Manuscript on parchment (goatskin) of Nicolaus de Osimo (Auximo) OFM (d. after 1453), Supplementum Summae Pisanellae, an alphabetically arranged supplement to the Summa de casibus conscientiae of Bartholomew of Pisa (Bartholomaeus de Sancto Concordio, d. 1347). Produced at the Franciscan convent of Santa Maria degli Angeli near Milan
Description:
In Latin., Script: Apparently 8 scribes, all writing Southern Gothica., Decoration: The decoration of artt. 1-4 consists of heightening of the majuscules in yellow; blue or red paragraph marks. In art. 3 the chapters normally open with a 2-line (rarely 3-line) flourished initial with penwork extensions in the left margin or in the intercolumnar space, alternately red with purple or blue penwork and blue with red penwork; the first lemma of each letter opens with a 3- or 4-line flourished initial filled with foliage and with more developed marginal extensions. The text opens on f. 5v with a 5-line dentelle initial with green and blue background heightened with gold and white, followed by 5 lines of text mostly in majuscules. The decoration of art. 7 is similar to that of art. 3 but less carefully executed., and Binding: Eighteenth century (?). White parchment over pasteboard, with two modern brass clasps fixed to the front cover. On the spine green leather label with gold-tooled title "SUMA MAGISTRA". On the bottom edge the title "Summa Pisa****" is written.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Nicholas, of Osimo, -1453. and Franciscans
Subject (Topic):
Manuscripts, Canon law, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript on parchment of Isidore of Seville (d. 636), Synonyma
Description:
Script: Copied by a somewhat uneven hand in bold and angular Praegothica., Decoration: Red headings; alternately res and blue-gree 1-line versals; alternately red and blue 3-line half inset initials, plain or flourished with penwork. A curious pointing hand on f. 24v., Binding: None., and In Latin.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Fathers of the church, Latin literature, Medieval and modern, and Manuscripts, Medieval
Manuscript fragment on parchment of Isidore's Synonyma
Description:
In Latin., Script: written in late Caroline minuscule., and Decoration: 1-line initials in brown square capitals highlighted with red; other 1-line initials in brown rustic capitals; rubrics written in red minuscule; punctuated with the punctus, punctus elevatus, and punctus interrogativus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Isidore, of Seville, Saint, -636.
Subject (Topic):
Manuscripts, Medieval, Christian literature, Latin (Medieval and modern), and Dialogues, Latin (Medieval and modern)
Manuscript on parchment and paper of the Alfonsine Tables, a scientific work on astronomy, executed on parchment and decorated, but unfinished, to which paper leaves have been added at a not much later date, and the text completed, probably by a scholar
Description:
In Latin., Watermarks: 1) ladder in a circle with star at top, two varieties, similar to Briquet 5920; 2) eagle displayed within a circle, similar to Briquet 203., Script: Four scribes have written the manuscript: (1) the professional, humanistic hand of the parchment section; (2) the rapid, partly illegible cursive hand of the paper leaves; (3) a late humanistic hand which has supplied "radices" in red and brown inks in the lower margins of ff. 33-38; (4) a hand that filled in the numerals on the whole of f. 63r and a part of f. 36v, distinguishable by his numeral "7"., In the parchment section, headlines and part of the writing in red (the sixth place in each table is outlined in yellow glair, except in the table on f. 57r, where the ninth, fifteenth, and twenty-first places are outlined in blues). Longitudinal spaces between columns of the tables in the parchment section, ff. 38v-42v, 53r, and 61r-70v, have been decorated with arabesque patterns of vines, leaves, and flowers in great variety and usually in differing combinations of glair and blue, but the work has been left unfinished toward the end of the section. No illustration., and Binding: Modern. Blue morocco, gilt, matching slipcase of straight-grained blue morocco, by R. Wallis, original gilt edges.
Manuscript on parchment (thin, good quality) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Written for King Matthias Corvinus of Hungary (1458-90), perhaps by Italians at his palace of Buda
Description:
In Latin., Script: Written by a single scribe in a well formed humanistic script., Twelve initials, 7- to 2-line, at beginning of each book (2 at the beginning of the Annales), gold edged in black, with white vine ornament, against a panelled ground of blue, green and mauve, with white dots, outlined with one or two thin white and one black line; ivy, drawn or pen, with triangular gold leaves or dots, projecting from corners into margins. On f. 1r, the initial includes a putto in the vinework; in the lower margin, coat of arms of Corvinus, type A (quarterly, first and fourth barry of 8 gules and argent [Hungary]; second and third gules, a lion rampant and queue-fourche argent [Bohemia]; an inescutcheon azur with raven sable holding an annulet or, with bordure or [Hunyadi family]. Workmanship of fair quality; style Northern Italian (?)., and Binding: Fifteenth century. Sewn on three tawed, slit straps laid in channels in beech boards. The straps are pegged and the channels filled in with plaster as are the endband grooves and the edge channels cut out for the clasps. The primary endband is plain, wound, and sewn on a tawed core and the secondary is beaded and colored. The core is laid in a groove and pegged. The square spine is given a slightly round shape by the bevelling of the boards and is lined with a tawed skin. Covered in dark, brick-red goatskin with a cusped shield azur, charged with a crow sable (Hunyadi family), in the center of each board; blind-tooled rope work, punch dots and other ornamentation gilt, gold-tooled or painted. "Cornelius Tacitus" is tooled along the head of the lower cover and is also written down the fore-edge with black ink. There are four fastenings, the brass catches on the lower board, with three of them covered over with added leather. The clasps are the same color as the cover and are reinforced with parchment. They are pegged in channels at the edges of the board, underneath the cover. The clasps and a little leather of the spine and the upper board are wanting.
