"Interior view of the Royal Military Asylum, showing a school room; the boys in uniforms of red and blue seated at desks and rows of benches against back wall, instructed by a man in red rail-coat with pointer; to the left two men sit at semi-circular desks at opposite ends of the room, as boys stand in line facing them, holding books."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 99., and Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 256.
Publisher:
Pub. Jany. 1, 1810, at R. Ackermann's Repository of Arts, 101 Strand
Subject (Geographic):
London (England), England, and London.
Subject (Name):
Royal Military Asylum.
Subject (Topic):
Military academies, Interiors, Classrooms, and Uniforms
"Domestic scene based on Beresford's 'Miseries of Human Life' (1806), illustrating lines which follow the title: 'Getting up early in a cold gloomy morning, and on running down into the breakfast room for warmth and comfort, finding chairs, table, shovel, tongues, poker and fender huddled into the middle of the room. Carpet tossed backward. - floor newly washed, windows wide open. - bees wax brush and ru]bber in one corner - brooms, mops and pails in another - and a dingy Drab on her knees before an empty grate -'. A man arrested at the door of a room disarrayed by cleaning, wearing a dressing gown and with a gouty slippered foot, his hands held out warily in front of him, his teeth clenched together and his nose dripping; at left, kneeling in front of the grate, a stout and grotesque maid scrubbing the floor; a bust portrait of a man above the mantelpiece, looking disapprovingly down on the maid; cat and caged bird at far right."--British Museum online catalogue
Description:
Title etched below image., Plate numbered '28' in upper right corner., "Price one shilling cold."--Following imprint., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Sheet trimmed within plate mark.
Publisher:
Pubd. October 9th, 1807, by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Anger, Birdcages, Cats, Domestic life, Housework, Interiors, Sweeping & dusting, and Women domestics
Heideloff, Nicolaus Innocentius Wilhelm Clemens von, 1761-1837, printmaker
Published / Created:
October 1807.
Call Number:
807.10.00.03+
Image Count:
1
Resource Type:
still image
Abstract:
"Domestic scene based on Beresford's 'Miseries of Human Life': three tailors (or his apprentices) at work disturbed by woman carrying a tray of cucumbers on her head
Description:
Title etched below image., Two lines of text below title: While deep in study and lost in thought in the complicated profession of a taylor and all on a sudden disturbed by the shrieks of a woman crying cucumbers., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J Ruse., and Countermark: 1804.
Publisher:
Published by R. Ackermann Repository of Arts, 101 Strand
Leaf 82. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of a pair of travellers who struggle with slippers during their stay at an inn. One man is helped as he removes his boots with the aid of a boot jack. Another traveller falls backwards from the stairs as his well-used and oversized slippers fall from his feet. A maid carrying a candle and with a bed pan, waits for the men. A well furnished room marked 'Travellers Room' in the background."--Royal Collection Trust online catalogue
Alternative Title:
Miseries of traveling and At an inn, after pulling off your boots, the option of going barefoot the rest of the evening ...
Description:
Title etched below image., Five lines of descriptive text below title: At an inn, after pulling off your boots, the option of going barefoot the rest of the evening or expatiating in a pair of boundless slippers ..., Restrike. For original issue of the plate, published in 1807, see Royal Collection Trust, RCIN 810672., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], and On leaf 82 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Topic):
Interiors, Taverns (Inns), Slippers, Boots, Stairways, Falling, Accidents, Women domestics, Candles, and Bedpans
"A mother selling her daughters to two men at the door of their cottage, pushing one distraught girl out of the door and extending her hand for the payment, at left the father turns away from the transaction with shame, as the sister kneels on the floor with hands clasped, desperately pleading with him to reconsider, at the right of the basic room a young man sits solemnly, a little girl leaning against his leg and a baby in a crib in the foreground."--British Museum online catalogue
Description:
Title from text below image., Two lines of verse below image, one on either side of title: To barter virtue, see the parent led, and with a child's dishonour, purchase bread., Sheet trimmed within plate mark., and Temporary local subject terms: Cottages -- Baby in cradle -- Pottery jugs.
Publisher:
Publish'd as the act directs, Feby. 2d 1788, by J. Jones, No. 75 Great Portland Street, Portland Place
"A companion plate to British Museum Satires No. 13989 by the same artist, and with the same imprint. A Chinese interior resembling that of British Museum Satire No. 13986. George IV as a mandarin, languid and ill, sits cross-legged on a low settee. Peacock's feathers (cf. British Museum Satire No. 13299) decorate his round hat. Sidmouth as a Chinese doctor feels his pulse with concern. At the King's feet is a long rolled document headed 'List of Addresses presented to Caroline Queen of [Engla]nd'. Behind (right), a melancholy Chinese messenger hands Bloomfield (a Chinese wearing a large sword) a paper: 'Bill Thrown Out'. The latter registers dismay with raised arms. There is a slanting cloud of smoke as in British Museum Satire No. 13986. On the wall is a picture of the Queen, with sword and shield, fighting a dragon. Carved dragons decorate the King's settee (or throne), and there is a big dragon jar on the right; all the dragons look menacingly towards the King, who rests his right hand on a table on which are decanter, pill-box, &c."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Published circa November. See British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pleasure., and Mounted on page 37 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Costumes, Chinese, Interiors, Furniture, Draperies, Medical equipment & supplies, Physicians, Documents, Smoke, Messengers, Vases, Figurines, and Dragons
"Companion plate to British Museum Satires no. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires no. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires no. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Published circa November. See British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., and Watermark: J. Whatman.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
"Companion plate to British Museum Satires no. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: 'Bill of Pains Thrown out'. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 August. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires no. 13934, &c.): 'London' (in large letters), 'Westminster', 'So[uthwark]'. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires no. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as 'cheesecutters' which resulted from rickets, holds a paper: 'Address to the Queen'; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: 'Queer Fellows' and 'St Gi[les]', but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Published circa November. See British Museum catalogue., Sheet trimmed within plate mark., Companion print to: Moments of pain., Mounted on page 36 of: George Humphrey shop album., and 1 print : etching on wove paper, hand-colored ; sheet 27.1 x 21 cm.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron, Hamilton, Anne, Lady, 1766-1846, Broughton, John Cam Hobhouse, Baron, 1786-1869, and Brandenburgh House (London, England),
Subject (Topic):
Adultery, Crowds, Draperies, Interiors, Petitions, Puppets, and Rugs
Leaf 10. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 6791. Fox, North, and Burke in a poverty-stricken room: North (left), seated in a low arm-chair, leans back yawning, arms above his head, legs stretched out. On the wall above his head hangs a broken pair of bellows, emblem of his Borean blast. Burke, (right), very thin, seated on a three-legged stool, is mending the breeches which he has taken off. Behind his head is a spider in the centre of a cobweb. Between and behind them stands Fox, in the attitude of an orator, right arm raised, rehearsing a speech and regarding himself in a cracked mirror (right) which reflects his anxious and gloomy expression. Above his head a dark lantern, emblem of a conspirator, hangs on the wall (cf. British Museum Satires No. 6784, &c)."--British Museum online catalogue
Description:
Title etched below image., Restrike, with "Gillray fecit" added in lower left corner. For an earlier state of the plate, see no. 6790 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], Cf. Wright, T. Works of James Gillray, the caricaturist with the history of his life and times, page 72., and On leaf 10 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. Feby. 25th, 1785, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792
Subject (Topic):
Politicians, Yawning, Public speaking, Sewing, Interiors, Poverty, Chairs, Stools, Mirrors, Bellows, Lanterns, Spiders, and Cobwebs