark.
Publisher:
Pubd. March 14, 1801 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, and St. Stephen's Chapel (Westminster, London, England),
"Fox stoops to support on his back Horne Tooke, who is about to climb into the window of 'St Stephe[n's] Chap[el]', the name on a slab over the door, partly cut off by the right margin. The door is being closed by Lord Temple, who says: "He shall not pollute this holy Temple". Tooke rests his right foot on Fox's back, his hands grasping the sill; his left toe is in a cranny in the wall above a placard headed: 'Old Sarum Dilly takes only one at the Brazenface'. He looks down at Fox, saying, "don't give way I am not quite in Yet". Fox, his head towards the door, one foot supported on a book: 'Powerfull Reasons for Non attendance', says: "Come on with you!! and mind and button your great Coat to hide the Old Cassock." Tooke's greatcoat hangs open, showing his coat, and the skirt of a short cassock over knee-breeches. On the wall beside him is a torn placard: 'A New Edition The Diversions of Purley by the Rev John H...' The keystone of the arch over the door, on the extreme right, is a satyr's head, leering at Tooke with protruding tongue."--British Museum online catalogue
Description:
Title etched below image; the letter "n" in "Westminster" is etched backwards., Attributed to Charles Williams in the British Museum catalogue., Printseller's announcement beneath lower right corner of image: Folios of caracatures [sic] lent out for the evening., Watermark: W. Elgar[?] 179[?], and Figures identified in pencil below plate mark in contemporary hand: Horne Tooke ; Lord Temple.
Publisher:
Pubd. March 14, 1801 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, and Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839
"Melville (l.) stands by a pile of bricks, each marked with a coronet (except one with a mitre), and the words 'Not Guilty'. These he is hurling with great vigour at (some of) the managers of the impeachment who flee in disorder, to the right., putting up their arms to fend off the missiles. He wears Highland dress with a magnificently feathered bonnet; his plaid swirls out. He says, the words in a large label: '"Self-preservation's Heaven's eldest law. "Imprest upon our Nature with our life, "In Characters indelible, who shrinks "From this great cause is wanting to his righteason: "But when our Honor is traduc'd and stab'd at, "T'is Virtue, t'is heroic Fortitude, "Then to encounter violence with Force.' His bricks are stacked on a fringed carpet on which is the motto 'Dieu et m[on] Droit'. Sheridan, the hindmost, protects himself with his hat, and says: "Why Charley! I am afraid we have drank too much of this cursed Entire." Just in front of him is Whitbread, an 'Essay on Brewing' [cf. BMSat 10574] projecting from his coat-pocket. Fox, next, turns to protect himself; in front Howick (Whitbread's brother-in-law) grovels on the ground, grasping the edge of a large upright cask of 'Whitbread's Entire' [see BMSat 10421]. Into this Lord Temple, one of the Managers of the Impeachment, is plunging head first, displaying bulky breeches inscribed 'Temple of Hymen'. Behind stands a man in gown and bands, evidently Dr. Laurence. Beside Whitbread and Howick are overturned tankards of 'Whitbreads Entire' [a few letters only of the inscription being visible], spilling their contents. In the background, against the corner of Westminster Hall, whose doorway is behind Melville, is a rectangular tank: 'Brown Stout Cooler'; in this men are frantically splashing. The sun emerges from a gap in dark clouds irradiating Melville; in its disk is the profile head of George III. After the title: '"And Haman prepared a Gallows 100 Cubits \ "high for Mordecai, but behold Haman was \ "hanged thereon himself - '."--British Museum online catalogue
Alternative Title:
Managers poisened with a beer of their own brewing and Managers poisoned with a beer of their own brewing
Description:
Printmaker from British Museum catalogue. and Watermark: Strasburg Lily.
