- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [1781]
- Call Number:
- 781.07.02.02+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue
- Description:
- Title from text at bottom of image., Printmaker and date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
- Publisher:
- publisher not identified
- Subject (Geographic):
- England
- Subject (Name):
- Vestris, Gaëtan, 1729-1808, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Fox, Charles James, 1749-1806
- Subject (Topic):
- Dance, Geese, Interiors, and Clothing & dress
- Found in:
- Lewis Walpole Library > Regardèz moi [graphic].
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Search Results
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [not before 1 October 1782]
- Call Number:
- 782.10.01.01+ Impression 1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
- Description:
- Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
- Publisher:
- Publish'd by Bonde at the Thieftakers Office, Bow Street
- Subject (Geographic):
- England and London
- Subject (Name):
- Wright, Sampson, Sir, -1793 and Bond, John, active 1782
- Subject (Topic):
- Threats, Judges, Gambling, Interiors, and Clothing & dress
- Found in:
- Lewis Walpole Library > Sampson overcome by a Philistian [graphic]
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- [1753?]
- Call Number:
- Folio 75 H67 800 v.3 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
- Description:
- Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., and On page 288 in volume 3. Sheet trimmed to:
- Publisher:
- publisher not identified
- Subject (Geographic):
- Great Britain., England, and London.
- Subject (Name):
- Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
- Subject (Topic):
- Hospitals, Psychiatric hospitals, Psychotherapy patients, Artists, British, Artists' materials, Painting, Physical restraints, Interiors, and Mental institutions
- Found in:
- Lewis Walpole Library > The author run mad [graphic].
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- [1753?]
- Call Number:
- Print01201
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
- Description:
- Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints., 1 print : etching ; 246 (pa) x 179 (pl) mm., and Imperfect; sheet trimmed within plate mark with loss of title from top edge.
- Publisher:
- publisher not identified
- Subject (Geographic):
- Great Britain., England, and London.
- Subject (Name):
- Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
- Subject (Topic):
- Hospitals, Psychiatric hospitals, Psychotherapy patients, Artists, British, Artists' materials, Painting, Physical restraints, Interiors, and Mental institutions
- Found in:
- Medical Historical Library, Cushing/Whitney Medical Library > The author run mad [graphic].
- Creator:
- Sandby, Paul, 1731-1809, printmaker
- Published / Created:
- [1753?]
- Call Number:
- 753.00.00.02
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Satire by Paul Sandby on Hogarth's 'Analysis of Beauty', with Hogarth in Bedlam, bizarrely attired in a long cloak and fantastic headdress with an ink bottle as a crown and straw around one leg. His palette hangs from his neck as he paints on the wall
- Description:
- Title etched above image., Printmaker and publication date from British Museum catalogue., Sheet trimmed within plate mark., Description of content below image: He raves, his words are loose as heaps of sand ..., and Temporary local Medical Library subject terms: Patients, psychiatric -- Hospitals, interior -- Patient restraints.
- Publisher:
- publisher not identified
- Subject (Geographic):
- Great Britain., England, and London.
- Subject (Name):
- Hogarth, William, 1697-1764 and Bethlem Royal Hospital (London, England)
- Subject (Topic):
- Hospitals, Psychiatric hospitals, Psychotherapy patients, Artists, British, Artists' materials, Painting, Physical restraints, Interiors, and Mental institutions
- Found in:
- Lewis Walpole Library > The author run mad [graphic].
- Published / Created:
- [July 1763]
- Call Number:
- 763.07.00.02+ Impression 1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Satire on Wilkes's release from custody in April 1763 and the successful actions for damages by printers of the North Briton, No. 45. A scene in Guildhall with the legs of Gog and Magog visible at top left and the lower parts of two portraits at right: on the left, a prancing devil grasps the collar of Nathan Carrington, King's Messenger (his position identified by his greyhound badge) who complains that he had acted on "Orders from Above" in arresting the printers; two angry men reproach Carrington for having seized their papers, one demanding the return of "my Memoirs", the other, Arthur Beardmore, asking for his journal, the Monitor. In the foreground, two devils attack three other Messengers (Money, Watson and Blackmore) lying on the ground; a devil with type arrayed on his head belabours them with a printer's mallet. Behind this group are Sir Fletcher Norton, by then Attorney-General, and Lord Chief Justice Mansfield, covering their faces with their hands and lamenting their failure; they are sent on their way by a man who alludes to the General Warrant and damns them to make "good Fuel" in Hell. Wilkes takes the hand of Pratt, Chief Justice of the Common Pleas, who had released him from the Tower; Wilkes's advocate John Glynn stands behind and all three are celebrating the triumph of Liberty and English justice; William Beckford (shown with a black face in allusion to his Caribbean wealth) rushes towards them enthusiastically. To the right, a group of printers delight in their good fortune in the substantial sums they have been awarded, one man holding out both hands full of coins."--British Museum online catalogue
- Alternative Title:
- Messengers in the suds
- Description:
- Title from item., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Three columns of verse below image: [The] sons of the type view this scene in Guildhall, the devils triumphant and messengers fall ..., Temporary local subject terms: Interiors: Arms: City of London -- Slang: 'coney catchers' -- Trials: John Wilkes's trial, 1763 -- Nathan Carrington, d. 1777 -- John Money, fl. 1763 -- Arthur Beardmore, d. 1765., and Mounted.
- Publisher:
- publisher not identified
- Subject (Name):
- Wilkes, John, 1725-1797, Camden, Charles Pratt, Earl, 1714-1794, Glynn, John, 1722-1779, Mansfield, William Murray, Earl of, 1705-1793, Norton, Fletcher, 1716-1789, Beckford, William, 1709-1770, and Guildhall (London, England),
- Subject (Topic):
- Interiors, Fighting, and Demons
- Found in:
- Lewis Walpole Library > The devils triumphant, or, The messengers in the suds [graphic].