Manuscript on paper of Bernardo Giustiniani (Bernardus Iustiniani, 1408-1489), Vita Beati Laurentii Iustiniani, translated into Italian by the Venetian Niccolo Manerbi (Malherbi, 1422-81).
Description:
St. Laurence Giustiniani (1381-1456) was the first patriarch of Venice. The author of this biography was his nephew., In Italian., Watermark: anchor in circle, closest to Briquet 471 (1527)?., Script: Written by one scribe in an unusually bold, angular and decorated Southern Gothica Textualis Formata., Red headings. Heightening of the majuscules in dark yellow. Red plain initials, 2 lines, at the opening of the chapters. Flourished red paragraph marks. A flourished initial in red with blue penwork, with extension the height of the text area in the left margin, on f. 1r., Many pages are deteriorated by the acidity of the ink., and Binding: Original blind-tooled half brown leather over wooden boards; two clasps (?) attached to the front cover. Spine with three raised bands and gold-tooled title "VITA DI S. LOREN. IUSTI". Endpapers with coloured floral pattern.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Giustiniani, Bernardo, 1408 or 1409-1489. and Lawrence Justinian, Saint, 1381-1456.
Subject (Topic):
Devotional literature, Italian, Literature, Medieval, and Manuscripts, Medieval
Manuscript on paper (with various watermarks), composed of five separate manuscripts bound together. Parts I and II were written in the 15th century and III-V in the 17th century. Part I: Vita di San Petronio. Part II: Tommaso Nacci Caffarini, Tractatus de stigmatibus extractus, the second part of the book De supplemento legende beate Katerine de senis. Part III: Federico Borromeo, Vita S. Caroli Borromei. Part IV: Pope Pius II, De morte eugenij Quarti creationeque et coronatione Niccolai V oratio. Part V: Thomas Obicinus, Motiuo Celeste diretto in questo segnato tempo
Description:
In Latin and Italian., Script: Part I: Round humanistic by a single scribe. Part II: Small neat round textura in a single hand. Part III: Written by one scribe in a calligraphic italic hand. Part IV: Written in italic hand by a single scribe. Part V: Written in a small italic hand by one scribe., Part I: Simple penwork initials in red or blue, some with penwork designs of the other color. Part II: Uninspired and badly rubbed historiated initial (Christ [?] displaying stigmata) on gold background with three gold dots, f. 19r; small decorative initials in red with black penwork designs, or blue with red. Paragraph marks in red or blue., The manuscript has been damaged and repaired extensively. Parts I and III: Waterstained and mended throughout. Part II: Folios have been trimmed with some loss of marginalia., and Binding: 18th-19th centuries. Vellum and paste paper case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petronius, Saint, Bishop of Bologna, d. ca. 445.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papal documents, and Stigmatization
Manuscript on paper of Artt. 1-6: Aesop (Aesopus, 6th cent. before C.), Vita et fabulae, Latin translation by Rinuccio da Castiglione (Rinucius Aretinus, ca. 1395-after 1456). Artt. 7-8: Aesop, Fabulae, Latin translation by Ognibene Leoniceno (Omnibonus Leonicenus, 1412-1481).
Description:
In Latin., Watermarks: Briquet 2472 (?); var. Briquet 7918 (?); other (scissors and scale)., Script: Copied by two hands: Section I in unusual Humanistica Cursiva Libraria with the features of Humanistica Semitextualis; Section II in Humanistica Cursiva Libraria., Pale red headings in Section II only (the headings in Section I are in black ink). Pale red paragraph marks. 2- or 3-line pale red plain or slightly decorated initials, with guide-letters in the left margin., and Binding: Eighteenth century. Half leather over cardboard, the paper covers decorated with a lozenged pattern of black and red dots. Gold-tooled spine with brown leather title-label with gold-tooled inscription "ESOPI FABBUL. ***7".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aesop.
Subject (Topic):
Didactic literature, Latin (Medieval and modern), Fables, Literature, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Plutarch, Vitae, translated into Latin by Leonardo Bruni
Description:
In Latin., Script: Written in an upright italic by a single scribe., Small, 4-line, white vine initials, one to commence each work, gold, infilled with pink and green with white dots, all on a blue ground; gold dots and hairsprays., and Binding: Eighteenth century. Green goatskin with red labels on spine. Delicately gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Plutarch.