Publisher:
Pubd. June 24th, 1806 by S.W. Fores, 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and George III, King of Great Britain, 1738-1820
"A balloon about to rise from the ground encircled by three tiers of galleries or narrow platforms, protected by railings. Behind the railings sit the passengers. In the highest tier are three ladies notorious at that time for their amours ...: Grace Elliott or Eliot, née Dalrymple, known as 'Dally the tall', she holds a fan, turning her head in profile to the left, towards Perdita (Mary Robinson), who clasps her hands ecstatically; Lady Worsley sits on the right. In the centre gallery sit ex-ministers: North (left) and Fox (right) in the centre, North's arm on Fox's shoulder; Fox turns his head to North with an expression of satisfaction. Each rests his right hand on the railing in front of him, and these hands hold an inconspicuous thread which is attached to the nose of the Duke of Portland (left), who turns in profile to the right. On the right, a little apart, sits Burke dressed as a Jesuit (see British Museum Satires No. 6205) looking in profile to the right towards the Pope, who stands on the gallery, emerging from behind the curve of the balloon. He wears furred robes and his triple crown; as a pendant to him on the extreme left is the Devil looking towards the ministers with a pleased expression; over his arm he holds a net. In the lowest gallery sit celebrated quacks and other London characters. These are (left to right) "Vestina', the goddess of Health who advertised the virtues of the celestial bed (incorrectly said to have been Lady Hamilton), sits next her employer, Dr. Graham; they look at each other; she holds a sceptre wreathed with a garland. Jeffery Dunstan, Mayor of Garrat, stands, knock-kneed, with his sack over his shoulder in his accustomed attitude when calling 'old wigs'. Sam House sits resting a foaming tankard of porter on the railing in front of him, the tankard inscribed "House Ward[our] Stre[eet]". Katerfelto, turned in profile to the right, gazes up at the moon through his telescope; in his left hand is a paper, "Wonders, Wonders Most Wonderfull Wonders", the usual heading of his advertisements, cf. British Museum Satires No. 6162. His black cat sits on the railing facing him, saying, "are there Mice in the Moon Master". In the upper right corner of the design is the moon, a crescent-shaped profile inset in a circle, looking down at the balloon. The balloon is encircled longitudinally by eight ropes which meet in a knot beneath it and are there attached to four stouter ropes attached to the four corners of a platform which rests on the ground, from which the balloon appears about to ascend. On this platform is a tub inscribed "Vanity", bubbling over with soapsuds inscribed "Froth". Beside the platform (right) stands a Frenchman capering on one leg and flourishing a knife. He says, "Oh Begar dis be von fine Cargo." ... In the background are the roofs and spires of London, St. Paul's being prominent on the left, the Monument on the right. ..."--British Museum online catalogue
Description:
Title etched below image., "Hanibal Scratch" might be a pseudonym of John Nixon; see Catalogue of prints and drawings in the British Museum, v. 5, page 842., Text beneath title: Setts out from Swan with two Necks Lad Lane every Monday morg., Sheet trimmed within plate mark., and Twenty lines of verse in four columns below image, etched above and on either side of title: Who choose a journey to the Moon, may take it in our Stage Balloon ...
Publisher:
Pubd. Decr. 23, 1783, by Wm. Wells, No. 132 Fleet Street
Subject (Geographic):
Great Britain.
