Title devised by cataloger., Numbered "11" above plate line., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Cf. Series of original portraits and caricature etchings / by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. ii, no. 340 and p. 479.
Title from item., Title, pintmaker, and imprint from the Catalogue of prints and drawings in the British Museum., Proof before letters, without inscriptions on the flags or on the sash of the figure holding horse's reins, and without "Warwick Lane" plaque on the corner building., Earlier state of No. 4174 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: College of Physicians -- London: Warwick Lane -- Medical: doctors -- Farriers -- Tooth pullers (blacksmiths)., Mounted to 37 x 56 cm.; Bowditch's notes on mounting sheet., and Title and imprint added in ink at bottom of plate below image and inscriptions on flags added in pencil; added by an unknown hand.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed within plate mark., and On page 150 in volume 2.
Title from British Museum catalogue., Publication date from that of the book in which this plate was published., State without title and with original publication date partially burnished from plate. Cf. No. 3880 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Temporary local subject terms: Throne Room -- Orders: Order of the Thistle -- Harlequins -- Scots., and Mounted to 30 x 46 cm.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
Detail of the right side of the first design for William Hogarth's A rake's progress; an older man sits at a table holding the hands of the two young people whose marriage he has just arranged. Only the forearms of the betrothed couple are shown
Description:
Title devised by curator. and On page 209 in volume 3.
Detail of the right side of the first design for William Hogarth's A rake's progress; an older man sits at a table holding the hands of the two young people whose marriage he has just arranged. Only the forearms of the betrothed couple are shown
Title from manuscript note below image., Date of publication from unverified data in local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printd. & published by J. Didsbury, 22 Southampton St., Covt. Gden
Full length portrait of Marquis of Graham on left standing back to back with the Earl of Buchan. Both wear Highland dress
Description:
Title from item., Probably from: A series of original portraits and caricature etchings by the late John Kay (1837)., and Printmaker, title, place and date of imprint conjectured from that of book.
Publisher:
publisher not identified
Subject (Geographic):
Scotland
Subject (Name):
Montrose, James Graham, Duke of, 1755-1836. and Buchan, David Stewart Erskine, Earl of, 1742-1829.