The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and On page 91 in volume 1. Sheet 485 x 396 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and 1 print : engraving on laid paper, hand-colored ; plate mark 490 x 40.4 mm, on sheet 523 x 424 mm.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-story window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings."--Following printmaker's name., Sheet trimmed to plate mark., and The face of the parson in the doorway has been touched in ink by Hogarth(?); the left side of his nose and eye, eyebrow and part of his forehead have been scratched out and replaced in ink, to suggest a wall-eyed face -- a portrait of George Whitefield. See Paulson.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
"Satire on John Rich and his new theatre in Covent Garden with a procession moving from left to right across the east end of the market square and entering the colonnade leading to the theatre. John Gay is carried on a porter's back preceded by a crowd, one of whom cries "Gay for ever". He is followed by Rich, as Harlequin, driving an open carriage drawn by six satyrs, with Columbine and a spotted dog (a disguise adopted by Rich as Harlequin in "Perseus and Andromeda", 1730). Two authors bow obsequiously to Rich, another wheels a barrow of plays towards the theatre, bootblacks also bow, but in the lower right-hand corner, Alexander Pope defecates on sheets from the Beggar's Opera (the great triumph of Rich and Gay). Actors in costume, some identified in the verses below, follow the carriage, and a cart containing properties including "A Box of Thunder and Lightening", brings up the rear. Beyond the main procession is a large crowd of admirers and a closed carriage; St Paul's church in the background is clearly identifiable."--British Museum online catalogue
Alternative Title:
His triumphant entry into Covent-Garden
Description:
Title etched above image., Signed twice: once in the shadowing lower left of design (illegible) and again above first stanza., Formerly attributed to Hogarth. See Paulson., First recorded as having been published in 1811 by Robert Wilkinson. See British Museum online catalogue., "Price 6d."--Lower right., Three columns of ten lines each etched below image: Not with more glory through the streets of Rome ... For such a day he sees not ev'ry year., In Steevens's hand in pencil above the print: A pretended Hogarth which nevertheless has sold for £4.4.0. See Nicholss book, 3d edit. p. 161., and On page 54 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Covent Garden (London, England)
Subject (Name):
St. Paul's Church (Covent Garden, London, England),, Gay, John, 1685-1732,, Hall, John, active 1734,, Quin, James, 1693-1766,, Pope, Alexander, 1688-1744,, Rich, John, 1692-1761,, Ryan, Lacy, 1694?-1760,, and Walker, Thomas, 1698-1744,
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date., and On page 141 in volume 2. Sheet trimmed within plate mark to: 27 x 40.4 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliamt. Sep. 30 1747.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 54. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title etched above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: "Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer.", and On page 141 in volume 2. Sheet trimmed within plate mark to: 27.6 x 40.1 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors
publish'd according to act of Parliament, Sep. 30, 1747.
Call Number:
Kinnaird 50K(a) Box 215
Collection Title:
Leaf 45. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
"The place of execution with, in the middle ground, Idle seated in a cart with his coffin and John Wesley exhorting him to repent, the Newgate chaplain in a carriage, the triple gallows, and a wooden gallery crowded with onlookers; in the foreground an unruly mob including a ragged woman selling a copy of "The last dying Speech & confession of Tho. Idle" and Tiddy Doll, the gingerbread seller."--British Museum online catalogue
Alternative Title:
Idle apprentice executed at Tyburn
Description:
Title engraved above image., Series title 'Industry and idleness', state, and publisher from Paulson., "Plate 11"--Below frame, centered., Caption in decoration in lower edge of frame: Proverbs Chap 1. Verss: 27, 28. When fear cometh as desolation and their destruction cometh as a Whirlwind: when distress cometh upon them, then they shall call upon God, but he will not answer., and Sheet trimmed to plate mark; right corner worn with loss of last two characters in the date.
Publisher:
Wm. Hogarth
Subject (Name):
Wesley, John, 1703-1791
Subject (Topic):
Criminals, Crowds, Executions, Executioners, Judges, Parables, Skeletons, Spectators, and Street vendors