A satire on the Prince of Wales's relations with Lady Salisbury, the pair shown holding hands on the right, while her husband, drawn as a block of stone, stamps angrily in the center. Between them is Mrs. Robinson, who had been deserted by the Prince, and on the left 5 figures are dancing in a circle
Alternative Title:
Monuments lately discovered on Salisbury Plain
Description:
Title etched below image., Two lines of explanatory text below title: The figures No. 1 & 2 are judged by conoiseurs [sic] to have lately been animated with the coelestial fire ..., and Sheet trimmed within plate mark.
Publisher:
Pubd. June 15th, 1782, by H. Humphrey, New Bond Street
Subject (Geographic):
Salisbury Plain (England) and England
Subject (Name):
George IV, King of Great Britain, 1762-1830, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835, Salisbury, James Cecil, Marquess of, 1748-1823, and Robinson, Mary, 1758-1800
Fox and Sheridan sit with their feet in the stocks, each smoking a short pipe. Fox directs a fierce glare at Pitt, who stands (right) in profile to the (left), correct and impassive, holding a tall constable's staff. Pitt is grotesquely thin; he wears a large round hat over his bag-wig, and a long old-fashioned coat with wide cuffs
Description:
Title etched below image. and Watermark: J Whatman 1794.
Publisher:
Pubd by W. Holland, 50 Oxford St.
Subject (Geographic):
England.
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806
Subject (Topic):
Stocks (Punishment), Law enforcement officers, Politicians, and Staffs (Sticks)
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Duke of York rides a velocipede (see British Museum Satires No. 13399), taking long strides, on a country road from London, indicated by St. Paul's, the Monument, &c. in the background, towards Windsor Castle on a hill (left). He wears a mitre and surplice with regimentals and jackboots. He turns his head to address John Bull (right), a paunchy 'cit' who stands stolidly, his hands resting on a stout stick: "You see Johnny I dont like to Squander away your money I won't have any more Clarks I wont go to Valencienes any more Ill run nothing but real Dandies there's a Saveing for you Johnny only £10000 a year for hearing the Doctors Reports & pay all my Traveling Expences I gave Mr Johnston £8 for this Charger the Cheapest I could get theres Economy for you you'l live in Clover now." John answers, with protruding underlip: "Dang it Mistir Bishop thee art saveing indeed thee used to ride in a Coach and Six now I pay thee 10.000 a year more thee art Rideing a wooden Horse for all the world Like a Gatepost"."--British Museum online catalogue
Alternative Title:
Penny saved a penny got
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "340" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 50 in volume 5.
Publisher:
Pub. April 8th, 1819, by T. Tegg, 111 Cheapside
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: Turkey Mills J Whatman 1817., and Printseller's blind stamp: SWF.
Publisher:
Published June 18, 1819, by I. Hudson, 85 Cheapside
"A man in bed kicks wildly, clutching a bed-post, as a chambermaid tries to pull out his wooden leg. A second chamber-maid flourishes a lighted candle."--British Museum online catalogue
Alternative Title:
At an inn, going into a bed too short with a wooden leg ...
Description:
Title etched above image; page number etched above upper right corner of image., Text below image: At an inn, going into a bed too short with a wooden leg which you were too fatigued to unstrap, drawing up the living one, going to sleep with the other sticking out at the bottom ..., Sheet trimmed within plate mark., and One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"A country barber's shop, a ramshackle room with a raftered roof. The barber stands by his seated and infuriated client, holding up his razor, and stamping with anger; others are amused: a young woman (left), who combs an angry client's hair, looks round to laugh; the barber's assistant who is combing a wig on a wig-block, and a country youth who stands beside him. A dog barks. Wigs hang up in the window (right), two busts displaying wigs stand on a bench. On the wall are prints, wig-boxes on a shelf, and a roller-towel above a wash-basin."--British Museum online catalogue
Alternative Title:
Having so flaccid a cheek that the parish barber who shaves you
Description:
Title etched above image; page number etched above upper right corner of image., Two lines of text below image: Having so flaccid a cheek that the parish barber who shaves you is obliged to introduce his thumb into your mouth to give it a proper projection, cutting his thumb in this position with the razor., and One of a group of prints on the topic of "miseries," etched by Rowlandson and issued in several series by Ackermann, that were later collected and published as the volume: Rowlandson, T. Miseries of human life. [London] : Published December 14, 1808, by R. Ackermann ..., [1808]. See British Museum catalogue and Grego.
Publisher:
Pub. April 1st, 1807, by R. Ackermann, Repository of Arts, 101 Strand
"Wardle stands in a bedroom addressing a crowd in the street below through an open sash-window flush with the floor. Behind him stands Mrs. Clarke (left), with arms outstretched, pointing at Wardle, and declaiming: "And Clarke said unto Felix. Thou art the Man- behold the Furniture! and Felix Trembled". Wardle, fashionably dressed and wearing Hessian boots, stands with clasped hands and flexed knees. He says: "Good People of the United Kingdom suspend your judgement for the present till I get this woman placed in the pillory-I never did any thing naughty with her no more than the child unborn-it was all for the good of my Country I assure you I am as firm a patriot as ever purchased a convex Mirror, or a red turkey Carpet". The heads and shoulders of the proletarian and much amused spectators are closely grouped on the extreme right, with a background of town houses. Behind Mrs. Clarke is a draped dressing-table on which stands a bottle of 'Ratifie' and glasses. The curtains of the bed form a background (left)."--British Museum online catalogue
Alternative Title:
Fresh accusations
Description:
Title from caption below item., Printmaker identified by George., Sheet trimmed leaving thread margins on two sides., Plate numbered "96" in upper left corner., and Mounted to 29 x 42 cm.
Publisher:
Pubd. July 14, 1809 by Thos. Tegg No. 111 Cheapside
Subject (Name):
Clarke, Mary Anne Thompson, 1776-1852 and Wardle, Gwyllym Lloyd, 1762?-1833
"John Bull (right) stands in profile to the left, gaping in terror at four little demons, grotesque, naked, and senile, who approach him with calculating and complacent grins. His knees bend, his hands are thrust in his coat pockets; he says: "What do you want you little Devils - an't I plagued with enough of you already more pick poket Work, I suppose!!" Their leader stands forward with a mock deprecatory gesture; the next demon holds a large book. They say: "Please your Honor we are the assess'd Taxes.""--British Museum online catalogue and A satire on the tripling of the assessed taxes proposed by Pitt in his famous budget speech, 24 Nov. 1797. These were taxes on persons according to their expenditure (inhabited houses, male servants, carriages, &c.); it was an attempt at direct taxation, heavily graduated to tax the rich at a higher (five-fold) rate and with exemptions and abatements for small incomes. This was Pitt's 'plan of finance' to support the war without recourse to loans, intended to demonstrate to Europe England's determination and unity: 'to check a little the presumptions of Jacobins at home and abroad.' ... See British Museum online catalogue
Alternative Title:
Assess'd taxes and Assessed taxes
Description:
Title etched below image., Attributed to Richard Newton in the British Museum catalogue., and If etched by Newton, it must be after the design of someone else, possibly Woodward. See Alexander, D. Richard Newton and English caricature in the 1790s,
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Two columns of verse printed below title: At a tavern one night, Messrs. More, Strange, and Wright ..., Plate numbered '208' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Interiors: taverns -- Dishes: punch bowl -- Smoking: pipes -- Pets: dogs.
Publisher:
Published 12th February 1798 by Laurie & Whittle, 53 Fleet Street, London