Manuscript on parchment of Nicolaus de Lyra, Postillae on Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, Ruth, and I-IV Kings.
Description:
19 pen-and-ink drawings with washes in red, green, blue and pale yellow, some inserted into the text column, others up to half-page size dealing with the Tabernacle in the Desert and the Temple of Solomon: the drawings serve to clarify the written text by depicting differences in interpretations between Jewish and Catholic exegesis; contrasting drawings are usually juxtaposed and labelled with the respective source for each., Binding: Modern restoration? Limp vellum case with earlier title (mostly illegible) running lengthwise on spine and later title added at top of spine: "Fr. Nicolai de Lyra ord. min. Commentaria in Libro historico Sacrae Scripturae"., ff. 43-44 loose., Many fine flourished initials, red and blue divided, 9- to 3-line, with penwork designs in red, blue and/or purple; somewhat smaller less ambitious initials alternate red and blue with designs in the opposite color. The minor decoration appears inconsistently, with running headlines, rubrics, paragraph marks and underlining of Biblical texts, in various colors or totally absent., Purchased in 1958 from Emile Rossignol, Paris, by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written by several scribes in gothic bookhand., and Written by several scribes in gothic bookhand.
Subject (Name):
Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Bible.--O.T.--Historical Books, Bible.--O.T.--Pentateuch, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript, on parchment, in Gothic script, produced in Flanders during the fourth quarter of the thirteenth century.
Description:
Binding: dark brown calf skin over pasteboards (sixteenth or seventeenth century)., Decorations include a half-page initial on f. 43r (six other half-page initials have been cut from the manuscript) and illustrations of the labors of the months in the calendar., On the calendar page for December, St. Thomas of Canterbury's name has been erased from its place, indicating English ownership at least in the sixteenth century., and The back flyleaf has, in two fourteenth century hands, a French song "Une bon chanson ay troue" and a Middle English carol "Mayde and moder, glade thou be."
Illuminated manuscript on vellum, in a Gothic liturgical hand, of a Psalter, prefaced by a liturgical calendar and followed by the Office of the Dead.
Description:
Binding: modern full blue velvet., Ex libris John Ruskin. Ex libris Laurence Hilliard. Ex libris Bibliotheca Philosophica Hermetica (J. R. Ritman Library). Purchased from Sam Fogg on the James Marshall and Marie-Louise Osborn Fund, 2007., Presentation inscription on front flyleaf: Laurence Hilliard with John Ruskin's love, Brantwood, 25th January 1881., Tipped in at front of manuscript: parchment leaf containing copy of a letter from Joseph Mallord William Turner to John Ruskin, Midsummer Day [June 24] 1848, in the hand of John Ruskin., and Tipped in to front of manuscript: parchment leaf containing a description of the illuminations in the hand of John Ruskin.
Subject (Name):
Catholic Church, Hilliard, Laurence--Ownership, Ruskin, John--1819-1900.--Autograph, and Turner, Joseph Mallord William--1775-1851.--Association
Subject (Topic):
Catholic Church--Liturgy--Texts, Medieval and Renaissance Manuscripts in Beinecke Library, and Psalters
Haimo, of Auxerre, d. ca. 855 John, of Wales, 13th cent
Published / Created:
[between 1300 and 1350; 1290 and 1325]
Call Number:
Marston MS 223
Image Count:
2
Resource Type:
Archives or Manuscripts
Abstract:
A composite manuscript written in different locations and periods: Part I was written in Italy in the first half of the 14th century; Part II was probably written in England (or Northern France?) at the end of the 13th or beginning of the 14th century. The index was added on blank leaves in Italy in the 14th century, perhaps at the same time that Parts I and II were joined together to form the present codex. and Manuscript on parchment composed of two distinct parts. Part I: 1) Brief prologues to the Pauline Epistles, paraphrasing or extracted from the argumenta of Haimo of Auxerre, Expositio in epistolas Sancti Pauli. 2-4) Notes for sermons arranged according to the liturgical year. Part II: 5) Unidentified sermons. 6) John of Wales, Breviloquium.
Alternative Title:
Haimo of Auxerre; John of Wales, etc.
Description:
Binding: Nineteenth century, England. Backs of quires cut in for original sewing. Brown calf case, blind-tooled., Part I: Red initials, 3- to 2-line, with crude harping designs in black; headings and paragraph marks (art. 3) in red. Instructions for rubricator. Part II: Flourished initials, 3- to 2-line, alternate red and blue with penwork designs in the opposite color. Paragraph marks alternate red and blue; headings, often added in margin, in red. Remains of guide letters for decorator., Purchased from C. A. Stonehill in 1958 by Thomas E. Marston., and Script: Part I (ff. 1-24): Scribe I copied ff. 1r-6v in small gothic bookhand with southern features; Scribe II copied ff. 7r-24r in a somewhat more angular gothic bookhand; additions by different scribes on f. 24r-v. Part II (ff. 25-78): Arts. 5-6 copied in small neat gothic bookhand, by a single scribe; some marginalia added in anglicana script (e.g., f. 46v); art. 7 added in a less careful gothic bookhand.
Subject (Name):
Haimo,--of Auxerre,--d. ca. 855
Subject (Topic):
Bible.--N.T.--Epistles of Paul, Bible--Commentaries, Church year sermons--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, Scholasticism, and Sermons--Early works to 1800
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise.
Description:
Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Script: Written by a single scribe in a good humanistic cursive.
Subject (Geographic):
Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio,--ca. 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Double columns on single page with diagrams., Imperfect: mutilated with loss of text., Manuscript fragment on parchment., and With: In Timaeum Platonis, by Calcidius; manuscript on parchment.
Subject (Name):
Calcidius. In Platonis Timaeum commentarius, Cicero, Marcus Tullius. Topica, and Plato. Timaeus