Subject (Name):
Elliott, Grace Dalrymple, -1823, Robinson, Mary, 1758-1800, Worsley, Seymour Dorothy, Lady, North, Frederick, Lord, 1732-1792, Fox, Charles James, 1749-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Burke, Edmund, 1729-1797, Pius VI, Pope, 1717-1799, Graham, James, 1745-1794, Dunstan, Jeffery, 1759?-1797, House, Samuel, -1785, Katterfelto, Gustavus, -1799, and St. Paul's Cathedral (London, England),
Title etched below image., Dated from Thurlow's impending dismissal and the introduction of Fox's Libel Bill., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Allusion to John Horne Tooke, 1736-1812 -- Allusion to Honoré-Gabriel-Riquetti, comte de Mirabeau, 1749-1791 -- Allusion to Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier, marquis de La Fayette -- Travestied slogans: God save the King -- Horace Walpole refers to subject in print, YW 34. 141-142, n. 5 -- Nicknames: "Sherry" for Richard Brinsley Sheridan -- "Renard" for Charles James Fox -- Allusion to National Assembly -- Literature: Allusion to Reflections on the French Revolution by Edmund Burke -- Allusion to The rights of man by Thomas Paine -- Bible quotation: "Mene, mene, tekel, upharsin," Daniel v. 25 -- Hand of Providence -- Royal money as weight -- Great Seal -- Revolutionary societies -- Thurlow's impending dismissal -- Bills: Libel Bill -- Parliamentary reform -- Allusion to French Revolution -- Travesties: French Revolutionary playbill -- Expressions of speech: George III's "What, what, what" -- French Revolutionary cockades -- Winged head of cherub -- Balance -- Whigs -- Tories -- Double entendres -- Allusion to Regency crisis -- Clergy: Allusion to leveling -- Jacobins -- Symbols: Scale of merit -- Pitt's usurpation of prerogative., Watermark: L.V.G., and Numbered in pencil in upper right corner of sheet: 449.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, and Sheridan, Richard Brinsley, 1751-1816
John Bull frightened out of his money and John Bull frightened out of his wits
Description:
Title from item., Printmaker from British Museum catalogue., The word "money" in the title has been scored through and replaced by the word "wits"., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Telegraphs -- Coins: guineas -- Reference to French invasion., and Watermark: Strasburg bend.
Publisher:
Pub. by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, and Lauderdale, James Maitland, Earl of, 1759-1839
Title from item., Attributed to Cruikshank in British Museum catalogue., Printseller's announcement following publication statement: Folios of caricatures lent out for the evening., Temporary local subject terms: Speeches: C.J. Fox's speech on October 10, 1800 -- Interiors: tavern -- Taverns: King's Head , London -- Jews -- Chimney-sweeps -- Butchers -- Barbers -- Waggoners -- Dustmen -- Dogs: mastif -- Dishes: pewter tankards., and Watermark.
"Dr. James Graham, the famous quack, stands on a small platform or pedestal, addressing an audience of both sexes who sit and stand in front of him. He stands rather to the right of the design looking left, his right hand raised, his left holding a rolled paper as in British Museum satire no. 6324. He wears a bag-wig and ruffled shirt. Those of the audience whose faces are visible are probably portraits, but only Fox, Wilkes, and (?) Perdita Robinson can be identified. Three persons sit on a raised seat immediately under the lecturer and with their backs towards him: a young man puts his arm round a lady who draws back with a coy expression; the third is Fox who sits gloomily impassive, his head supported on his hand, perhaps annoyed at the way in which Mrs. Robinson looks towards the man standing next her, who stands on the extreme right in profile to the left. He is slim and wears the fashionable riding-dress but is very ugly. Two rows of people sit on forms facing the lecturer. Others stand on the left. Wilkes is in profile to the right, an elderly beau with receding hair, sunken eyes, and broken teeth."--British Museum online catalogue
Alternative Title:
Docter himself pouring out his whole soul for 1 s. and Doctor himself pouring out his whole soul for 1 s.
Description:
Title etched below image., Two lines of verse below title: How fluent nonsense trickles from his tongue, how sweet his lectures neither sd. nor sung. Pope., Sheet trimmed to plate mark leaving thread margins., Dr. Graham and Capt. Topham are identified in black ink contemporary hand, perhaps that of James Gillray., and Mounted to: 38 x 31 cm.
Publisher:
Published as the act directs Feby. 12, 1783, by R. Rusted, No. 3 Bridge St., Ludgate Hill
Subject (Name):
Graham, James, 1745-1794, Fox, Charles James, 1749-1806, Topham, Edward, 1751-1820, Robinson, Mary, 1758-1800, and Wilkes, John, 1725-1797