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Matthias I, King of Hungary, 1443-1490. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Manuscript on paper of The Life, Araignment, and Death, of the famous learned, Sir Thomas More Knight: Somtymes Lord Chauncellor of England. On f. iii verso, engraving of Sir Thomas More, half-length, to right, standing, pointing to scroll in right hand
Description:
In English., Watermarks: Heawood, Coat of Arms 481., Script: Written in neat chancery script., Illuminated title-page, f. iii recto: double blue frame with sprigs of berries and leaves on both sides and gilt designs above and below. Gold initial on f. 1r marks the beginning of text., and Binding: 17th-18th centuries. Part of a book rebound in limp vellum, gold-tooled, with holes for two ties.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
More, Thomas, Saint, 1478-1535. and Roper, William, 1496-1578.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and History
Manuscript on paper composed of two parts. Part I: The Mirrour of the Blessed Lyf of Jesu Christ (Meditationes vitae Christi), tr. Nicholas Love. Includes Adam of Dryburgh (Adam Scotus) O. Praem, later O. Carth. (d. 1212), De instructione animae; ends incomplete in I.4. Part II: The Thirty-Nine Articles (doctrinal formulas accepted by the Church of England), articles 1-19 only, in diagram form, all pages being organized in three sections titled "the truth", "the creed", and "errors".
Alternative Title:
Meditationes vitae Christi. English
Description:
In English and Latin., Script: Part I: Written by two scribes in Gothica Cursiva Libraria (Secretary very close to Anglicana). Part II: Written in careful Gothica Cursiva (Secretary)., Majuscules are heightened in red (?) up to f. 8v. Red paragraph marks (?). Plain red 2- to 4-line initials. A 4-line red (?) flourished initial with rather coarse penwork in (?), including a human head and a fish, on f. 1r., and Two parchment fly-leaves of the original binding are inserted after f. 100: they have been taken from a 13th-century manuscript and contain fragments of Codex Iustiniani, VI.3.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Church of England.
Subject (Topic):
Devotional literature, English (Middle), Manuscripts, Medieval, and Theology, Doctrinal
In English., Script: Articles 1 and 2 written by a single person in a careful secretary script; other items added by several contemporary and later hands., One loose leaf, presently tipped in between ff. 1 and 2, has pen and ink sketch of falconer, with bird and dog. Inscription above drawing: "Lorde let me not, in Vanitie/Delight more, then I should in thee.", and Binding: 16th-17th centuries. Limp vellum case with title lettered on spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
English literature, Falconry, and Manuscripts, Medieval
Manuscript on parchment (thick, furry) of 1) Richard Rolle, The Fire of Love. 2) Poem added, 16th century, by Richard Hutton. 3) Richard Rolle, The Mending of Life. 4) Verse life of John of Bridlington (d. 1379). Written in a Northern dialect; numerous marginal and interlinear notes in hands of 16th-17th centuries illustrate that the text was being read for comprehension in this period. Annotations include corrections (often by one individual on comments made by another), glosses on particular words, and whole passages transcribed in the margins
Description:
In English (Northern dialect)., Script: Written by a single scribe in bastard Secretary script. Marginal and interlinear glosses by several hands, 16th-17th centuries., Blue initials, 2-line, with elaborate pen-work flourishes, in red: zigzags along the margin and foliage designs in and around the body of letter. Underlining, initial strokes, and simple helical line-fillers, in red., and Binding: Fifteenth century. Original, wound sewing on seven small, double, tawed-skin supports laced into grooves on the inside of oak boards and pegged. Covered in pink, tawed skin with two strap-and-pin fastenings, flower-shaped pin bases on the lower board. Fastenings wanting and supports breaking. Original pastedowns from an antiphonal (England, 13th century) with parts of the office for Stephen at Matins and at Lauds; musical notation on 4-line red staves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Antiphonaries, Devotional literature, English (Middle), English poetry, and Manuscripts, Medieval