Subject (Topic):
Biography, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on parchment (coarse, yellow) of about 40 selections from saints' lives
Description:
In Latin., Script: Copied by a single hand in careful Iberian Praegothica., Fine Romanesque initials (2-5 lines) with foliage penwork in red and blue. Some contain human heads (ff. 9r, 16v, 25r, 25v [two heads], 70r [two heads]). On ff. 64v, 125v and 135v initials of exceptional development, the latter two with animal decoration., Mutilated., and Binding: Twentieth century. Blind-tooled brown calf over....On the spine two labels with the hand-written inscriptions: "FLOS SANCTORUM MS" and "TOLEDO SAEC. XII".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Devotional literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript leaf, on parchment, mostly complete, containing text from this life of Saint Severinus in eleventh-century script on one side. The verso is a palimpsest, containing an index of canon law in a fifteenth-century humanistic cursive script
Description:
In Latin., Leaf was used in a binding., Layout: double columns of 32 lines., and Script: Carolingian script.
Manuscript on parchment of two sections of Jacques de Longuyon's Voeux du paon
Description:
In French., Script: copied by a single hand writing Northern Gothica Textualis Libraria. 2-line half inset flourished initials alternately in red and blue, respectively with purple and red penwork extending into the margin. At the opening of the second section, a 6-line littera duplex with penwork. At the opening of the first section, a half-page miniature in three compartments in a decorative frame: at left a tent in which two knights in armour are seated; in the center a tent with two ladies standing; at right Alexander and Cassamus. Under the miniature 14 lines of text, opening with a 5-line foliate initial ending in a bar in the left margin, continued with a foliate bar border in the lower and the right margins; the horizontal section ends at left in the head, forelegs and wings of a monster; at right a bird is sitting., Two sections of the poem "Voeux du paon" by Jacques de Longuyon, composed 1312-1313., and Binding: 18th century. French dark olive green morocco gilt, lined with pink silk. Bound by Bisiaux (his ticket); arms of Edward Vernon Utterson on covers. Folio 8 is bound between ff. 1 and 2.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacques, de Longuyon, active 1290-1312.
Subject (Topic):
French poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment, composed of 2 parts, both of uneven quality. Part I of the codex written in the 15th century. The final quire, written probably in the 14th century, was bound in with the first 186 ff. in the 16th or 17th century. Contains excerpts of historical tracts, medical recipes, charms, prayers, notes on parliament, philosophy, and dream interpretation, proverbs, poems, notes on horses and hunting, and excerpts from astronomical and religious tracts
Description:
In English and Latin., Script: Part I (ff. 1-186): Written in Anglicana, by 2 main scribes, with abundant notes and texts added in margins and blank spaces by other hands. On ff. 179r-181r the scribe begins in Anglicana formata but lapses into a more cursive grade. Initials (3- and 2-line), underlining, rubrics and slashes at ends of sentences in red. From ff. 103r-140v, 3- and 2-line initials in blue with red penwork and long flourishes; on ff. 30r-31v (on the exchequer), checkerboards in blue, red and black in upper and lower margins. Water stains on ff. 1-2, only affecting a few words of the text. Part II (ff. 187-193): Written by one scribe in an uneven 14th-century Anglicana. Three-line initial on f. 187r not filled in. Outer column of f. 187 cut off., and Binding: 16th-17th centuries. Limp, flush boards are made up of fibrous, felted material (paper?) sandwiched between two layers of vellum, which extend across the spine. This case is glued and tacketed to the bookblock with three tackets consisting of at least six threads each. Stitches go through the spine linings around three threads at head and tail. Covered with tawed skin, originally pink, the turn-ins glued over the pastedowns. The cover extends in fore-edge and envelope flaps. Some rodent damage on the upper board and part of the envelope cut away. Discoloration and traces of adhesive on three outer edges of envelope flap.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Charms, English literature, Hunting, Manuscripts, Medieval, Medicine, and Medicine, Medieval
Manuscript on parchment (one leaf, cut in half vertically). Inner margin continues through gutter, with slits for binding, to include ca. three letters of the text of the other half of the bifolium
Description:
In German., Script: Written in gothic cursive script., Plain initials alternate in red and blue; headings and initials in red. Guide-letters for plain initials., Rubbed and stained on verso with some loss of text., and Inscription on verso, inner margin "Stuefft Buch pro anno 1657" indicates that the leaf was used for a 17th-century binding.
